31 thoughts and questions I had while watching ‘A Winter Romance’ (2021)

“Digging into history is what I love to do.”

I was browsing recently through the newly added movies on Amazon Prime, and a TV movie entitled A Winter Romance (2021) caught my eye because the word “librarian” was mentioned in the first line of its summary:

When librarian TAYLOR HARRIS suddenly loses her job, she moves back to her small hometown in Montana. There, she gets involved in the fight to help save her brother’s hotel from tycoon JOEL SHEENAN. But things become complicated when she ends up falling for Joel.

Jessica Lowndes, a White Canadian actress, stars as librarian Taylor, and Chad Michael Murray, a White American actor, co-stars as Joel in this GAC Family Channel TV movie — with all the hallmarks of a Hallmark or Lifetime TV movie. Since the librarian is the main character in this TV movie, it took me HOURS to watch this 85-minute movie. Since I had so many notes from all the pauses, replays, research tangents, etc., I was struggling with how to structure this post… which finally led me to the realization that I could structure it more stream-of-consciousness style, noting all my random thoughts and questions I had while watching this TV movie. I hope you enjoy this new kind of post format!

*MAJOR SPOILERS AHEAD* (But are there really any kind of spoilers for this kind of holiday romance?)

Here’s a preview trailer for the movie:

1. Why does this TV movie have multiple titles?

Title screen for 'A Winter Romance' (2021)
Title screen for ‘A Winter Romance’ (2021)

The opening scene clearly reveals the movie title to be A Winter Romance, as seen above. But when I tried to look up details about the movie using that title, I came up empty. Finally, looking up the director’s name, Bradley Walsh, led me to the TV movie’s original title, Colors of Love, which led me to other alternate titles, including An Autumn Romance when it was released on the GAC Family cable channel (and as seen above in the YouTube preview). And all of these titles are different from the source novel, The Tycoon’s Kiss, by Jane Porter. Why does this TV movie have 3+ titles? This does not feel like a good sign.

2. Is there a real “Seattle Reference Library”?

Seattle Reference Library exterior
Seattle Reference Library exterior

The opening title screen is of the Seattle cityscape. You can see the Seattle Space Needle in the upper right in the screenshot in #1 above, and the boomerang-shaped buildings along the bottom are the Bill and Melinda Gates Foundation campus. Is this movie set in Seattle? How do we get to Montana, as mentioned in the plot summary?

The next shot is the outside of a building with prominent black letters on the sign that read “Seattle Reference Library,” further emphasizing the Seattle location. Is there a real-life library called the “Seattle Reference Library”? Not that I know of, and I live in this region of the U.S. The glass architecture of this building seems to be suggesting the iconic glass building that houses the central Seattle Public Library building. If you recognize this real-life building that’s standing in for this library onscreen, please leave a comment.

3. Don’t piss off librarians by introducing a librarian character and then having that librarian immediately shush a patron onscreen.

Shushing WHILE smiling?!
Shushing WHILE smiling?!

There should be a moratorium on showing librarians shushing onscreen. It’s so stereotypical and so unnecessary, especially in a modern movie.

After Taylor helps a writer who is researching his book — the key is in primary sources, like land grants and diaries — the writer gets too excited (“I have to call my publisher!”) that Taylor shushes him, as seen above. Shushing WHILE smiling?! Insert rolling eyes emoji here: 🙄

4. Shushing aside, this librarian seems to be good at her job.

I think this line will be the set-up for the movie, as Taylor says to the patron, “I’m happy to help… Digging into history is what I love to do.” Shushing aside, Taylor seems to be good at her job, and we are clearly being encouraged to respect her skills as a librarian.

The library director, left, enjoys a (brief) happy moment with research librarian Taylor, right
The library director, left, enjoys a (brief) happy moment with research librarian Taylor, right

The library director, Linda (Jenni Burke), also happens to walk by while Taylor is wrapping up with the writer, and she compliments her work, “It’s like you have a sixth sense.” It’s SO RARE to see multiple librarians onscreen, and I appreciate that the library director is a Black woman. Linda has the power in this relationship, and Taylor, a White woman, is visibly happy to earn praise from her boss. The two librarians share a warm and professional dynamic together.

5. I am guessing that the importance of primary sources will be a theme.

In her exchange with Linda, Taylor also states, “There’s still some stuff that you can’t find on the internet.” So. True. Primary sources, y’all! I feel like this will be a theme in the rest of the movie… so let’s just put a pin in that here.

6. The lack of stable library funding is depressingly realistic.

Linda then reveals the bad news as the two walk down the stairs. The city is facing major budget cuts, and the library has used up some grant funding, which means… the research librarian position has been cut. Taylor’s out of a job, pronto. Yikes. It’s depressing, but I do appreciate the real talk about the inadequacies and instability of library funding. (This was also the crux behind The Twelve Trees of Christmas TV movie!) However, the two part on good terms (Linda: “I’m already looking for other funding. The second I can bring you back, I… We’re gonna miss you so much.”), which is kind of refreshing.

Librarian hug!
Librarian hug!

7. Being a librarian IS a dream job.

Taylor then calls her brother, who’s in Montana, and shares that “was my dream job.” I may be mistaken, but I don’t recall EVER hearing a librarian job being described onscreen as a “dream job” before. Bless. And her brother is so supportive (“You were good at it, too”).

So, 2 minutes in, and we’ve already connected the dots between Seattle and Montana. And we’ve already seen multiple librarians onscreen!

8. Books are our brand!

After her car ends up in a ditch due to icy roads, Taylor gets a ride from Joel Sheenan (their first “meet cute” moment!) to her brother’s house. We meet her brother, Craig (played by Dennis Andres), who is married to a Black woman, Christine (played by Moni Ogunsuyi), and they have a cute-as-a-button daughter, Zoe (played by Delia Lisette Chambers). And I thought it sweet that Zoe gives her a picture she drew of her aunt Taylor in a library, surrounded by books. And then Zoe picks out a book for Taylor to read to her for bedtime.

Books are indeed our brand!

I’m not mad at that association. Of course, there are many more things in a library’s collection than books, and librarians NEVER have time to “read on the job” like some people assume. It’s just… the lowest common denominator. Associating books with librarians is easy and predictable. As is this TV movie.

Her niece draws her a picture of her aunt in a library
Is that me? Of course, you’re a librarian, and you’re surrounded by books!
Reading a bedtime story to her niece Zoe
“We have some reading to do!”

9. WTF: “Maybe they’re right… Libraries are obsolete.”

At 14 1/2 minutes into this TV movie, Taylor is talking with her sister-in-law, Christine, about her love life, that she’s been dating these tech bros in Seattle. And then comes this line:

[T]he only books they read are on tiny little screens. But maybe they’re right. That, as much as I love what I do, libraries are obsolete.

W.T.F. Libraries are NOT obsolete, and no self-respecting librarian would ever say that. We librarians actually deal with constant changes in technology and ongoing reassessments of community needs, while also trying to preserve access to information in disparate, older formats. It takes skill to balance all that.

And it’s her brother and sister-in-law who push back on this! Craig responds, “Not as long as you have anything to say about it, right?,” and Christine says, “Somewhere out there, there’s a guy who’s gonna appreciate your love of books.” Why are all these supporting characters doing all the work of validating this central librarian character?! I’m sensing some White woman privilege here.

Taylor gets comforted by her sister-inlaw
I’m not given any agency or storyline of my own in this TV movie; rather, I’m just here to comfort your White woman tears about your love life.

10. Does everyone think librarians judge people by their reading choices?

Craig, to his wife: Did I ever tell you that my little sister, back in high school, wouldn’t date a guy unless he could name all three Brontë sisters?

Taylor: That’s not true. Two out of three was OK.

Craig, Christine, and Taylor at breakfast
Craig, Christine, and Taylor at breakfast

This exchange was part of the scene above, and I rolled my eyes at the thought that everyone — or at least, this screenwriter — assumes that librarians judge people by their reading choices or knowledge. Not all of us are literary snobs! (I personally love reading mysteries and YA fantasy fiction. But our cat is named Brontë, so perhaps the lady doth protest too much, methinks? … 😉 )

11. Yes, librarians do visit other libraries wherever they go.

Exterior shot of Forest Ridge Public Library building
A librarian visits another library… so meta!

At 20 minutes into the film, Taylor visits the local public library in Forest Ridge. This rang true for me. One of the first things I do when I visit a new place is to visit a local library.

Note: Bracebridge Public Library in the Ontario province, Canada, served as the filming location for the fictional Forest Ridge Public Library.

12. Do they get the call numbers right?

A closeup of Dewey Decimal call numbers
A closeup of Dewey Decimal call numbers

As Taylor enters the library, we get treated to a closeup of Dewey Decimal call numbers. This public library uses the Dewey Decimal classification system, which is common for public libraries, plus there are red Reference labels on the book spines. Hallmarks of actual library books! But they must be older library books, as it turns out that the 819 call number is no longer being used, at least not in the U.S. (but perhaps still in Canada?). The 810’s are used for American literature in English, and the 819 range used to be used for American puzzle books. Who knew?! 🙂

So they do get the call numbers mostly right in this TV movie. An A for effort. You can read more about call number shenanigans here in this post, and how you can spot the difference between a bookstore and a library here in this post.

