First impressions: ‘Captain Marvel’ and its archives scene

Cue the chase-and-fight scene in the archives!

Kicking off our now twice-monthly posting schedule (new posts go live now on the 2nd and 4th Wednesdays of each month — sign up for email updates!) is a new “first impressions” post. If you’re unfamiliar with this series, let me remedy that: these posts focus on more current films that I have watched in theaters that include reel librarians and/or library or archives scenes. The resulting “first impressions” posts are necessarily less detailed, as I don’t have the luxury of rewatching scenes and taking notes.

*MILD SPOILERS AHEAD*

I recently enjoyed watching Captain Marvel, the next movie in Marvel’s Avengers movie series, starring Brie Larson in the title role. I straight-up and unapologetically LOVED this movie. LOVED LOVED LOVED. How much? Let me count the ways:

  • Larson’s easy camaraderie with Samuel L. Jackson as a younger, pre-eyepatch-wearing Nick Fury (the digital erasure of Jackson’s naturally age-lined face was seamless, and I honestly didn’t even think about it while watching the film)
  • The ’90s setting with its cheeky pop culture references and soundtrack
  • Larson’s warm friendship with fellow pilot Maria Rambeau (played by Lashana Lynch) and her daughter, Monica (played by Akira Akbar) — I’m realllllllly hoping for Monica’s character returns as a character in the next Avengers movie!
  • Ben Mendelsohn’s rogue-ish charm evident even under several pounds of makeup in the character of Talos
  • The sight of Annette Bening looking bad-ass AF in a leather jacket
  • That last scene between Jude Law and Brie Larson
  • The film’s unapologetically feminist focus
  • That the film was co-directed and co-written by women
  • And last but not least, I felt SO SEEN whenever Nick Fury fell all over himself cooing and petting Goose the cat. This is the correct behavior around cats, and I am here for it. #FlerkensForever

I also was surprised — and appreciative! — of an archives scene that popped up about halfway (?) through the film, and you can spy glimpses of the archives scenes starting at 1:26 into the trailer embedded below:

Marvel Studios’ Captain Marvel – Trailer 2” video uploaded by Marvel Entertainment is licensed under a Standard YouTube license

This scene is vital to the plot, as it provides clues to the essential question of the film: Who is Carol Danvers? This question is the center of the film’s second-released trailer, seen above, when you hear Ben Mendelsohn’s voice asking:

“Would you like to know what you really are?”

And over the flashes of the archives scene, you can hear Brie Larson’s voice say:

“I think I had a life here.”

Using bits of fractured memories, Vers/Carol Danvers/Captain Marvel and Fury go to a U.S. Air Force base to look up “Project Pegasus.” In the archives — which feature rows and rows and rows of neatly organized archival boxes — Vers easily finds the file she’s looking for. (I think she pulled down a box labeled “P” for “Pegasus,” but it might have been “L” for Bening’s character Wendy Lawson, but regardless, it was super easy to find — and further evidence for why an organizational system MATTERS, y’all!)

Archival boxes in the records scene in Captain Marvel (2019)
Archival boxes in the records scene in Captain Marvel (2019)
Nick Fury and Carol Danvers in the archives scene in Captain Marvel (2019)
Nick and Carol go fact-finding. Thank goodness for clearly labeled archives!

In that archival box — props to the propmaster for highlighting proper storage of archives, as this type of archival box would look familiar to any archivist or librarian — Fury and Vers discover evidence that she was a pilot presumed to have died in 1989 while testing an experimental jet engine designed by Lawson. This helps trigger more memories, as she starts putting together the pieces of her long-lost identity.

Photograph evidence of Carol Danvers as a pilot on Project Pegasus in Captain Marvel (2019)
Photograph evidence of Carol Danvers as a pilot on Project Pegasus

After this pivotal fact-finding scene in the U.S. Air Force Archives base, a S.H.I.E.L.D. team led by Talos (in disguise) tries to capture them. Cue the chase-and-fight scene in the archives! I also appreciated the automatic lighting used in the archives setting, as this detail is not only realistic to large archival collections (automatic lighting saves money), it also provides cinematic DRAMA during the entire scene, as Fury can’t move without triggering the lights and revealing his hiding spot. Long rows of bookshelves are always cinematic in scope, but adding automatic lighting is the cherry on top of this archival sundae. And they used this lighting effect in the trailer, too, set to beats of music.

Dramatic lighting in the archives scenes in Captain Marvel (2019)
Dramatic lighting in the archives

Alas, there is no archivist in this scene — I guess they didn’t need one since the archives were so well organized?! 😉 Therefore, this film lands in the Class V category, films with no identifiable librarians and/or archivists, although they mention them and/or have scenes set in libraries/archives.

To sum up, a library/archives scene — once again — provides pivotal clues to propel the plot forward. Just one more reason to love this action movie!


Have you seen Captain Marvel yet? What are your thoughts? Did you perk up during the archives scene? Are you #TeamFlerken? Please leave a comment and share!


Sources used:


  • Captain Marvel. Dir. Anna Boden and Ryan Fleck. Perf. Brie Larson, Samuel L. Jackson, Annette Bening, Ben Mendelsohn, Jude Law, Lashana Lynch. Disney, 2019.
  • Captain Marvel (film)” via Wikipedia is licensed under a CC BY SA 3.0 license.
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A variety of research scenes in ‘Double Jeopardy’

“Someone said I should try the internet.”

As we wind down this October, I’m back with another film analysis post, this time of the suspense thriller Double Jeopardy (1999), starring Ashley Judd and Tommy Lee Jones.

Here’s the IMDb.com plot synopsis for the film:

“A woman framed for her husband’s murder suspects he is still alive; as she has already been tried for the crime, she can’t be re-prosecuted if she finds and kills him.”

There are so many factual errors in that plot synopsis alone. I won’t go into them here; check out the IMDb.com Goofs page for the film.

Here’s a quick trailer:

Double Jeopardy (1999) Official Trailer – Ashley Judd Movie HD,” uploaded by Movieclips Classic Trailers, Standard YouTube license

*SPOILERS AHEAD*

There are no actual reel librarians in this film, landing it in the Class V category. However, there are a few research scenes that I found interesting, so let’s dig in, shall we?


Research scene in the library:


After Libby (Ashley Judd) has served her time in prison for the crime of murdering Nick, her husband (Bruce Greenwood), she visits a public library to look up her former friend, the one who adopted Libby’s son, Matty. This library scene occurs 35 minutes into the film, and it was filmed at the main Vancouver Public Library in British Columbia. (I’ve been there!)

Research scene filmed in the Vancouver Public Library
Research scene filmed in the Vancouver Public Library

Since Libby’s been in prison the last 6 years, she’s not used to computers or concepts such as email. (Remember, this film was released in 1999.) She even says to a young man who stops to help her out on the computer that “Someone said I should try the internet.” I also really hope that “someone” was NOT a librarian!

This young man asks her a few questions — essentially doing a “reference interview” although it is clear that he is NOT a reel librarian. How do I know that?

  • He never identifies himself as a librarian
  • He is casually dressed, with a backpack or messenger bag (most likely marking him as a student)
  • He only agrees to help her after she reveals that she’s not looking for a guy friend (gross)
  • His role in the credits is listed as “Handsome Internet Expert,” hah!

After learning that her friend was a school teacher, he recommends that they start at the Washington State Department of Education directory site. Bingo!

Note:  There is no “Washington State Department of Education,” so this is a factual error. The Washington state educational agency is called the “Washington State Office of Superintendent of Public Instruction,” otherwise known as OSPI.

While helping her, the young man continually attempts to flirt with her. This is Libby’s priceless reaction:

Screenshot from 'Double Jeopardy' (1999)
Epic eye roll

After getting what she needs, Libby expertly sends the guy on his way by revealing that she had been convicted of murdering her husband. Buh-bye!