13. Librarians deserve their own “meet cute” moment, too.

In this first public library scene, we get to meet another library director, Joyce, played by Darlene Cooke, a Black Canadian actress. Taylor and Joyce get their own librarians’ “meet cute” moment over a book display of “the greatest love stories of all time,” in which Taylor chooses Emily Brontë’s Wuthering Heights, and Joyce convinces Taylor to get a library card in order to check out the book.

A librarians’ “meet cute” moment!

What purpose(s) does this scene serve? My guesses: To reinforce this Brontë thread that was introduced in the previous scene, and to introduce a way to get Taylor working at this library in order to stay in town.

And as lovely and warm as this “meet cute” moment is between the two librarians — and how appreciative I am that we are meeting multiple librarians of color in this TV movie! — I cannot help but notice that, once again, the persons of color seem to exist solely to direct attention toward Taylor (Joyce reveals that “Zoe always talks about her Aunt Taylor being a librarian too.”)

14. Is Anne Brontë the best Brontë?

The Brontë thread pays off in the next scene! At 23 minutes, Joel comes out of the coffee shop as Taylor walks by with her library book.

Joel and Taylor meet up on the sidewalk after Taylor has checked out a library book
Are we having our second “meet cute” moment?

Taylor: I just stopped by the library and got myself a card [shows her book, Wuthering Heights]

Joel: Ohhh! That’s a good choice, although I’ve always been more of a Charlotte fan.

Taylor: Charlotte?

Joel: Charlotte Brontë. instead of Emily. You know, Jane Eyre.

Taylor: But we cannot forget their favorite sister.

Joel: And how could we ever forget Anne? Oh, I love Anne!

Taylor: You’re full of a lot of surprises, aren’t you?

I also personally prefer Jane Eyre. (Don’t @ me, Wuthering Heights fans. We can co-exist.) And is Anne the best Brontë? I should finally get around to reading my copy of Anne Brontë’s The Tenant of Wildfell Hall… if there are any die-hard Anne Brontë fans reading this right now, please leave a comment! Also, it’s hilarious to me that no one ever mentions their brother, Branwell Brontë.

Also, how many “meet cute” moments does Taylor need?! This movie is working VERY hard to convince us that it’s actually a romance and that Taylor and Joel have chemistry together. (I’m not convinced. And I’m not the only one. In this online review of the movie, the critic observes that “Taylor … isn’t in search of love as much as she is in search of a job.” )

15. A third of the way into this movie, we finally arrive at the central conflict and plot device.

The next scene takes place at the community center, in which city councillors are holding public comments on the proposed permits to turn the 100-year-old Graff Hotel into a glossy new “destination” resort. The problem? Taylor’s brother works at (or manages?) the Graff Hotel, and Joel is the one who has bought the hotel. Taylor is conflicted! But then Taylor has her BIG IDEA.

Joel and Taylor at the city council meeting
Taylor and Joel are at odds

Taylor: Isn’t the Graff Hotel 100 years old? So that means it’s eligible for a landmark status.

Phyllis (played by Andrea Davis, a Black American actress): For landmark status, the state of Montana says we have to prove that a significant historical event took place involving the building.

Joel: That’s exactly right. Thank you, Phyllis. And according to our research, there’s no evidence of that with the Graff Hotel.

Taylor: Well, who did this research? […] So you’re saying that if we find a significant event happened at the Graff, then the hotel would be preserved?

Phyllis: According to the state of Montana, yes.

Craig: Phyllis, maybe we could take some time to explore this before the council makes their final decision?

Phyllis: All right, this is what we’ll do. We’ll take a week to look this over, then we’ll reconvene and hear what everyone has to say. Any objections?

Ah hah! This is where it pays off that Taylor’s a librarian, and that she knows her way around research. Librarians to the rescue!

16. Is this movie correct about the qualifications for landmark status in Montana?

City council chairwoman Phyllis commands attention at the community meeting
City council chairwoman Phyllis commands attention at the community meeting

So Phyllis, the city council chairwoman, stated above that, “For landmark status, the state of Montana says we have to prove that a significant historical event took place involving the building.” Is this accurate?

Yes and no. Yes: one of the criteria for landmark status is association with a significant historical event. No: that’s not the ONLY criteria to be considered for landmark status.

According to the National Register of Historic Places page on Montana’s official state government website, there are four criteria for consideration:

1. Be associated with events that have made a significant contribution to the broad patterns of our history; or

2. Be associated with the lives of persons significant in our past; or

3. Embody the distinctive characteristics of a type, period or method of construction, or that represent the work of a master, or that possess high artistic values or that represent a significant and distinguishable entity whose components may lack individual distinction; or

4. Have yielded, or may likely to yield, information important in prehistory or history. In addition, properties must possess a high degree of integrity to qualify for listing in the Register – in other words, they must be relatively unchanged in appearance from the historic period.

I mean, y’all knew I would look this up, right?! Right. I’m glad y’all know me so well. 😀

17. I guessed correctly about the part-time library job opportunity!

This TV movie is very predictable. Thirty-eight minutes in, Joyce asks Taylor to work part-time at the library.

Joyce asks Taylor to work part-time at the public library
Your niece Zoe gave you a great reference. Would you like to work part-time at the library?

Joyce: Are you enjoying your visit with Catherine and Heathcliff?

Taylor: Very much. 

Joyce: I was thinking, my part-time librarian recently moved to Denver, and I’ve been looking someone to help out around here, if you’re interested.

Taylor:Oh, I mean, that would be amazing, I just… I don’t know how long I’m here for. 

Joyce: Well, while you are here, I could sure use your help. […] Come by tomorrow and we’ll get you started.

My next prediction? Taylor’s going to use the library’s resources to research the Graff Hotel. But uh, that’s not the same thing as working in the library. This is just being used as a plot excuse.

18. In two minutes, you can get a job AND a date!

At this point, my husband, Sam, joined me. He stayed long enough to comment on this next scene, in which Joel and Taylor have YET ANOTHER “meet cute” moment. Joel asks her for reader’s advisory recommendations as a way to actually ask her out on a date.

Joel and Taylor at the public library
Can I get some librarian help over here?

Joel: I was wondering if you could help me find a book. You see, I finished this one. Again.

Taylor: Jane Eyre. That’s impressive.

Joel: And I’m looking for something a little different. I figured, who better to ask than a librarian?

Taylor: Well, I don’t officially work here yet.

Joel [looking around and lowering his voice to a whisper]: Well, then we’ll make it unofficial. 

Here is Sam’s tongue-in-cheek reaction to Joel essentially shushing himself:

Sam: She hasn’t even shushed him yet! Librarians are professionals. You can’t just shush yourself. You have to WAIT to be shushed.

Me: I’ve written so many posts in which patrons shush each other. [Example: The school library scene in Netflix’s To All the Boys I’ve Loved Before]

Sam: Each other, yes. But not themselves. It’s a totally different thing to shush each other.

Me: 🙄

Sam: You are welcome for my contributions to this viewing experience. I am making this movie better.

Indeed.

19. “That’s not how any of this works!”

After three (!!!) “meet cute” moments, Taylor and Joel finalllllly go on a date, to a private dinner at the Graff Hotel. As they get to know each other beyond their mutual love of the Brontë sisters, we learn that Taylor doesn’t know the difference between library volunteers and actual, paid librarian professionals.

Craig and I grew up in Seattle. He’s actually the reason I got my first librarian job. […] We were in high school, and this one summer, our local library was looking for a volunteer, and I wanted the job more than anything, so Craig took the bus all the way downtown so that he could go talk to the head librarian, and he told him that no one loves books as much as I do, and that he would never have even opened a book if it weren’t for me. He must have been really convincing because I got the job, and… he’s been there for me ever since.

Sam beat me to it:

That’s not how any of this works! Volunteers are not the same thing as librarians!

I’m sure this backstory confessional had good intentions, but it unfortunately serves to reinforce the misconceptions that (1) loving books is the only requirement for a librarian, (2) anyone working in a library is a librarian, and (3) that you don’t have to pay librarians a fair wage. Real-life librarians are professionals with actual training and graduate-level education, and we deserve to be recognized and paid as professionals.

20. Yep, primary sources are important for historical research.

At 50 minutes into this TV movie, we get a library tour with Joyce — presumably on Taylor’s first day working at the public library — and OF COURSE Taylor asks about local history and primary sources. Joyce leads her to the archives room. So yes, the part-time librarian job IS a convenient plot device for Taylor to have time and access to research the Graff Hotel.

A glimpse at the public library's archives room
A glimpse at the public library’s archives room

Taylor: The best way of digging up the hotel’s history was from some local sources. Perhaps a first person’s account?

Joyce: Much better than searching the internet, yes. 

Taylor: And, considering you know the area so well, I was hoping you could point me in the right direction.

Joyce: Ah! I may have one idea. [takes her to the archives room]

Joyce: Over the years, the library’s collected a kind of archive of the town’s history. [points] Newspapers, photographs, letters and diaries. 

Taylor: What do you do with all these?

Joyce: Well, the plan was to have it digitized and online, but as you can see, we haven’t made much progress. If you think it can help. 

Taylor: It looks like a great place to start.

My next prediction is that Taylor’s going to parlay her short-term, part-time job into a long-term job digitizing the archives!

21. Pay attention to signage.

The library signage (newspapers and periodicals) doesn't match what's in the shelves (children's books)
The library signage (newspapers and periodicals) doesn’t match what’s in the shelves (children’s books)

Along the way to the archives room, we do get some glimpses of other parts of the public library, including this children’s book zone. But the signage on the ends of the bookcases says “newspapers back issues” and “periodicals back issues.” My guess is that the real-life library did have periodicals in this part of the library, but the set dressers moved children’s books into this area to be more visually dynamic and colorful — but then forgot to remove the signs off the ends of the bookcases.

Details matter.

22. Is Taylor the luckiest librarian in Montana?

At 56 mins, Taylor goes back to the hotel to see her brother. Craig asks how the search is going, and Taylor responds that “I’m hoping something turns up.” The pair then stroll by the old maids’ quarters — which have apparently just been serving as storage for the past hundred years? — and Taylor starts looking around the wardrobes and drawers.

The plot is too predictable… I think it will come as no surprise to you that within 30 seconds, Taylor finds EXACTLY the evidence she was hoping would turn up, an old scrapbook of letters and photographs from a maid who worked at the hotel in the early 1900s — including a photograph of Teddy Roosevelt in front of the hotel! Historical significance and landmark status, I can smell you coming down the research trail. Zero stars for predictability, but a gold star for depicting primary sources as discovered treasure!

Taylor finds an old scrapbook of letters and photos
I am the fastest research librarian in Montana!
A closeup of an historical photograph
Primary sources, like photographs and letters, for the win!

23. Librarians are like private detectives.

The next 10 minutes reveal how there are so many similarities between librarians and private detectives. (If you need more evidence, see this post, this post, and this post.)

I won’t get into all the details, but we next get a scene with Taylor, Joyce, and Craig in the public library’s archives room, and Taylor brandishes a magnifying glass to show the others how the photo is of Teddy Roosevelt during his time as U.S. President, between 1901 and 1909. (“Now that we know the timeframe, we can just narrow down the dates.”)

Taylor uses a magnifying glass to show Joyce and Craig that the historical photograph includes Teddy Roosevelt
If I told you I was Nancy Drew, y’all would believe me

In the next scene, Taylor uses clues in the photograph to discover the probable reason Roosevelt was in Forest Ridge (a freak snowstorm in springtime).

24. Yes, librarians seek help from other librarians.

Taylor then reveals to Craig that she has a friend, Caitlin, who works at the National Archives in Washington DC. (Do you think Caitlin knows Dr. Abby Chase?!)

So I emailed her [Caitlin] the photo and she said she was going to search the records to see all the traveling that the president did during that time… She said she would get back to me as soon as possible, but I think it’s looking good.

Do we have any doubt that the information she gets from Caitlin will be exactly what she needs to save the hotel? I don’t think so!

And yes, librarians do get help from colleagues and other librarians, archivists, and information professionals. We take our own advice; when we’re stuck in a research dead end, we ask each other for help!

25. A librarian gets a Poirot moment.

Reinforcing that link between librarians and private detectives… just like the literary private detective Hercule Poirot loves a rapt audience when he solves the mystery at the end of an Agatha Christie novel (I told you I like mysteries), Taylor gets her Poirot moment at the city council meeting, when she gets to reveal the hotel’s historical significance.

Taylor has her Poirot moment at the city council meeting
Librarians also have presentation skills, y’all

And this movie drags this out to the wire — complete with frantic texting and her brother knocking over the microphone stand to stall for time– even though there is zero suspense about what the outcome will be. (What I find most interesting during this bit are glimpses of the evidence Taylor was compiling on her laptop, including 1903 Montana weather maps and historical photos of 1900s Montana. Again, primary sources for the win!)

Here’s how Taylor’s Poirot moment goes down, complete with a slideshow, historic photographs, handwritten letters, diary entries, and official government documents:

Phyllis, city council chairwoman [to Craig]: Being old doesn’t qualify a building for landmark status. I’m afraid unless you have something new to add, you’re going to have to yield the floor.

Taylor [rushing into the community center]: I may be able to help with that! I think I may have found proof that shows that the Graff Hotel deserves to be a historic landmark. […] In April 1903, [the hotel maid] Mary Catherine had her photograph taken next to President Theodore Roosevelt in front of the Graff Hotel. 

Phyllis: Teddy Roosevelt was in Forest Ridge?

Taylor: That spring, he was at Yellowstone National Park to lay the cornerstone of the Roosevelt Arches, which still stand at the north entrance today. Teddy loved this part of the West more than anything, so he decided to stay and do a little bit more exploring. What nobody was expecting was that it was going to be the coldest spring on record. A freak snowstorm rolled in, leaving three feet of snow, leaving Teddy and his entire crew stranded just outside forest Ridge. By the time that the party made it back into town they spent three nights at the Graff Hotel until the roads were clear.

Phyllis: And you have proof of all this?

Taylor: I do, actually. Right here, I have a diary entry from Roosevelt. He kept one most of his life, and in April 1903, he wrote: “Snowed in at a little scrappy town called Forest Ridge. Beautiful country. Good and amiable folk. Stayed at the Graff Hotel. Best three nights of sleep in years…

But it wasn’t just the Graff that inspired him. It was… Forest Ridge. It was Montana. It was this entire part of the country and its people and the culture that inspired him while he was snowed in. So, shortly after he went back to Washington, he decided to sign the Antiquities Act, which gave him and all the future presidents the power to preserve the beautiful country of ours so that future generations could enjoy everything that he had. By making the Graff Hotel a historic landmark, we are not only celebrating Roosevelt’s legacy, we are celebrating the spirit that makes this city, this country so special. Thank you.

The city council announces that they will be applying to the state of Montana for the Graff Hotel to be granted landmark status. The town erupts in applause, while Craig hugs his sister who just saved the hotel! Librarians are heroes!

As a librarian, I appreciate this scene because of its focus on research, but I suspect that not everyone does. This reviewer commented that “Some scenes take place only to deliver information rather than emotions.”)

This presentation lasts 3 minutes total, with 10 minutes remaining in the film, just enough time for Taylor and Joel to wrap up their supposed romance.

26. How historically accurate was all that?

A (fictional) diary entry about Forest Ridge by Teddy Roosevelt
They didn’t even try to match Teddy Roosevelt’s actual handwriting

I do appreciate how confident Taylor is in her Poirot moment — and the suspension of disbelief in how quickly she set up her laptop to project onto the big TV screen! — but you know I had to wonder, how historically accurate was her evidence? So yes, I paused the movie to spend time digging into the possibilities and online archives of Teddy Roosevelt’s presidential papers.

So all in all, even if not totally historically accurate — I mean, Forest Ridge is a fictional town — then it is, for the most part, historically probable for the purposes of this film’s plot. A solid B, with marks off for the handwriting mismatch and fudging of the dates.

27. The real romance is not between Taylor and Joel.

The final few minutes of the TV movie try to create suspense about whether or not Taylor will stay in Forest Ridge and whether or not she and Joel will get together. For me, the ending didn’t hold much interest — except for when I realized there was a(n unintended?) love triangle. Before Taylor goes to the Harvest Ball, we learn that she has been offered the Seattle research librarian job again (“The library in Seattle called and they want me back”). A woman’s love story with primary sources… which archives will she choose, the Seattle reference library or the archives room of the Forest Ridge Public Library?

Taylor’s joyful face when she’s researching in the Forest Ridge Public Library archives sealed the deal, right? 😉

Taylor in the archives room
I love digitizing archives!

And my final evidence for the TRUE love story of a librarian and her primary sources is in the final closeup at the end: A framed photo of the couple kissing alongside framed primary sources, including the Teddy Roosevelt photograph and historical letters!

The final shot of the movie, framed photographs and letters
The photograph of the kiss is the smallest frame on this wall… just sayin’

28. Is Montana this ethnically diverse?

This TV movie did seem to be making an effort to make this small town in Montana quite ethnically diverse. Two Black Americans are serving on the city council, including Phyllis as the council chairperson; Craig’s family is multiracial; Craig mentions that Forest Ridge was his wife’s hometown; Craig works with a woman of Asian descent at the hotel; and there seems to be a racially diverse array of townspeople at the city council meeting.

An ethnically diverse audience at the city council meeting
An ethnically diverse audience at the city council meeting

I couldn’t help but wonder if Montana is this ethnically diverse? So I looked up the most recent census records for Montana, and per 2021 estimates, the White population in Montana totals almost 89%. The Black population in Montana clocks in at .6%. So it would seem that this TV town is more ethnically diverse onscreen than it would be in real life. But I also researched if there was a history of Buffalo Soldiers in Montana — Buffalo Soldiers were Black American soldiers during the Civil War and into the 20th century — and lo and behold, I learned that many of the Buffalo Soldiers resettled in Montana after the Spanish-American War and also served as the state’s first park rangers. Very interesting!

Although I applaud the attempt at onscreen diversity in this TV movie’s cast list, I also noticed that the people of color do not have distinctive backstories or experiences of their own. We only hear about Christine growing up in Montana because Craig mentioned it. We learn nothing personal about Taylor’s niece Zoe and perhaps how it feels to grow up biracial; she exists solely to set up plot points for Taylor. We learn nothing about Craig’s Asian co-worker. And Joyce’s main function seems to be to react to Taylor’s research findings. Everyone is very pleasant to each other, and there are no overt racist acts, but it’s like the TV movie is striving to be colorblind. They don’t mention race at all. It’s like “Montana nice,” ultimately making the onscreen diversity very surface-level… only skin-deep, so to speak.