This library scene, with nary a reel librarian, lasts a total of 2 minutes. It is effective in helping Libby locate her friend, which gives her the next clue in tracking down her husband.

The best thing about this scene? The old-school web site designs, full of tables and frames. Ahhhhhhh, good times. 😉

Website screenshots from 'Double Jeopardy' library research scene
Remember when websites used to look like this?!

You can view the entire library research scene below.

Double Jeopardy (4/9) Movie CLIP – Library Pick-Up (1999) HD,” uploaded by Movieclips, Standard YouTube license

Research scene in the newspaper archives:


Fifty-eight minutes into the film, we next see Libby researching the death of her friend — she suspects at the hand of her husband! — by using microfilm in a local newspaper’s archives. It’s funny, Libby seems much more comfortable using microfilm than she did using a computer. That subtle body language is a nice touch. You can tell it’s a newspaper archives room because in the foreground, you can see newspapers being printed.

Screenshot from 'Double Jeopardy' (1999)
A microfilm machine? Finally, something she knows how to use!

This scene lasts less than 30 seconds, but it provides a clue that leads Libby to the next step. In the photo used in the newspaper story about her friend’s death, Libby recognized a painting in the background.

Clue in the newspaper clipping
Clue in the newspaper clipping

Research scene in an art gallery:


And this next clue leads Abby to a particular painter, Wassily Kandinsky, her husband used to collect. So she heads to a local art gallery and asks the gallery owner to try and track down any purchasers of recent paintings by that artist. The gallery owner looks up the Art Net website for this info, while Libby looks on over his shoulder. (Nice reversal of the first research scene, where a guy looked over her shoulder at the computer!)

Research in the art gallery
Research in the art gallery

Fun fact:  The Art Net site still exists! It is a major art site used to “find artworks for sale, online auctions, top galleries, leading artists, and breaking art market news from around the globe.”

Below is a “then and now” collage from how the site (supposedly) looked in 1999, and how it looks now.

Then and now comparison of Art Net website
Then and now comparison of Art Net website

This art research scene lasts only a couple of minutes.


Adding up the value of research:


In total, all three scenes add up to less than 5 minutes total of screen time in Double Jeopardy, but they managed to pack in:

  • three different types of research;
  • different kinds of research tools, including websites and microfilm; as well as
  • different research locations, including a public library, newspaper archives, and an art gallery.

And each time, the research leads to vital clues that lead Libby to locating her husband and child.

All in all, Libby comes across as quite resourceful. My final thought is how much more quickly she might have tracked her husband down if she had utilized the resources of a reel librarian… 😉


Sources used:


Indiana Jones contradicts himself in ‘Crystal Skull’

“The real/reel Indiana Jones would never say ‘If you want to be a good archaeologist, you’ve got to get out of the library’!”

Last week, we looked at Indiana Jones and the Last Crusade (1989), in which Indiana Jones praised the library, stating, “Seventy percent of all archeology is done in the library. Research. Reading.” This week, let’s take a look at Indiana Jones and the Kingdom of the Crystal Skull (2008) and a library scene in which Indiana Jones completely contradicts himself.

First up, a trailer to set the context for this most recent film in the series:

“Indiana Jones and the Kingdom of the Crystal Skull (2008) Trailer #1 | Movieclips Classic Trailers,” uploaded by Movieclips Classic Trailers, is licensed under a Standard YouTube License

Once again, as in the previous film in the series, we get a scene of Indiana Jones teaching. Twenty years later, he’s still wearing the same three-piece suit, polka-dotted bow-tie, and round glasses:

20 years later, Indiana Jones still teaching in the same suit and bow tie
20 years later, Indiana Jones still teaching in the same suit and bow tie

The library scene:


A little over a half-hour into the film, Indiana Jones meets with “Mutt” Williams (Shia LaBeouf), a guy with a chip on his shoulder the size of his motorcycle. Indy jumps onto the back of Mutt’s motorcycle to escape from Russian agents who are after him. To finally shake off the agents, they motor into… what else? The library!