As Ibram X. Kendi, who wrote the 2019 book How to Be An Antiracist, stated in an interview:

People who say they don’t see race are, “not seeing the diversity of humanity, whether that diversity is about skin color, or hair texture, or culture.”

I also cannot help but recall Sandra Oh’s comments in a recent interview in People and how her words also apply to this movie:

Progress is not sticking a bunch of people of color [into a show or movie] and having them speak like everyone else.

29. This movie is NOT a “winter romance”

On a lighter note, I’m assuming that this TV movie’s title got rebranded to A Winter Romance because of the popularity of Christmas-themed TV romances during the end-of-year holidays. But it’s clear throughout the film that “An Autumn Romance” is a much more appropriate title. I mean, the central social event in the movie is the “Harvest Ball,” for goodness sake, and each set is drowning in orange-and red-colored leaves, pumpkins, and sunflowers.

Autumn decorations for the Harvest Ball
I thought I was starring in a movie called “An Autumn Romance”

30. These librarians have style

I also have to point out how every librarian in this TV movie has their own distinctive style.

I love the patterns and bright colors here in this screenshot from the Seattle research library:

Three librarians onscreen at the same time! They are also stylish in their own ways, in either bright colors or dynamic patterns.
Three librarians onscreen at the same time! They are also stylish in their own ways, in either bright colors or dynamic patterns.

Joyce sports long necklaces and free-flowing silhouettes throughout the movie, including in her black floral evening wear at the Harvest Ball:

Joyce at the Harvest Ball
I would wear Joyce’s black floral caftan and long gold pendant necklace

And Taylor rocks amazing coats and jackets throughout the movie:

I will definitely have to add to my stylish female reel librarians post one of these days!

31. Was this movie good? It doesn’t really matter.

This movie has quite a few positives, including several library- and librarian-focused scenes that I have rarely seen onscreen, including the repeated joy Taylor expresses when researching and looking through historical documents and primary sources. And the fact that Taylor is a librarian is absolutely critical to this movie’s plot, which is why it ends up in the Class I category of films.

There are also several negatives, which I’ve detailed in this post, including the surface-level view of librarian qualifications as well as the missed opportunities to explore the community’s diversity. The screenplay is super predictable, and the central romance between Taylor and Joel is not very compelling.

Do these positives and negatives cancel each other out? Is this a good movie? No, not really. But in the end, it doesn’t really matter. I do not begrudge people who watch and enjoy this kind of lightweight romance, especially in these turbulent, stressful times. But perhaps highlighting my own thoughts and questions and research tangents that came up while I was watching this movie can spur some deeper thoughts and questions — and research explorations! — of your own.


Have you seen this TV movie? Do you like this kind of post? Would you like to see more of these stream-of-consciousness types of posts? Please leave a comment and share!

Sources used

Silence and the school library in ‘Children of a Lesser God’ (1986)

This film flips the script on libraries as quiet spaces.

It is almost Valentine’s Day, so I went back over my updated post of Best Picture nominees featuring reel librarians — in particular the section for Best Picture nominees (with potential reel librarians) to watch/rewatch — and looked for any romances in the mix. And bingo, my eyes lit up when I reread my description of 1986’s Children of a Lesser God:

This Best Picture-nominated film boasts the Oscar-winning performance of lead actress Marlee Matlin, who works at a school for the deaf. I have not yet seen this film, which is on my Master List, so I need to watch it for any signs of a school library, or librarian, at this school.

I am not sure why I had never gotten around to watching this Oscar-winning film, but never late than never, right? I was blown away by Marlee Matlin’s emotional performance, especially considering this was her feature film debut! She totally held her own as Sarah — and then some! — against William Hurt, who plays James, a new speech teacher.

The film was also nominated for Oscars in the categories of Best Picture, Best Actor, Best Supporting Actress, and Best Adapted Screenplay. Notably, the film was not nominated for Best Director; the film was directed by Randa Haines, and she was nominated for a Director’s Guild of America Award that year for this film.

A few contemporary reviews pointed out that the film was told from a hearing perspective and for a hearing audience; for example, they did not provide captions for any sign language, and James translated most of Sarah’s signing through his own voice.

Here’s a trailer for the film, if you are either not familiar with it or it’s been awhile since you’ve seen it:

“Children of a Lesser God (1986) Trailer #1 | Movieclips Classic Trailers” by Movieclips Classic Trailers, Standard YouTube License

*Mild Spoilers Ahead*

School library scene without a school librarian

A little over 40 minutes into the 2-hour film, James is trying to connect with Sarah, and she becomes angry when she learns that he has visited her mother (played by Piper Laurie). Sarah goes into the school library, where James follows her. There’s a “Library” sign on the wall beside the door, and a “Book Drop” box below the sign.

Sarah enters the school library in Children of a Lesser God (1986)
Notice the library sign, the book drop, and the bulletin board of “Deaf Resources” — all tell-tale signs of a school library!

It’s clearly a very small library — just one small room — but as the two circle each other around the room, we can spot a section for print magazines and newspapers, a “Book Nook” corner of bookcases, and a counter with a bell. (The bell prop on the counter gives us a clue that the school librarian is not deaf, because they would need to be able to hear the bell for it to successfully get their attention. FYI, the large amber light on the wall is one used to signal class periods for students.) We also see signs by the counter for “How to Find Books,” and these posters feature the Dewey Decimal call number classification system, which is the most common call number system for school library collections.

School library counter with a bell and multiple "How to Find a Book" signs with Dewey Decimal call number info. Library scene in Children of a Lesser God (1986).
Notice the bell and the multiple (!) “How to Find a Book” signs with Dewey Decimal call number info?
Periodicals corner of the school library, with print magazines and newspapers, in the school library scene from Children of a Lesser God (1986)
The periodicals corner of the school library includes print magazines and newspapers

We can also spot hand-lettered signs for different collections crammed together on the bookcases, including sections for Fiction, Reference and Encyclopedias, History, and Children’s Books.

Hand-lettered signs for different collections in the school library, including Fiction, Reference and Encyclopedias, Children's Books, History, etc. From the school library scene in Children of a Lesser God (1986).
I kind of love the randomness of these hand-lettered signs — including two different signs for Fiction!
"Book Nook" sign along the back wall of the school library in Children of a Lesser God (1986)
Do you notice the “Book Nook” sign along the back?

Behind Sarah, you can also spot call numbers on books. However, there do not seem to be call numbers on every book — including books with wide spines that should theoretically have room for call number labels — so I’m a little suspicious that the propmaster just crammed a bunch of random books — some from libraries and some not — into the room and called it a day.

Closeup of call numbers on library books in this school library scene from Children of a Lesser God (1986)
School library books — some with call numbers, some without — behind Sarah in this school library scene

Side note: The movie was filmed at the Rothesay Netherwood School in New Brunswick, Canada, and here is a look at their well-stocked library in real life. This is not AT ALL the kind of school library depicted in the film, so I think my suspicions about the movie library and book props are true. I cannot be 100% certain, of course, as this school might well have built a better library in the 30+ years since this movie was filmed there.

We also are never gifted with the presence of a school librarian, so this film remains in the Class V category, films that include library scenes but no reel librarian characters. This also means that I get to update my Best Picture nominees that feature reel librarians, 2020 update post, and move Children of a Lesser God into the “Best Picture nominees with library scenes (but no reel librarians)” section.

The role of silence

The role of silence is, understandably, a major theme in this film. Libraries are known for being quiet places — or at least, that’s a common misconception, and “shushing librarians” are a common stereotype. (Libraries DO usually have “silent study” spaces for those who really need quiet, but there’s usually a medium-level of expected noise and conversation in most modern libraries nowadays. Libraries are community spaces, and people often need to be able to make a little noise!)

Therefore, Sarah tries to escape into the library to get away from James — a safe space where she may expect others to be as silent as she normally is. But the library instead becomes a private place to have an argument, where Sarah exposes a major secret of her past to James. The library is no longer safe for Sarah; she cannot escape, even from herself or her own painful memories. The library is also no longer a silent space for Sarah, as James breaks the silence with his translation of Sarah’s signing, even shouting in frustration multiple times across the room at her.

I found it very interesting that this film flips the script, so to speak, on libraries as quiet spaces. This library scene, in effect, breaks the silence between Sarah and James. After this scene, they become lovers, which lays the foundation for the rest of the film’s plot and romantic drama.

Continuing the conversation

Have you seen this Oscar-winning film? Were you blown away by Marlee Matlin’s feature film debut? Did you remember this scene in the school library? Please leave a comment and share!

Sources used

Law librarian sighting in ‘Fatal Attraction’

So THAT’s where one confesses to adultery, in the back corner of a law library!

Happy Holidays, y’all! Nothing feels so Christmas-y as a little adultery, kidnapping, and family arguments that cause kids to cry, right?! 😉 The Oscar-nominated Fatal Attraction (1987) has all three in spades. The film is considered an ’80s classic, but somehow, neither my husband nor I had managed to watch it yet. (We both knew about the infamous bunny scene, and we were both kids when this movie came out, so maybe that explains it. Animal cruelty is scary!) But when it came up on our Amazon Prime video subscription, we decided to watch it.