Why wouldn't you drive into a library to escape Russian agents?!
Why wouldn’t you drive into a library to escape Russian agents?!
Interior of the library scene
Interior of the library scene

Although this scene lasts just under a minute total, Spielberg makes the most of it.

This exterior of the library scene was filmed outside Yale University’s iconic Sterling Memorial Library, standing in for Indiana Jones’s fictional Marshall College library. The interior of the library scenes were actually filmed in Yale’s dining hall!

Everyone is stunned to hear a noise in the library, let alone a motorcycle!

What's that noise? A motorcycle in the library, what else?
What’s that noise? A motorcycle in the library, what else?

The two nearly run over a male student with a huge stack of books in his arms:

Slow down, save the books!
Slow down, save the books!
The books go flying, as does the motorcycle
The books go flying, as does the motorcycle

The guy’s books go flying, as does the motorcycle swerving to miss him. Indy, Mutt, and the motorcycle skid under a batch of tables, finally coming to a stop in front of one of Indy’s students. (That is a sentence I never thought I’d write.)

Fun fact:  This student in the library is played by Chet Hanks, the son of Tom Hanks and Rita Wilson.

I have a question...
I have a question…

And of course that student, unfazed by loud noises or sliding motorcycles and undeterred in his quest for knowledge (can you tell I think he’s the real hero of this scene?!), has a question for Dr. Jones:

Student in LibraryExcuse me, Dr. Jones? I just had a question on Dr. Hargrove’s normative culture model.

Indiana JonesForget Hargrove. Read Vere Gordon Childe on diffusionism. He spent most of his life in the field. If you want to be a good archeologist, you got to get out of the library!

Screenshot from the library scene in 'Indiana Jones and the Kingdom of the Crystal Skull" (2008)
… and I have a dumb answer.

BOO. Boo, I say. BOO.

And I am not the only one incensed by this scene and total about-face for Indy’s view of the library and its vital role in research and archeology.

The trivia on the Amazon Prime version of the film also pointed out this contradiction:

Trivia about the library scene in 'Indiana Jones and the Crystal Skull" (2008)
Trivia

And my overseas counterpart, Colin Higgins from Libraries at the Movies, messaged me this:

Do you like Crystal Skull? I don’t, at all. One of the reasons I feel it must be non-canonical is Indy’s dissing of libraries after his motorbike ride through Yale’s Sterling. The real/reel Indiana Jones would never say ‘If you want to be a good archaeologist, you’ve got to get out of the library’!

I love Colin’s wording here, that (1) this film in the series is non-canonical because of its treatment of libraries, and (2) “dissing of libraries” is totally not in Indy’s character. Agreed on both counts!


Goofs


I also enjoyed this extra bit of trivia/goofs from Prime, delving into the mention of Vere Gordon Childe in Indiana Jones’s advice to the student:

Trivia about the library scene in 'Indiana Jones and the Crystal Skull" (2008)
Goofs

Hah! So Vere Gordon Childe, an Australian archeologist (1892-1957), did spend almost his entire career in the library! And OF COURSE I double-checked this. While he did oversee excavation of archaeological sites in Scotland and Northern Ireland, Childe is indeed most well-known for being a “great synthesizer” of archeological research, publishing over 240 articles and 26 books in his lifetime. And Childe was HIMSELF librarian of the Royal Anthropological Institute at one time (!), so I don’t think he would have EVER advised a student to “get out of the library.”

So. Indiana Jones not only contradicts himself — and one of the primary messages and themes from the previous film — he GETS IT WRONG.