Haven’t seen Fatal Attraction in awhile? Here’s the trailer:

“Fatal Attraction – Trailer” video uploaded by YouTube Movies, Standard YouTube License

Law librarian cameo

Imagine my surprise that almost exactly halfway through the film, at almost 1 hour and 3 minutes, we get introduced to a reel librarian! (Y’all can hear my groans from here, right? “Oh no, I’m going to have to take notes now! Hit pause!”)

We see a young black man shelving (or unshelving?) books, dressed in a button-front shirt and tie, pushing a cart full of books.

Shelving books in the firm's law library
Shelving books in the firm’s law library

This character is uncredited in the cast list, so it’s unclear exactly who this character is: A law librarian? A fellow lawyer? Researcher? Paralegal? But there is a clue on the film’s Goofs page on IMDb.com, seen below, which states that this character is a librarian. Therefore, I’m going with law librarian!

Movie goof in the library scene, which highlights that this character is a librarian.
Goofs: Crew of Equipment Visible: Reflected in the window that the librarian pushes the cart past.
A law librarian and his cart of books
A law librarian and his cart of books

In the back corner of their law firm’s library, Dan Gallagher (Michael Douglas) is having a private conversation with a friend and fellow lawyer. So THAT’s where one confesses to adultery, in the back corner of a law library. Now you know. Because there’s no one to disturb you, except for perhaps a law librarian just trying to get some work done? (Sigh.) 

Private conversation in the back corner of the law library
Why are we having this private conversation in the law library, instead of in one of our private offices?
What's that sound?
Because clearly no one visits the law library, so we’ll be totally undisturbed here… oh wait, I hear something! Who would have thought a law librarian would have been in here?!
A law librarian rolls past
Whew, the librarian turned the other way. We’re cool. Continue whining about how it’s so unfair that your adulterous affair is ruining your life and how you can’t deal with the choices you’ve made.

This uncredited reel librarian fulfills the Information Provider role. This character type is the most common for reel librarians, with the most diverse range of physical characteristics, including diversity of ages and ethnicities. This is also demonstrated in this brief role, as the law librarian is young, male, and black.

Ultimately, this brief law librarian sighting lands the film in the Class IV category, films in which the librarian(s) plays a cameo role and is seen only briefly with little or no dialogue.

Call number inconsistency

I also thought it funny that this short law library scene, which lasts a little over a minute, showcases some wildly inconsistent call numbers. In the screenshots below, we see:

  • Books with large call number labels shelved vertically, as seen near Michael Douglas’s elbow, as well as on the books stacked horizontally to the right of his colleague’s head, in the first screenshot below.
  • Books with NO call numbers at all, as seen in the back shelves in-between the two men in the first screenshot, and stacked haphazardly in the second screenshot below.

Clearly, the law librarian does not have enough time to properly label all the books, due to all the lawyers who keep whispering in the back corners of the law library! 😉

Call number inconsistency in the firm's law library
How do we find what we need in this law library if there are no consistent call numbers?
Call number inconsistency in the firm's law library
I don’t know, but it worries me greatly.

Explore more reel law librarians and libraries

Interested in more reel librarian sightings in law libraries? Check out a few related posts below:

Sources used

First impressions: ‘John Wick: Chapter 3 – Parabellum’ (2019) and its memorable fight scene in the NYPL

This man had no time to waste, and neither did the librarian.

I was NOT planning to write about the new film John Wick: Chapter 3 – Parabellum when I went to see it a couple of weeks ago during its opening weekend. I’d seen the two previous John Wick installments in theaters, so this outing to its third chapter was planned as a fun date night out. But when John Wick hails a cab within the first 5-10 minutes of the movie and directs the taxi driver to the New York Public Library, I knew my next post HAD to be about this movie.

And yes, a little bit of me felt like saying, “Dammit! There’s going to be a library scene, so now I have to really pay attention to this movie!” This happens to me ALL the time, y’all. Librarians and libraries pop up everywhere in movies, just when you least expect it.

What’s a “first impressions” post?

First things first, “first impressions” posts focus on current films that I have watched in theaters that include reel librarians and/or library or archives scenes. The resulting posts are necessarily less detailed — hence the “first impressions” moniker — as I don’t have the luxury of rewatching scenes and taking notes in the movie theater. I do, however, take notes as soon as I can after watching the film. I also was able to rewatch most of this library scene and grab some (grainy) screenshots, thanks to a few YouTube videos.

***MILD SPOILERS AHEAD***

John Wick’s reference interview

Now, back to the movie… when John Wick’s cab gets stuck in traffic, he runs to the NYPL’s central branch and then up the center aisle to the front circulation counter. A white, female librarian with a no-nonsense attitude asks if she can help him. She is older, has short brown hair, and is wearing glasses and a cardigan; her character displays all of the (stereo)typical visual cues of a reel librarian, except for the bun. Susan Blommaert is credited as the Librarian, and she mirrors John Wick’s impassive facial expression.

John Wick’s taciturn reference request?

Russian Folk Tale, Aleksandr Afanasyev, 1864.

The librarian doesn’t ask any follow-up questions in this brief reference interview. Instead, we hear her typing (I’m assuming in a library catalog search screen) and then writes something on a slip of paper (I’m assuming a call number). John Wick stares down at the slip of paper, then back at the librarian, who then points her finger to the right.

Her equally taciturn response?

Level 2.

This is the barest-bones reference interview I think I have ever seen onscreen. And one of the most successful, as we next see John Wick walk down a row of books, straight to the book he needs. This man had no time to waste, and neither did the librarian. To my mind, she is a highly efficient Information Provider in a Class III film.

Side note: Is real life like that? Not quite… Slate’s Natalia Winkelman wanted to see if she could replicate this reference request at the NYPL, and you can read her real-life reference interview experience here. Winkelman also answers the question of whether this book really exists. Bless. ♥

Shhhh! This library book has a secret

When John Wick slides out the exact book he needs and opens it up, we find out that he has hollowed out the inside! He has stashed valuables in this book’s hidey-hole, including a large token, a rosary with a large cross, a few coins, and a photograph of his dead wife.

Library book prop in John Wick: Chapter 3 - Parabellum (2019)
Library book prop!

At this point, five thoughts flashed through my head, in this order (it took me longer to suss them out completely on the page):

  1. A book published in 1864 would be out in the main circulating stacks? I don’t think so! That kind of book would probably be super valuable and in an archives or rare books room somewhere. (And this is one of the things that Winkelman found out in the article I referenced above, hah!)
  2. The idea of carving out a hidey-hole in an actual library book — and a rare one at that! — made my librarian heart gasp in dismay. And it is likely to be an actual library book he mutilated, rather than a book he brought from the outside and just placed on the shelves, because otherwise the book wouldn’t have come up in a library catalog search. Unless he swapped a copy of the library book for the real book, which is possible, but he would had to have made a replica call number. It’s also possible I’m overthinking this point… next!
  3. It’s condescending to think that NO ONE would be interested enough in Russian folk tales to check this book out and discover its secret. Every subject out there has its dedicated researchers, and in my experience, folk tales are perennially popular. And if the book were not popular and had no check-outs whatsoever, then it would have been a prime candidate for librarians to (eventually) weed from the collection.
  4. I did mentally pause to appreciate the fact that this scene was filmed in a library — or at least uses or mimics real library book props — because all of the books on the shelves have… say it with me, now… CALL NUMBERS! 😉
  5. Alas, I could not make out the actual call number on the book John Wick slides out or the call numbers in the books around it. If the propmaster wanted to be accurate, the call number would most likely be in the 398.2 call number range, as that’s the Dewey Decimal call number for folk tales and folklore. (And yes, afterward I searched for “Russian folk tales” in the NYPL online library catalog, and that’s the general call number used. I am thorough, y’all. Goes with the librarian territory. 😉 )

Side note: This scene was actually filmed at NYPL’s main branch, as they are thanked in the film’s credits and acknowledgments.

Fight scene in the library!

As John Wick prepares to reshelve the book, a fellow hitman walks around the corner, quoting Dante. This hitman, named Ernest, is played by 7-foot-3 Boban Marjanovic, an NBA player. He towers over Keanu Reeves by more than a foot.

Ernest towers over John Wick, as seen in the library fight scene in John Wick: Chapter 3 - Parabellum
Ernest towers over John Wick

Ernest has come to kill John Wick and claim the reward money. (Context: Wick broke the rules at the end of Chapter 2, so he was given an hour of freedom before the contract to kill him went live. Chapter 3 starts off, time-wise, immediately after the events of Chapter 2.) No rest for the ‘Wick’-ed! 😉

John Wick: I still have time.

Ernest: It’s almost up. Who’s gonna know the difference?

Ernest then pulls out a knife, and the fight begins in earnest. (Pun intended. I couldn’t help myself! Again. 😉 )

At one point during the fight, Ernest shushes Wick. THE NERVE.

Shushing John Wick during the library fight scene in John Wick: Chapter 3 - Parabellum
Shushing John Wick

The entire fight scene lasts about a minute, and John Wick eventually defeats his foe with the SAME book he came to the library for.

I admit, I was thinking about this scene’s similarity to a fight scene in 2004’s The Bourne Supremacy, in which Jason Bourne fights off a fellow assassin with a rolled-up magazine.

Fight in the library stacks in John Wick: Chapter 3 - Parabellum
Fight in the library stacks!

Don’t try this at home the library

And then the kicker. John Wick stands up, walks back into the stacks, and then REPLACES THE LIBRARY BOOK on the shelf, bloodstains and all.

John Wick goes back to replace the library book in John Wick: Chapter 3 - Parabellum
John Wick goes back to replace the library book

This detail is lauded in several reviews and articles:

Wick’s respect for library protocol is made plain, however — after using a book (Russian Folk Tale, Aleksandr Afanasyev, 1864) as a deadly weapon, his first instinct is to replace that book where he found it. Great work.

Shannon Connellan, Mashable.com

Eventually John kills him by utilizing the book he’s holding as a weapon. That part is great, but the moment of true inspiration comes next when he goes back and replaces the book on the shelf where he found it. This detail works not because it is funny, but because it fits the character so perfectly that it would almost be weird if he didn’t do it. In a genre where impersonality is the name of the game more than ever, it’s a delight.

Peter Sobczynski, RogerEbert.com

This detail is admittedly clever when it comes to reinforcing Wick’s character. OF COURSE he would replace the library book! He is a disciplined man. And he might need the book again. I get all that, and I chuckled myself in the movie theater during this scene.

HOWEVER. I could not be a self-respecting librarian without pointing out that in real life, please DO NOT re-shelve books on your own. You are not doing librarians a favor when you do this. In fact, you’re doing the opposite. Why? Because we like to scan the barcodes of books that are used in the library but not checked out, so we can get a sense of how books are used in the library, even when they’re not checked out or not able to be checked out, like reference books. (This is referred to as “in-house usage.”) So you replacing that book on your own means that you’re depriving that book of its potential in-house usage stats. Also, library staff workers like pages and clerks are trained to re-shelve books, as it’s a major part of their jobs. So those library carts you usually find beside the stacks? Those carts are there for you to put books that need to be re-shelved. Use them, please.

Soap box time over. Thanks for sticking with me!

What about library patrons?

After John Wick replaces the book on the shelf, we next see him rushing down the library steps and into the street. So there seems to have been no consequences — or even acknowledgment! — of there being a very loud fight in the library stacks, which resulted in a dead body.

I can hear you asking, “But if he’s on level two, and there’s no one around, then this is theoretically possible.” Books do, indeed, insulate noise very well. That’s why quiet zones in libraries are often located beyond stacks of books, since they serve as natural sound barriers.

However, the two end their fight outside the stacks, where the tables are, which means the sound would carry. And there are angles in the fight scene that clearly show that there ARE library patrons on level two. Below is an example of what I’m referring to (you can also click the photo to open it in a larger size):

Library patrons in the background of the fight scene in John Wick: Chapter 3 - Parabellum
Library patrons in the background of the fight scene

And these patrons, who are listed in the IMDb.com credits but are uncredited in the movie, do not move or react at all to the carnage happening behind them.

Odd, right? Why include patrons at all in this scene? It would have made a lot more sense in this scene for the level to have been deserted.

Why the library?

One of John Wick’s earliest and most imaginative kills in John Wick: Chapter 3 – Parabellum occurs at, of all places, the New York Public Library.

Natalia Winkelman, Slate.com

Why did the director, Chad Stahelski, choose to stage one of the fight scenes in a public library? I figured the main reason is the juxtaposition, that we expect libraries to be quiet, so a noisy fight scene in such a quiet space would feel jarring and unexpected and fresh.

Stahelski confirmed this in a Los Angeles Times interview, that he spent a lot of time thinking about how “to be non-repetitive” in the fight scenes that the John Wick films are famous for. It’s important to note that Stahelski has directed all of the John Wick films, and he is a former stunt performer.

Library bookcases, when there are rows and rows of them, are often visually compelling onscreen. This is also the case in this film, as you can see in the screenshot below:

Rows of bookcases during the library fight scene in John Wick: Chapter 3 - Parabellum
Rows of bookcases are always visually compelling onscreen

What I found really interesting is that Stahelski was inspired to do this fight scene in the New York Public Library WHILE actually being in the New York Public Library. So meta! And the fact that Stahelski is a library user? ♥

“I spent a lot of time in the New York Public Library trying to do some work because it’s quiet,” Stahelski says. “One day, I was down in the stacks and I thought, ‘This would be a great place for a fight scene.'”

In an interview with Josh Rottenberg, Los Angeles Times

Stahelski was also inspired by the constraints of filming a fight scene in the library:

“A lot of people would avoid using the stacks because it’s difficult to shoot in and it would limit their choreography — you can’t do big flying kicks and stuff like that,” Stahelski says. “We’re kind of the opposite: We think, ‘What’s the hardest situation you can put someone in? And are we smart enough to figure it out?'”

In an interview with Josh Rottenberg, Los Angeles Times

And they did indeed figure it out. Well done!

Continuing the conversation

And they did this scene so well that it took me more than FOUR HOURS (!!!!) to draft this initial post. For a scene that lasts less than two minutes. My initial notes, the ones I jotted down on the notepad app on my phone, were pretty brief. But once I started to unpack, er, unshelve the scene, there was a lot more there to analyze and think through than I had originally thought! And of course, I spent time looking up reviews and articles and cross-checking details and citing sources. All part of the service, y’all. 😉

Are you a fan of the John Wick trilogy? Have you seen Chapter 3? You would alert a librarian or call 911 if you witnessed a fight scene in a library, right? Please leave a comment and share!

Sources used

The good, the bad, and the misshelved | Library call numbers in the movies

When movies gets call numbers right, when they get them wrong, and when they give up

If you’re a regular reader (thank you!), then you’ll be aware that I often mention call numbers in my posts about reel librarians, as books and their call numbers often serve as props and clues to movie plot points. When I spy a call number onscreen, I always look it up to see if it’s accurate, as call numbers can reveal many things. And when movies get it wrong, I have been known to go on a rant… or two… 😉


What’s a call number?


Before I get into any rants, however, let’s make sure we know what we’re talking about. Each book or item in a library has a unique number, commonly known as a “call number,” which essentially serves as an address for the item so it can be located in a library. With books, call numbers usually appear on the spines, so the call number is visible when organized on shelves.

Closeup of Dewey Decimal call numbers | Screenshot from "Dual Spires" Psych episode
Closeup of Dewey Decimal call numbers | Screenshot from “Dual Spires” Psych episode

There are different systems of call numbers, also known as “classification systems.” The most common systems are:

  • The Dewey Decimal system is commonly used in public and school libraries. This call number system, as seen in the photo above, starts off with a combination of numbers, 000s through 900s (10 main categories), to classify non-fiction items by subject.
    • An example of a Dewey Decimal call number would be: 305.20973 T39 (the 300s reveal this book has to do with Social Sciences)
  • The Library of Congress system, or “LC” for short, is commonly used for academic (college and university) libraries and larger collections. This system starts off with a combination of letters and numbers to classify both fiction AND non-fiction items by subject.
    • An example of a Library of Congress call number would be: LB 2395 .C65 1992 (the “L” part reveals it’s in Education)

In my experience, call numbers often get confused with ISBNs (international standard book numbers). ISBNs are unique codes, either 10 or 13 digits, purchased and assigned to books by publishers, whereas call numbers are created and assigned by librarians (more specifically, catalogers). ISBNs are like a book’s DNA while call numbers reveal where the book currently lives. Make sense?


Who cares about call numbers?


You mean outside of librarians and catalogers? EVERYONE SHOULD. Well, all library users… which means EVERYONE, right?! 😉

In all seriousness, call numbers are useful and necessary. It’s how you find items in a library. Period. If you don’t have some kind of organizational system — and that’s all a call number system is — then how do you find anything you’re looking for? (And if you suggest by book cover color, then you can go sit in the corner and think about what you’ve done.)

Here’s a scene in one of my favorite reel librarian movies, Party Girl (1995), that delves into this very question, after she spies a patron randomly (mis)shelving a book:

Librarian Lays Down the Law” video uploaded by evilkingdedede, Standard YouTube license

Below is Mary’s rant in total:

MaryExcuse me? What are you doing? Were you just putting that book away? It looked like you were just putting that book away. I guess you didn’t know we have a system for putting books away here. You know, I’m curious, you were just randomly putting that book on the shelf, is that it? You’ve just given us a great idea. I mean, why are we wasting our time with the Dewey Decimal system, when your system is so much easier? MUCH easier. We’ll just put the books ANYWHERE. Hear that, everybody? Our friend here has given us a great idea. We’ll just put the book ANY DAMN PLACE WE CHOOSE. WE DON’T CARE. Right?! Isn’t that right?

I wish I could play that clip for every library user ever.


When movies get call numbers wrong:


Sometimes, movies get call numbers wrong. And that’s when I get all CAPSY.


Finding Forrester (2000):


In Finding Forrester (2000), the lead character goes to the New York Public Library to search for copies of a classic book. And they get the call numbers ALLLLLLLLLLLL kinds of wrong:

Library catalog results in 'Finding Forrester'"
Library catalog results in ‘Finding Forrester'”

This looks like a pretty typical card catalog screen, especially for that time period. But what is UP with those janky call numbers? D-107424, D-109478, D-783719, etc. Those do not look like any call numbers I’ve ever come across — especially not for a fiction book. They look more like accession numbers to me, which are automatically assigned numbers to items as they are entered into a system. (Archives collections are the only collections I’m aware of that sometimes shelve items by accession numbers. A public library would have a more generic call number for a work of fiction, something like FIC FOR, for “Fiction – Forrester”)

You can read my full analysis of Finding Forrester (2000) here in this 2015 post.


“Dual Spires” episode from Psych (2010):


Technicality — this isn’t from a movie, but rather a TV series episode. But oh, the call number shenanigans in this episode.

Call numbers are not hieroglyphics, Shawn | Screenshot from "Dual Spires" Psych episode
Call numbers are not hieroglyphics, Shawn | Screenshot from “Dual Spires” Psych episode

Allow me to recap from my original post:

So. We have three different call number situations going on in this scene, within a span of 30 seconds:

– Library of Congress call numbers on a row of books behind the librarian

– Dewey Decimal call numbers on a row of books in a standing bookcase

– No call numbers at all on a row of books at the end of a bookcase.

The propmaster for this episode totally messed up. I. Am. Seriously. Displeased. And thank you, reader, for allowing me to rant online about my rage over these call number shenanigans.

You can read my full analysis of this Psych episode here in this 2018 post.


Abandon (2002):


This movie gets call numbers both right AND wrong. Pretty impressive.

In this thriller, college senior Katie (Katie Holmes) is trying to finish her thesis (in the library, natch), when a cop (Benjamin Bratt) starts investigating the disappearance of her ex-boyfriend, Embry (Charlie Hunnam). Then Katie starts seeing Embry again around campus—is she hallucinating, or is he stalking her? She wakes up in one library scene to find a call number scratched into her desk.

Dewey Decimal call numbers in Abandon (2002)
Dewey Decimal call numbers in Abandon (2002)

It’s interesting to note that this is a Dewey Decimal call number, which is an odd choice for a college/university library. Usually, college and university libraries have larger collections and therefore use the Library of Congress (LC) classification system.

So y’all know I had to look up this call number, right? RIGHT. Turns out it’s the call number for Dante’s Inferno (Embry’s last student production was “Trip Hop Inferno” — spooky!). Then I had to look up where this scene was filmed, and it was in a library at McGill University in Montreal, Canada. That then led me to look up the book in the McGill University’s library catalog — and they use the LC classification system, NOT the Dewey Decimal system! So CLEARLY this whole call number sequence in the movie was created just for the film. Odd.

You can read my full analysis of Abandon (2002) here in this 2017 post.


National Treasure 2: Book of Secrets (2007):


In this action adventure sequel, treasure hunter Gates (Nicolas Cage) kinda sorta kidnaps POTUS and gets a clue in return: XY 234786. I immediately knew this was a call number clue, which leads the adventurers to the Library of Congress to track down the “Book of Secrets” referenced in the film’s title.

Library of Congress call number closeups in National Treasure 2 (2007)
Library of Congress call number closeups in National Treasure 2 (2007)

Riley:  Where do we start?

Chase:  XY is the book classification code. Stands for special collections, which means very special books.

Of course the reel librarian/archivist would figure out straight away that it’s a call number!

Note:  The Library of Congress classification system generally follows the alphabet for the first part of its call number combinations, as you can see here, meaning there are potentially 26 major categories of call numbers. However, 5 of the 26 English language letters are not currently used for call number categories, being kept in “reserve” for future use. “X” is one of those letters not currently used for Library of Congress call numbers. (I, O, W, and Y are the other letters not in use.) So it could be possible, theoretically, that the Library of Congress could use the “X” category for secret collections not known to the public.

You can read my full analysis of National Treasure 2: Book of Secrets (2007) here in this 2018 post.


Wet Hot American Summer (2001):


This movie didn’t get it wrong so much as it went rogue with call numbers. It is a comedy, after all. They created their own call numbers for a short library scene:

Call numbers in the library scene from Wet Hot American Summer
Call numbers in the library scene from Wet Hot American Summer

The call numbers highlighted in this scene are also fake — “AS” begins the section on astrophysics call numbers, while “CA DIR” begins the section on camp directing — but I had to laugh out loud at this celluloid call numbering system!

You can read my full analysis of Wet Hot American Summer here in this 2016 post.


The Next Three Days (2010):


In the action thriller The Next Three Days, star Russell Crowe looks up books in an online library catalog. This movie didn’t include call numbers at all but got an ISBN wrong instead.

Here’s what I wrote in my analysis post about this short research scene:

Library catalog record in The Next Three Days (2010)
Library catalog record in The Next Three Days (2010)

That list of results also led him to this (fictitious) title, Over the Walls, with an author’s picture, seen below. Soooooo not accurate, because:

– Library catalog records do not include authors’ pictures, at least none that I’ve seen

– They don’t include info about where an author lives (dude, privacy issues)

– There would definitely be info in the publisher, pub year, and pages fields, or a note indicating that no such info could be found (but that’s really only for rare old books).

– The ISBN listed, 029019745716, is 12 digits, and ISBNs are either 10- or 13-digit numbers. But I still plugged in that number into the ISBN Search database. And yes, there is such a thing as an ISBN Search database. Now you know. 

But hey, it gives Liam Neeson a bit more screen time (hah!), and propels the plot forward for John to meet up with Damon, an ex-convict who has broken out of several prisons. And I totally get why they used an invalid ISBN for the purposes of the film, like they do with fake 555 telephone numbers.

You can read my full analysis of The Next Three Days here in this 2013 post.


When movies get call numbers right:


Sometimes, movies get call numbers right. And that’s when I get a warm glow in my librarian’s heart. 😉


Spotlight (2015):


In this Best Picture Oscar-winning film, Boston Globe reporters do a lot of researching, enlisting the aid of the newspaper’s research team and head librarian, Lisa Tuite.

Print directories in Spotlight (2015)
Print directories in Spotlight (2015)

In the very next scene, we see Lisa again, this time in what must be the print collection of the newspaper library and archives. We get a closeup of the multi-volume Catholic Encyclopedia and paperback copies of the Massachusetts Catholic Directory, all with spine labels of what looks to be Dewey Decimal call numbers in the 200’s. [And that is correct, Class 200 in the Dewey Decimal classification system is about religion. Y’all knew I would doublecheck that, right?!]

You can read my full analysis of Spotlight here in this 2016 post.


WarGames (1983):


In this classic ’80s film, David, a computer whiz (Matthew Broderick), hacks into a computer game system, accidentally starting World War III. Is it a simulation, or a real-life crisis? A library research montage reveals how David discovers the secret password into the computer system.

Library card catalog in WarGames (1983)
Library card catalog in WarGames (1983)
Closeup of card catalog record in WarGames (1983)
Closeup of card catalog record in WarGames (1983)

He then goes back a third time and shuffles through a card catalog drawer to locate a card for Falken’s thesis, as seen below. (More sigh of nostalgia.) Another clue that he’s researching at a college library, because the call number is a Library of Congress (LC) call number, which uses a combination of letters and numbers. (Most public and school libraries use the Dewey Decimal call number system.)

And yes, I totally looked up that call number in WorldCat. The first part of the call number, QA76.9, is spot-on, as that’s in the call number range for computer systems and software. The Qs are for Science, and the QA subclass is for Mathematics. Also, all of the research materials in this film are super-convincing. None of the articles are real — there’s no Stephen W. Falken, of course — but the film’s prop masters used real publications, like Scientific Americanand The Atlantic to add an edge of verisimilitude. Also, somebody studied real library catalog cards, as that is the best faux-library catalog card I’ve ever seen onscreen. Look at all that info!

You can read my full analysis of WarGames here in this 2014 post.


RED (2010):


In this comedy-action film, retired but extremely dangerous (“RED”) agents team up against people trying to kill them. This film also introduces a real-life call number system that was wholly new to me, the Harvard-Yenching classification system created in the late 1920s to catalog Chinese-language materials.

About a half-hour or so into RED (2010), Frank (Bruce Willis) and Sarah (Mary-Louise Parker) follow up a lead in New York from a reporter who had been killed. When they question the reporter’s mother, they come across an odd number written on back of a postcard:

Call number clue from RED (2010)
Call number clue from RED (2010)

The next scene cuts to Frank and Sarah outside frosted glass doors that read “Downtown NYC Campus Branch” library. […]

Sarah:  Why are we here again?

Frank:  Because those number on Stephanie Chang’s postcard are actually the call number for a book.

Sarah:  Call numbers start with letters.

Frank:  In Library of Congress, yeah. In Harvard-Yenching, it’s a classification for Asian literature.

Sarah:  How could you possibly know that?

Frank:  [Starts speaking Mandarin]

NOTE:  By the way, the Harvard-Yenching classification system was begun in the late 1920s to catalog Chinese-language materials in the Harvard-Yenching Institute. The Library of Congress (LC) system was not capable at the time of classifying those kinds of materials, so other libraries around the world followed suit by using the Harvard-Yenching system to catalog their own Asian-language collections. Through the 1970s and 1980s, however, the LC system added extensive subject headings for Asian and other languages and literatures, and most U.S. libraries now classify Asian-language materials under the LC system.

You can read my full analysis of RED here in this 2014 post.


In God’s Country (2007):


In this TV movie, mother (Kelly Rowan) living in a polygamous religious community escapes with her children, and they struggle to adjust living “on the outside.”

Library scene from In God's Country (TV, 2007)
Library scene from In God’s Country (TV, 2007)

In one short scene a little over an hour into the TV movie, Judith’s 12-year-old daughter, Alice, visits the school library. Alice wants a book on astronomy in order to teach the names of the stars to her mom. She goes up to the library counter, where the librarian (Agi Gallus) is checking out books to another student.

Librarian:  Can I help you?

Alice:  I’m looking for a book on astronomy.

Librarian:  Astronomy is in the 520’s.

[…]

At least the script writers got the Dewey Decimal system right, as this system of classification is the most common for school and public libraries. They also got the 520’s section right, as this is the general call number area for astronomy.

You can read my full analysis of In God’s Country here in this 2014 post.

NOTE:  There is also a scene involving the Astronomy section — one with a decidedly less favorable ending — in UHF (1989) and starring Conan the Librarian. Read all about that scene here in this post.


When movies give up on call numbers:


And sometimes movies just give up on call numbers altogether. And that’s when I roll my eyes. It’s NOT that hard, y’all.


Scream Blacula Scream (1973):


In this sequel to Blacula, an ex-policeman (Don Mitchell) investigates a series of suspicious deaths. The ex-policeman visits a library in one brief scene. I had written before that this film is notable for one of the least convincing library sets on screen, LOL!

Bad library organization-- and no call numbers! -- in Scream Blacula Scream (1973)
Bad library organization– and no call numbers! — in Scream Blacula Scream (1973)

The most notable aspect of the scene is how badly this library is organized. It is obviously a set — all you need are bookcases, books, a chair or two, hand-lettered signs, and a woman in glasses! — but not a very well-thought-out set. The three signs we see on the bookcases are all placed where they hang OVER the books — highly inconvenient for anyone to see or reach the books shelved behind the signs.

Also, the signs that are visible go from “GRAPHICS” to the “OCCULT” to “FICTION.” Huh? What kind of library system or collection is this?! You guessed it — the fake kind! Also, NO CALL NUMBERS on the books!

You can read my full analysis of Scream Blacula Scream here in this 2014 post.


Zodiac (2007):


In this dark, slow-moving film, director David Fincher explores the quest to track down the Zodiac killer and how that quest affects the lives of reporters and investigators. Graysmith (Jake Gyllenhaal), a newspaper cartoonist, never gives up in his own investigation and checks out library books to help him crack codes from the killer’s ciphers. The propmaster for the film included real books, which Graysmith reveals all came from libraries — but only SOME of the books in the film include call numbers. I figure the filmmakers didn’t think about call numbers at all.

The first scene involving library books includes no call numbers:

Codes and Ciphers book in a scene from Zodiac (2007) -- that's not a library book copy!
Codes and Ciphers book in a scene from Zodiac (2007) — that’s not a library book copy!

At 52 minutes into this 157-minute film (it’s a really long, slow-paced film, y’all), Graysmith is talking with Avery in a bar about a cipher the Zodiac killer used to write a note to the police, challenging the public to crack his message. Graysmith explains the starting point to figuring out the coded message. (Underlining throughout signifies my own emphasis.)

Avery:  But how do you go from “A” is one, “B” is two to figuring out this whole code?

Graysmith:  Same way I did. You go to the library.

At this point, Graysmith takes out a book from his briefcase, a book entitled The Code Breakers by David Kahn.

He then takes out another book from his briefcase, this one entitled Codes and Ciphers by John Laffin. This book describes another Middle Ages code called the “Zodiac Alphabet.”

NOTE:  Yep, another real book, this one published in 1964. Gotta hand it to the David Fincher team for its research skills. HOWEVER, that team overlooked the detail of including call numbers, because neither one of these books has a call number — and Graysmith clearly states that he got them from a library. A real library book would have a call number on the spine. Back in the 1960s, it was commonplace to strip the paper covers from hardback books, and then either paint on call numbers or otherwise affix typed call numbers onto the spine. But dully colored hardback books would not have cinematic impact, so I suspect the product team just bought first edition copies and didn’t think about call numbers. But librarians do!

In a later scene, Graysmith pulls out several more books, and this scene includes a mixture of books with call numbers and those without:

A mix of books and call numbers in Zodiac (2007)
A mix of books and call numbers in Zodiac (2007)

Graysmith:  Can I show you something? [Takes out books from his briefcase — sound familiar?] I’ve been doing research on the first cipher. Everything an amateur would need to create it can be found in these books. Now, I started thinking that if you can track these books, then maybe you can track the man. So I remember that you thought the Zodiac was military, so I went to every base library and I got a list of every person who’s ever checked out these books, and that’s when I found this.

He then takes out a sheaf of papers and hands them to Toschi. (Side note:  I did notice that at least one of the books below, a thinner tan-colored one, *does* have a call number label on its spine. Hurrah!)

You can read my full analysis of Zodiac here in this 2018 post.


Urban Legend (1998):


In this horror flick, college students keep getting killed off in scenarios based on urban legends. Is there a serial killer on an urban legend killing spree? Early on in the film, Natalie (Alicia Witt) heads off to the college library to research urban legends.

No call numbers on the library books in Urban Legend
No call numbers on the library books in Urban Legend

I also found it HILARIOUS that the prop manager didn’t even bother stocking the shelves with real library books. How can I tell? There are no call numbers on the spines or edges of the books! Strike two.

You can read my full analysis of Urban Legend here in this 2013 post.


The Pit (1981):


In this horror film, twelve year-old Jamie Benjamin (Sammy Snyders), a social outcast, talks to his teddy bear and fantasizes about older women, including the public librarian. He discovers Trogs in a pit deep in the woods, and with Teddy’s help, discovers a way to seek revenge on those who have been mean to him. There are several scenes set in the local public library, including an early scene that reveals Jamie’s obsessions.

Book closeup (with no call number) in The Pit (1981)
Book closeup (with no call number) in The Pit (1981)

Within the first five minutes of the film, Jamie (played by Sammy Snyders) is seen writing sentences on a school blackboard, punishment for bringing in a naughty book. The schoolteacher opens the book, titled Creative Nude Photography, and comes across a page with a nude silhouette that’s been cut out.

Even though the book clearly has NO CALL NUMBER on the spine (the tell-tale clue to differentiate between books in a bookstore vs. a library), the schoolteacher assumes it’s a library book. She also states that she’s sure “Ms. Livingstone can find some way to repair it [the book].”

Librarian:  Hello, Marian. What can I do for you?

Teacher:  I’m returning this. Jamie, one of my little boy borrowed it. There isn’t likely to be any record of it having gone out. Perhaps you could slip it back for me?

Librarian:  I’ll make sure it’s put back on the shelves.

You can read my full analysis of The Pit here in this 2016 post.


Let’s dance!


Let’s end on a positive note, shall we? How about we revisit Party Girl, this time for the awesome dance scene, in which Mary has the “wildest night of [her] existence” figuring out the Dewey Decimal system? So true to life. 😉

Party Girl Library Dance” video uploaded by jehnnamari, Standard YouTube license

This scene makes me smile every time. Carry on, call numbers! 😀

Sources used:

  • Abandon. Dir. Stephen Gaghan. Perf. Katie Holmes, Benjamin Bratt, Charlie Hunnam, Zooey Deschanel. Buena Vista, 2002.
  • “Dual Spires.” Psych. USA Network, Dec. 2010.
  • Finding Forrester. Dir. Gus Van Sant. Perf. Sean Connery, Rob Brown, F. Murray Abraham. Columbia, 2000.
  • In God’s Country (TV movie). Dir. Kelly Rowan. Lifetime Telvision, 2007.
  • National Treasure 2: Book of Secrets. Dir. Jon Turteltaub. Perf. Nicolas Cage, Diane Kruger, Justin Bartha, Jon Voight, Helen Mirren, Ed Harris. Walt Disney, 2007.
  • The Next Three Days. Dir. Paul Haggis. Perf. Russell Crowe, Elizabeth Banks, Liam Neeson. Columbia, 1989.
  • The Pit, aka Teddy. Dir. Lew Lehman. Perf. Sammy Snyders, Jeannie Elias, Laura Hollingsworth. Amulet Pictures, 1981.
  • RED. Dir. Robert Schwentke. Perf. Bruce Willis, Mary-Louise Parker, Morgan Freeman, Helen Mirren. Summit, 2010.
  • Scream Blacula Scream. Dir. Bob Kelljan. Perf. William Marshall, Pam Grier. American International, 1973.
  • Spotlight. Dir. Tom McCarthy. Perf. Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber. First Look, 2015.
  • Urban Legend. Dir. Jim Gillespie. Perf. Alicia Witt, Jared Leto, Rebecca Gayheart, Joshua Jackson. Columbia TriStar, 1998.
  • WarGames. Dir. John Badham. Perf. Matthew Broderick, Ally Sheedy, John Wood, Dabney Coleman. United Artists, 1983.
  • Wet Hot American Summer. Dir. David Wain. Perf. Janeane Garofalo, David Hyde Pierce, Michael Showalter, Paul Rudd. Universal Studios Home Entertainment, 2001.
  • Zodiac. Dir. David Fincher. Perf. Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr. Paramount, 2007.
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