I think it’s clear that Indiana needs to get back to the library, stat! (Without the motorcycle this time.) 😉

Extras in the library scene in Indiana Jones and the Crystal Skull (2008)
Extras in the library scene in Indiana Jones and the Crystal Skull (2008)

Indiana Jones and the Kingdom of the Crystal Skull ends up in the Class V category, as there are no reel librarians identified or distinguishable from all the other people in the library scene.


Continue with conversation:


What are your thoughts about this film in the Indiana Jones series and this library scene? Please leave a comment and share!


Sources used:


‘Regarding’ a public library

Books and silence — libraries in a nutshell. (Sigh.)

In the 1991 film Regarding Henry, directed by Mike Nichols and written by J. J. Abrams (!), a library scene takes place almost exactly halfway through the movie.


Movie plot:


But first, let’s set the context. Harrison Ford plays the title role, a hot-shot and ruthless New York lawyer who is out of sync with his 12-year-old daughter, Rachel, or his wife, Sarah (played by Annette Bening). One fateful night, Henry gets shot by a kid holding up a corner store, a shot that causes brain damage. When Henry wakes up, he has to figure out how to start all over again — including the basics of movement and speech — including getting to know his family again.

Here’s a trailer for the film:

“Regarding Henry – Trailer,” uploaded by YouTube Movies, 2012, Standard YouTube license.

The library scene — over 10 seconds of it! — makes the trailer, at 1:45 seconds into the clip above.


Library rules:


Rachel takes her father to the library, and she explains the basic rules of the library on the walk there.

Rachel: Some of them [books] you can borrow and take home, but some of them you have to read here.

HenryAnd you can’t talk loud.

RachelRight.

Books and silence — libraries in a nutshell. (Sigh.)


Library scene:


The camera then pans quickly through the library, following the polished floors and atmosphere so quiet you can hear every step of every shoe and squeak of every chair. Every table is occupied, showcasing a variety of people.

Henry's daughter hard at work in the library
Henry’s daughter hard at work in the library

Henry’s daughter is working and studying, writing in a notebooks. A stack of National Geographic magazines are on the table in-between father and daughter. (It isn’t clear if the magazines are for Henry or for his daughter.) There is also a large photography book open in front of Henry.

Henry then starts throwing wads of paper from a box of call number slips, crumpling them up, and then flicking them at his daughter. (This is the part of the scene that makes the trailer.) The sly expressions on Harrison Ford’s face make this scene a(n initially) comic one.

What? I'm not up to anything...
What? I’m not up to anything…
Nothing to see here...
Nothing to see here…

His daughter is not so amused. She keeps saying, “Stop it!” and “Dad, I’m serious.

Henry’s mocking response? “I know. VERY.

The library is VERY serious.
The library is VERY serious.

But the third time he flicks a paper wad at her, Rachel cracks a smile. But then this short scene turns serious.

Rachel: Read your book.

HenryI can’t.

Rachel:  [Realization dawning on her face] I’m sorry.

Rachel’s mother no doubt hid a lot of the details about Henry’s recovery from her daughter, including details about how he had to painstakingly learn how to speak and walk again. It never occurred to Rachel — or the audience?! — until that moment in the library that her father no longer remembered how to read.

The moment Henry's daughter realizes her father can't read
The moment Henry’s daughter realizes her father can’t read

This realization then leads to Henry’s daughter teaching him how to read again. This is significant because he had always put pressure on his daughter to be smart and self-reliant and grown-up; this friction had caused emotional distance between them. Henry being able to admit weakness to his daughter helps them bond again.

It’s a poignant scene. And that this discovery — that Henry can’t remember how to read — is made IN A LIBRARY makes this scene even more poignant and memorable.

Although memorable, this scene lasts less than two minutes. No librarian is visibly present in the scene. Theoretically, one of the several people in the background could be a librarian, but there is nothing obvious — like, say a prop like a book cart — to make this connect visibly clear for the audience. And no librarian is needed in this scene; rather, the focus is on the relationship between father and daughter.

Therefore, Regarding Henry lands in the Class V category, films with no identifiable librarians, although they might mention librarians or have scenes set in libraries.


Library filming location:


The filming locations mentioned in its IMDb page are very general — it was filmed in New York City — but luckily, an internet search turned up the “On the Set of New York” site. This site’s page for Regarding Henry reveals that the library scene was filmed at the 5th avenue branch of the New York Public Library. This turns out to the iconic central, or main, branch of the library. Kudos to director Mike Nichols for finding a way to make the library space in this scene look more cozy and warm than the usual cinematic shots of the NYPL central branch.

Interior shot for the library scene
Interior shot for the library scene

Sources used:


Angels in the library in ‘Wings of Desire’

“Tell me, muse, of the storyteller… Those who listened to me became my readers…”

I am following up on another reader question from my call earlier this year for reader questions and ideas, a question posed by Kvennarad, who left a comment that contained several very intriguing post ideas, including this one:

‘Wings of Desire’ is an amazing film, with lots of footage set in a library… No reel/real reason why I include this, it just haunts me.

Here was my initial response to Kvennarad’s comment, in my reader Q and A follow-up post:

Yes, this film was already on my Foreign Films reel librarians list. I have also written an analysis post on City of Angels, the (inferior) U.S. remake starring Meg Ryan and Nicolas Cage. It would be interesting to do a post about Wings of Desire, and then perhaps a follow-up comparing the two films and their two reel libraries/librarians. Adding this to my ideas list… 

And here it is, at least the first part of the idea to analyze Wings of Desire (1987), which is a truly haunting film.


Plot and atmosphere:


The original title of this primarily German-language film is Der Himmel über Berlin, which translates to “The Sky over Berlin.” I actually prefer that title, rather than the more generic-sounding Wings of Desire. We see humanity through the wanderings of angels throughout Berlin, including one particular angel, Damiel (played by Bruno Ganz), who begins to fall in love with a mortal woman. Peter Falk also stars in the film, playing a version of himself. I can’t say anymore about the plot, as I want to avoid any spoilers. This is a film to savor watching the first time, if you have not already seen it. (And let’s just say, it has almost nothing in common with its American remake, City of Angels, THANK GOODNESS, except for the barest of plot lines and the angels’ penchant for long coats. I analyzed the library scene in City of Angels in this post.)

Here is a trailer for the film, set only to music:

“Wings of Desire – Official Trailer (1987)” video uploaded by Patricia Gaia is licensed under a Standard YouTube license

There are so many beautiful moments in this beautiful film, including every time a child looks up and smiles in recognition of an angel. I tear up just thinking about it. None of the adults notice the angels’ presence; only the children notice them and share knowing smiles.

I had passively resisted watching this film until now, in part because of the *awful* American version of it. I suppose I thought the film would be too “arty” and depressing (the bulk of it is in black and white), but that’s what I get for assuming! The film is ultimately uplifting, and the director, Wim Wenders, sustains an atmosphere of bittersweet wonder with the lightest touch… like that from angels’ wings? 😉

In short, this film is special. See it now — for the first or 100th time.


Library scenes:


There are three short scenes set and filmed in the Staatsbibliothek zu Berlin (Berlin State Library), where angels often go to hang out with humans. Another reason to love the angels, who obviously have such good taste — and not just in overcoats!

There is no reel librarian character that I could see, so this film does end up in the Class V category of films with no identifiable librarians (although Class V films might mention librarians or have scenes set in libraries). But that does not take away the significance of the library in this classic film, as I demonstrate in detail below.


Library scene #1:


Sixteen minutes into the film, Damiel and his friend, Cassiel (Otto Sander), visit the Staatsbibliothek. The scene lasts 7 minutes in total as the angels and the camera wind their way around the shelves and different levels of this eye-catching library.

Angels visit the Berlin State Library
Angels visit the Berlin State Library
Angels like to read over people's shoulders in the library
Angels like to read over people’s shoulders in the library

Here’s how this online review at DVD Talk describes this scene:

“There are wonderful scenes on a plane or in the public library where the sound mixers scroll through the gathered people, moving from one inner monologue to another the way we flip through channels with our TV remote. In the library, there are almost as many angels as there are mortals, all looking for something interesting to commit to memory or maybe scribble down in one of their little notebooks.”

The sound throughout this scene is a hushed murmuring of voices/thoughts layered on top of choir-like singing. The effect is like that of visiting a church, and indeed, this library has soaring ceilings to match the soaring vocals. The director and the angels treat this space like a sacred space. In the book The Meaning of the Library: A Cultural History, Laura Marcus argued that in Wings of the Desire, the angels’ affinity for libraries do indeed make the library a miraculous place.

This is very obviously a well-used library, filled with people — and angels! — in all corners. It also showcases that a library provides space and resources for many different kinds of needs and different kinds of users.

A well-used public library
A well-used public library

The scene comes to a close as Damiel takes notice of an old man slowly climbing the stairs, pausing every few steps to catch his breath and wipe his face. We see this man, the storyteller, throughout the rest of the film. His inner dialogue feels appropriate for such a setting:

“Tell me, muse, of the storyteller… Those who listened to me became my readers…”


Library scene #2:


This same older man is our link to the second library scene, when at 39 minutes into the film, we revisit the man sitting at a table in the library. This table is filled with a collection of globes of many sizes, and he is enthralled with a rotating solar system. The camera then cuts to the old man sitting at a different table in the library, this time thumbing slowly through a large book of photos. The angel Cassiel follows the old man through the library, just as the reader does.

An old man finds treasures to enjoy in the library
An old man finds treasures to enjoy in the library

This scene lasts only two minutes. But as Marcus points out in The Meaning of the Library: A Cultural History, Wenders highlights the library as a tool of “memory and public space.” This is especially evident in this scene.


Library scene #3:


The final scene in the library lasts only a minute, but it is a memorable minute. Cassiel remains in the library, but this time, the tables and desks are empty.

One is the loneliest number
One is the loneliest number

The library is closed, the only mortals the cleaners, yet the angels still seek solace within the library walls.

The library after hours
The library after hours

Real-life library, trivia, and significance:


The movie was filmed on location at Staatsbibliothek in Berlin, Germany. This library is also featured in two other German-language films, Agnes and His Brothers (2004) and the TV movie Götterdämmerung – Morgen stirbt Berlin (1999).

Staatsbibliothek zu Berlin, screenshot from the DVD featurette
Staatsbibliothek zu Berlin, screenshot from the DVD featurette

The DVD features include an interactive map that also highlights the library, as you can see in the screenshot below.

Interactive map on DVD of Wings of Desire (1987)
Interactive map on DVD of Wings of Desire (1987)

The library clip on the interactive map lasts less than 30 seconds, but it reveals why the public library location was chosen for the film:

“The Staatsbibliothek was built between 1967 and 1978. It is one of the largest libraries in Europe, with a collection of over 8 million books and manuscripts. The quietness of the library, due to its acoustics, makes it an ideal place for the angels to tune into our thoughts.”

Here’s a look at that acoustic ceiling in the library:

Acoustic ceiling in the public library
Acoustic ceiling in the public library

Wings of Desire was both a critical and financial success, and as per its Wikipedia entry, “academics have interpreted it as a statement of the importance of cinema, libraries, the circus, or German unity, containing New Age, religious, secular or other themes.”

I will end with this thought, that Kvennard is certainly not alone is being haunted by the library imagery in the film. Indeed, the German news publication Der Tagesspiegel recently highlighted the film’s memorable imagery, in particular the library scenes:

“A film lives on such images that get stuck in the memory of the audience.”

Have you, too, seen the film and been haunted by its imagery? Have you seen the American remake? Please leave a comment and share!


Sources used: