Reel Librarians turns 7!

Reel Librarians celebrates its 7th blog anniversary this week! I published my first post on Reel Librarians back on September 19th, 2011, with the “Where do I begin? A love story.” post, which also details how my interest in reel librarians began.

Reel Librarians turns 7!

Reel Librarians turns 7!

Quick stats comparison:

Looking back over the previous “blog anniversary” posts, below is an update on how this blog has grown:

2012
(1 year)

2018
(7 years)

Total views:  19,000+  235,000+
Total visitors:  900+ 160,500+
Total comments:  165 628
Total posts:  153 posts + 21 pages  467 posts + 21 pages
Total shares: 121 4,500+
Daily visits, average:  65 123
Total followers:  45  428

Previous blog anniversary posts:

Top 10 most popular posts this past year:

  1. First impressions: ‘Hidden Figures’ and its library scene — a 2017 post with over 4,000 views this past year
  2. Marian or Marion? — a 2012 post with over 1,700 views this past year
  3. Librarian t-shirt collection — a 2014 post with over 1,400 views this past year
  4. Books and book-burning in ‘Fahrenheit 451’ — a 2017 post new to this list, with almost 1,400 views this past year
  5. The Jedi librarian — a perennial favorite from 2013 with over 1,300 views this year
  6. Naughty Librarians (ladies, take it away) — a 2012 post with almost 1,300 views this past year
  7. The Killing Kind vs. The Attic —  a 2013 post still going strong with almost 1,000 views this year
  8. You, Me, Dupree, and the Naughty Librarian — this 2015 post has collected almost 900 views this year
  9. Harry Potter and Madam Pince — this 2012 post has magicked up over 850 views this year
  10. First impressions:  Monsters University — this 2013 post garnered almost 650 views this past year

Thank you all for reading, whether it’s your first or seventh year! 😀 😀 😀 😀 😀 😀 😀

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A reel archivist returns in ‘National Treasure 2: Book of Secrets’

Last week, I dived deep into the archivist’s role in 2004’s National Treasure… so it should come as no surprise that this week, it feels fitting to explore the 2007 sequel, National Treasure 2: Book of Secrets.

Here’s a snippet of the sequel’s plot, from the back of the DVD:

This film “[t]akes you on a globe-trotting quest full of adrenaline-pumping twists and turns — all leading to the final club in a mysterious and highly guarded book containing centuries of secrets. But there’s only one way to find it — Ben Gates must kidnap the President.”

So… in the first film, Ben Gates steals the Declaration of Independence; in the sequel, he “upgrades” to kidnapping the President. Okaaaaaaaaaaay.

*POTENTIAL SPOILERS THROUGHOUT*

Here’s a trailer for National Treasure 2: Book of Secrets:

NATIONAL TREASURE 2: BOOK OF SECRETS (2007) – Official Movie Trailer,” uploaded by soundfan, is licensed under a Standard YouTube License

What do I like about the film?

That the word “book” is in the movie’s subtitle, that Helen Mirren co-stars in the sequel (she plays an expert on ancient Native American languages), and that the Library of Congress also gets a co-starring role! 😉

What do I NOT like about the film?

Uh, everything else. The talented cast is wasted in this paint-by-numbers, pedestrian action film. And it’s not just me! The film “earned” two Razzie Award nominations:  Worst Actor for Nicolas Cage and Worst Supporting Actor for Jon Voight.

Bookstore scene:

Eight minutes into the film, we get a wide shot of a scene that’s clearly set in a bookstore (not a library!). The sidekick, Riley (Justin Bartha), has written a book, and it’s clear he’s trying to cash in on the fame. (But the book he’s written will be an important plot point later.)

Screenshot from 'National Treasure 2' (2007)

You’re no Indiana Jones, dude.

However, no one’s really interested in the sidekick.

Trouble in (archives) paradise:

We also learn early one that Ben Gates (Nicolas Cage) and Dr. Abigail Chase (Diane Kruger, downgraded from 2nd billing in the first film to 3rd billing in the sequel, boo!) have broken up. But Gates needs to break into her house because of PLOT reasons that have something to do with John Wilkes Booth, the assassination of President Abraham Lincoln, and the reputation of the Gates family.

As Gates puts it, “I need to get Abigail’s ID. She has access to the Booth diary page.”

Long story short, they do break in, and Gates pulls open Abigail’s desk drawer to grab her ID badge… which now reads “Library of Congress.”

Screenshot from 'National Treasure 2' (2007)

Abigail Chase’s Library of Congress ID

There’s no explanation given, but it’s clear that Chase has moved from the National Archives to the Library of Congress within the previous three years. My thoughts for the reason why? Because of PLOT. 😉

And OF COURSE Chase comes home early — she’s been on a date! — and we get to see her all gussied up in a fancy dress and heels. She’s been on a date with the “White House curator” (another reel archivist?), and here’s his reaction to her home:

ConnorWow. You work in a museum, and you live in one.

ChasePretty much.

Caught red-handed breaking into her house, Gates tries to smooth-talk his way out of the situation, but Chase sees right through him. The resulting conversation echoes their first conversation together from the first film.

ChaseHand it over, Ben.

GatesI need to see the Booth diary page.

ChaseYou saw the page yourself. There is no treasure map on it.

GatesNo, it’s a cipher leading to a map. Anyone spectral-image the page?

ChaseNo need to. The ink writing on the page is clearly visible.

GatesIt could have been erased or faded. You’re the director of document conservation. You know all this.

ChaseIt’s not up to me. It’s not my department.

Gates: That department reports to your department. Come on. One look under infrared.

I do enjoy this bit of conversation, even if only to get a clue about her new job and title!

The white glove returns!

The next scene takes place in what I assume is a lab in the Library of Congress, where Chase is using a computer and infrared scan. The iconic white gloves, an essential tool in the archivist’s toolbox, do make an appearance, but it’s interesting to note that Chase only has a white glove on her left hand, and not her right hand while she’s using the computer.

Screenshot from 'National Treasure 2' (2007)

Modern archival equipment!

Screenshot from 'National Treasure 2' (2007)

White gloves in hand for the reel archivist

This short scene is also notable for its use of modern archivist technology this time — no lemon juice or hairdryers this time! 😉

They do find a cipher on the back of the page — DA DA DUMMMMMMM! —  and she sends the document to the scanner.

Screenshot from 'National Treasure 2' (2007)

Cipher discovered!

Chase takes off the glove on her left hand and pull outs a copy of the document from the scanner. You can see her white gloves in the background of the closeup.

Screenshot from 'National Treasure 2' (2007)

A reel archivist’s tools: white gloves, tape, and infrared scanners

Here’s how this scene and its importance to Chase’s identity as a reel archivist is described in the “Crossing a Librarian with a Historian: The Image of Reel Archivists” article by Aldred, Burr, and Park:

“In the sequel National Treasure 2: Book of Secrets (2007), we once again encounter Abigail Chase; she performs one “archival” function: she uses a computer to manipulate a digital image of a page torn from John Wilkes Booth’s diary, all the while either wearing or holding a white glove. This humorous image aside, we learn that she is now working for the Library of Congress and is Director of Document Conservation.” (p. 85)

The book of secrets:

The “book of secrets” is solved midway through the film. Remember Riley’s treasure-hunting book that nobody wanted to read? Turns out, he wrote a chapter about “The President’s Secret Book” and a secret seal. (The trio had discovered this seal on an adventure in London, for reasons of PLOT.)

Screenshot from 'National Treasure 2' (2007)

The chapter on the secret book in Riley’s book

It was definitely a moment for “suspension of disbelief” and massive eye-rolling, because the “President’s Secret Book” and secret seal feels like something both Chase and Gates would already know about, right? But at least Riley gets his moment in the spotlight.

Library of Congress connection:

So all of this secret book nonsense leads Gates to, naturally, have to kidnap POTUS in order to confront him about the book and how to find it. As you do. This leads them to the Library of Congress.

PresidentThe book exists.

GatesWhere is it?

PresidentWhere else do you keep a book? In the Library of Congress.

POTUS then gives Gates a code:  XY 234786.

I immediately shouted out at the screen, “It’s a call number!!!!” And of course, it had to be a Library of Congress call number, which start with a combination of letters, followed by numbers. (Dewey Decimal call numbers start with numbers, 000s through 900s.)

And now we know why Dr. Abigail Chase had to switch jobs from the National Archives to the Library of Congress. I had mused it was for reasons of PLOT. And here’s where that plot point pays off…

Library of Congress archivist leading the way:

At 1 hour and 11 mins into the film, Chase leads the way to the Library of Congress. Doesn’t she look totally bad-ass in her black leather jacket? #ArchivistRoleModel

Screenshot from 'National Treasure 2' (2007)

Library of Congress entry

Screenshot from 'National Treasure 2' (2007)

Reel archivist in charge and coming through!

RileyWhere do we start?

ChaseXY is the book classification code. Stands for special collections, which means very special books.

Of course the reel librarian/archivist would figure out straight away that it’s a call number!

Note:  The Library of Congress classification system generally follows the alphabet for the first part of its call number combinations, as you can see here, meaning there are potentially 26 major categories of call numbers. However, 5 of the 26 English language letters are not currently used for call number categories, being kept in “reserve” for future use. “X” is one of those letters not currently used for Library of Congress call numbers. (I, O, W, and Y are the other letters not in use.) So it could be possible, theoretically, that the Library of Congress could use the “X” category for secret collections not known to the public.

I loved how, in this screenshot below, you can spot two librarians on duty in the iconic round reference desk in the middle of the Library of Congress Reading Room. This film has both reel archivists AND reel librarians! 😀

Screenshot from 'National Treasure 2' (2007)

Two reel librarians on duty at the Library of Congress Reading Room reference desk

We also get a shot of another reel librarian, or rather library assistant, opening up a back door and rolling out a library cart.

None of the reel librarians in this scene, however, recognize Chase.

Screenshot from 'National Treasure 2' (2007)

Reel librarian alert, with an iconic prop, the book cart.

Chase leads to the way to the alcove, which is labeled “Deck 7, Q-Z.”

Screenshot from 'National Treasure 2' (2007)

Library alcove set in the Library of Congress

But the book is not on the shelf, where the call number indicates it would be.

Screenshot from 'National Treasure 2' (2007)

Call number closeup

RileyMaybe someone checked it out.

ChaseWhy would he send us here if there’s no book?

RileyHe probably wanted us to get caught.

Library ladder alert! I will need to add this film to the library ladders round-up post:

Screenshot from 'National Treasure 2' (2007)

Library ladder alert!

Gates figures out the secret book’s secret hiding place, by use of additional clues POTUS gave him.

Screenshot from 'National Treasure 2' (2007)

The book of secrets discovered!

Trivia from IMDb.com reveals that:

The area of the Library of Congress, in which Gates finds the Book of Secrets, does not exist as an area of book shelves. These book shelves were constructed as a prop library in a previously empty balcony of the Library’s Main Reading Room, and dismantled after the scenes were shot.

And the director confirms this on the commentary track:

We also had to build this room, in the Library of Congress, true to the style of the Library of Congress. The last thing you want to do is destroy the Library of Congress. If a light falls off her, we’re gonna break a library. So the goal here was just to get this room to look like the Library of Congress.

Although the trio are being hunted down by FBI agents — because of that whole “kidnapping the President” thing — there is still time for humor.

Random FBI AgentSo Gates abducts the president, lets him go, and then heads to the Library of Congress? Why?

FBI Agent SaduskyMaybe he wants to check out a book.

Escape from the Library of Congress:

The trio then try to elude the FBI agents on their tail. Chase leads Riley to the reference desk, where they escape down the secret stairs that lead to the basement of the Library of Congress. And OF COURSE the librarians on duty don’t notice this. Suspension of disbelief, y’all.

Screenshot from 'National Treasure 2' (2007)

Escape through the Reading Room reference desk

The two run past a circular piece of machinery, which you can see in the screenshot below, which the director revealed on the commentary track that he was fascinated by and had to include in the final film:

These are extraordinary places underneath the Library [of Congess]. Go in that door, you down stairs, there’s a whole transport system of books. I mean, look at that. That’s how books get sent around the library on these little elevators that go up and down. All right, I don’t know what that has to do with the library, but we’re shooting it.

Screenshot from 'National Treasure 2' (2007)

Running through the Library of Congress basement

I also loved how when the FBI agents came down the central staircase, a librarian immediately points the way to help them catch the adventurers.

Screenshot from 'National Treasure 2' (2007)

Librarian helper

Don’t mess with librarians! 😉

Reel archivist and librarian roles:

Once again, Diane Kruger’s portrayal of reel archivist Dr. Abigail Chase in this Class I film lands in the Atypical Portrayal category. She is a major character, and we see her both in and out of library and archival space, interacting with modern archival equipment. She is smart, funny, and not afraid to show her flexibility and resourcefulness when needed. She is a reel archivist role model!

The other reel archivist, the White House curator Connor (played by Ty Burrell), serves as both an Information Provider and Comic Relief. And the four other reel librarian cameos glimpsed in the Library of Congress scene all serve as Information Providers.

My personal connection to this movie:

Fun fact! During an American Library Association national conference in Washington D.C. a few years ago and a special tour the Library of Congress provided for librarians only, I actually got to go down those exact stairs and explore the basement of the Library of Congress! It’s amaaaaaaaaaaaaazing! The Library of Congress collection is actually spread out over several buildings, and they are all interconnected by the system of pulleys and conveyer belts you see in the film.

The tour guide was also a librarian who had been at the Library of Congress one of the days they filmed this scene for the film. Cool, huh? 😀

Comments?

Have you seen National Treasure or its sequel, National Treasure 2: Book of Secrets? Did you enjoy them and/or the major archivist role in these films? Please leave a comment and share!

Sources used:

Get out your white gloves and lemon juice! Reel archivist in ‘National Treasure’

I have been exploring quite a few reel archivist portrayals lately, inspired by articles I have recently read, as detailed in my “Reel librarians vs. reel archivists” post. In all the articles I read about reel archivists, Diane Kruger’s role as Dr. Abigail Chase in National Treasure (2004) was highlighted, so I thought it would be perfect timing to revisit that film, “arguably one of the best known movies with an archival plot line” (Region of PEEL Archives).

So get out your white gloves and lemon juice — this analysis post is a long one!

*SPOILERS AHEAD THROUGHOUT*

Here’s a trailer for National Treasure:

National Treasure Official Trailer (2004),” uploaded by Jake Smith, is licensed under a Standard YouTube License

Below is a quick recap of the film from the “Crossing a Librarian with a Historian: The Image of Reel Archivists” article by Aldred, Burr, and Park:

“Benjamin Franklin Gates is a treasure hunter searching for the Founding Fathers’ hidden treasure. Clues lead him to the conclusion that he must steal the Declaration of Independence , where Abigail Chase (Diane Kruger), National Archives and Records Administration employee, gets caught up in the affair, and helps Gates discover the treasure.” (p. 88)

Diane Kruger gets 2nd billing in the cast, and is the top female lead. According to the film’s IMDb.com trivia page, her character’s name, Abigail Chase “is a combination of Abigail Adams, wife of John Adams, and Samuel Chase, a signer of the Declaration of Independence and later an Associate Justice of the United States Supreme Court.”

Here’s how Aldred, Burr, and Park describe the character of Dr. Chase and how she fits into the history of reel archivists who are also main characters:

“Those reel archivists who were main characters were portrayed in an overall positive light, rather than as a stereotype. They were the heroes of the film, solving mysteries, fighting vampires, and trying to help those in need. They were educated individuals with distinct personalities. Abigail Chase of National Treasure (2004) was a curious, intelligent archivist at the National Archives and Records Administration. She was the only reel archivist examined whose level of education was explicit (doctorate), who was the protagonist’s love interest, and was the only female main character in the film. Unfortunately, even though she was positively portrayed, she was never formally identified as an archivist at any time during the film. To the audience, she is nothing more than a knowledgeable treasure hunter.” (p. 84-85)

First archives spotting:

At 23 mins into the film, Gates is trying to alert authorities that Ian Howe (Sean Bean) will try to steal the Declaration of Independence. After getting laughed out of the FBI, Gates and his sidekick assistant, Riley Poole (Justin Bartha), set out for the National Archives.

Screenshot from 'National Treasure' (2004)

National Archives building in Washington D.C.

Why the National Archives?

Right before this scene, Gates and Riley discuss who they should contact to help prevent the theft of the document.

GatesWe don’t need anyone crazy. We just need someone short of crazy.

RileyObsessed?

GatesPassionate.

As Buckley states in the “The Truth is in the Red Files” essay: “The next scene shows the two characters waiting for a meeting with the archivist, indicating that the archivist had the requisite ‘passion’ they were seeking” and “Equally telling is the portrayal of the archivist, and the emphasis placed on her passionate dedication to her profession” (p. 121).

But before showcasing her passion, Dr. Chase demonstrates a healthy dose of skepticism.

As Gates and Riley wait, Dr. Chase’s assistant announces that “Dr. Chase can see you now.” This reveals her qualifications immediately but does not reveal her gender. The two men are (annoyingly) surprised that “Dr. Chase” is a woman.

Screenshot from 'National Treasure' (2004)

Just a sec, I’m busy

I also love that Chase has a “Rosie the Riveter” poster in her office, which you can spy in the upper right corner in the screenshot below.

Screenshot from 'National Treasure' (2004)

Dr. Abigail Chase and Rosie the Riveter — we can do it!

They exchange a bit of small talk. It’s also important to note that Gates has stated his surname is “Brown,” because his family has a less-than-stellar reputation.

ChaseNice to meet you.

GatesYour accent. Pennsylvania Dutch?

ChaseSaxony German.

RileyYou’re not American?

ChaseOh, I am an American. I just wasn’t born here. 

[Note:  I really liked this brief exchange. It not only neatly dispatched the issue of Diane Kruger’s real-life German accent, but also reinforced the idea that there are Americans born abroad who are just as American and as patriotic as those born in the U.S. Full disclosure, I also happen to be an American born abroad!]

In this exchange below, you can also get the sense of how Gates thinks he is being clever in trying to “talk around” Chase, but she’s not having any of it. Her questions are insightful, knowledgeable, and to the point.

ChaseNow, you told my assistant that this was an urgent matter.

GatesYes, ma’am. Well, I’m gonna get straight to the point. Someone’s gonna steal the Declaration of Independence.

Riley: It’s true.

ChaseI think I’d better put you gentlemen in touch with the FBI.

GatesWe’ve been to the FBI.

ChaseAnd?

RileyThey assured us that the Declaration cannot possibly be stolen.

ChaseThey’re right.

Screenshot from 'National Treasure' (2004)

Don’t try to play me, dudes. I know what’s up.

GatesMy friend and I are less certain. However, if we were given the privilege of examining the document, we would be able to tell you for certain if it were actually in any danger.

Chase:  [shooting him a knowing look, sits back in her chair] What do you think you’re gonna find?

Gates:  [getting uncomfortable] We believe that there’s an… encryption on the back.

Chase:  An encryption, like a code?

GatesYes, ma’am.

ChaseOf what?

GatesUh… a cartograph.

ChaseA map.

GatesYes, ma’am.

ChaseA map of what?

Gates: The location of… [nervously clears throat, as per the subtitles] hidden items of historic and intrinsic value.

Chase:  [shakes head as though to clear it] A treasure map?

RileyThat’s where we lost the FBI.

ChaseYou’re treasure hunters, aren’t you?

GatesWe’re more like treasure protectors.

ChaseMr. Brown, I have personally seen the back of the Declaration of Independence, and I promise you, the only thing there is a notation that reads, “Original Declaration of Independence, dated… “

Gates:  … “Fourth of July, 1776.” Yes, ma’am.

ChaseBut no map.

GatesIt’s invisible.

ChaseOh, right.

RileyAnd that’s where we lost the Department of Homeland Security.

ChaseWhat led you to assume there’s this invisible map?

GatesWe found an engraving on the stem of a 200-year-old pipe.

RileyOwned by Freemasons.

ChaseMay I see the pipe?

RileyWe don’t have it.

ChaseDid Bigfoot take it? [This line was used in the trailer!]

GatesIt was nice meeting you.

Lasting 3 minutes in total, what is the ultimate point of this introductory scene? It establishes Dr. Chase as smart, credentialed, skeptical, and protective of historical artifacts — plus, she can more than hold her own against men who think they know more than she does. It also establishes a lot of backstory and exposition in a brief amount of time.

This scene is also vital because after this exchange with Dr. Chase, Gates decides he has to steal the document himself, in order to protect it. Riley then tries to convince Gates that stealing the Declaration of Independence cannot be done.

Library of Congress research scene

Cue the obligatory research scene in a library!

At 28 minutes into the film, the camera pans down the iconic Library of Congress Reading Room, to where Riley and Gates are seated at a desk, surrounded by books. And it’s these readily available books that allow them to figure out a way into the National Archives to steal the Declaration of Independence.

Don’t try this at home, y’all. Or in your local public library. 😉

Screenshot collage from 'National Treasure' (2004)

Research in the Library of Congress

RileyI’ve brought you to the Library of Congress. Why? Because it’s the biggest library in the world. Over 20 million books. And they’re all saying the same exact thing: Listen to Riley. What you have here, my friend, is an entire layout of the Archives, short of builder’s blueprints. You’ve got construction orders, phone lines, water and sewage — it’s all here. Now, when the Declaration is on display, ok, it is surrounded by guards and video monitors and a little family from Iowa and little kids on their eighth-grade field trip. And beneath an inch of bulletproof glass is an army of sensors and heat monitors that will go off if someone gets too close with a high fever. Now, when it’s not on display, it is lowered into a four-foot-thick concrete, steel-plated vault that happens to be equipped with an electronic combination lock and biometric access-denial systems.

GatesYou know, Thomas Edison tried and failed nearly 2,000 times to develop the carbonized cotton-thread filament for the incandescent light bulb…. He only had to find 1 way to make it work.

Gates then puts a book on the table.

[Note:  As according to IMDb.com trivia page, “The book that Ben shows Riley in the Library of Congress, that has the information about the Preservation Room, is called ‘The Earth System.’ It is some sort of a textbook, and it is authored by Lee Kump, James F. Kasting, and Robert G. Crane. The ISBN is 0131420593.”]

Gates: The Preservation Room. Enjoy. Go ahead. Do you know what the Preservation Room is for?

RileyDelicious jams and jellies?

GatesNo. That’s where they clean, repair and maintain all the documents and the storage housings when they’re not on display or in the vault. Now, when the case needs work they take it out of the vault, directly across the hall, and into the Preservation Room. The best time for us, or Ian, to steal it would be during the gala this weekend, when the guards are distracted by the VIPs upstairs. But we’ll make our way to the Preservation Rom, where there’s much less security.

RileyHuh…. this might be possible.

They then prepare for the heist… uh, rescue.

Chase in charge:

Riley hacks into a computer system to heat up the glass surrounding the Declaration of Independence, in order to force the document into the Preservation Room. Dr. Chase is immediately alerted to this and sets off, with a male colleague, into the basement to enter the room. It’s clear that Dr. Chase is the one in charge, and we hear her narration as she orders a full diagnostics.

Screenshot from 'National Treasure' (2004)

Chase in charge

Of course, Dr. Chase does not realize that she is unwittingly helping Gates and Riley steal the very artifact she is pledged to protect!

A gala, a chase, and Chase:

A gala scene at the National Archives begins at 37 minutes into the film, and we get to see Dr. Chase all dressed up in a classic cocktail dress and kitten heels. Gates hands her champagne for a toast, “Here’s to the men who did what was considered wrong, in order to do what they knew was right. What they knew was right.” Chase’s eyes narrow as she listens. She knows he’s up to something!

Gates then uses Chase’s fingerprints on the glass of champagne to get into the Preservation Room! Gates does successfully steal the document but also encounters the rival team of (evil) treasure hunters, led by Ian Howe (Sean Bean). As Gates tries to escape through the National Archives — buying a dummy copy of the document in the lobby’s gift shop! — Abby spies Gates and, full of suspicion, follows him.

RileyBen, the mean Declaration lady’s behind you.

Totally unafraid — and undeterred by being called the “mean Declaration lady” — Chase then calls out for security, grabs the rolled-up document, and attempts to run back to the National Archives in heels. Unfortunately, that’s when the baddies grab her AND the document. The lead baddie, Howe, tries to scare her into giving up the document, but she doesn’t give in. Gates and Riley then follow her in a van and rescue her, but Kruger did most of her own stunts in this scene, as evidenced by this brief interview:

National Treasure – Diane Kruger Interview,” uploaded by Novidades Cinema – Movie News, is licensed under a Standard YouTube License

Turning Chase into a fellow treasure hunter protector:

As they speed away from the baddies, Chase is still not having any of it:

ChaseI’m not all right. Those men have the Declaration of Independence!

Gates shows her the real document, meaning that the baddies got the dummy poster copy.

Chase:  [attempting to grab the document] Give me that! Who were those men?

GatesJust the guys we warned you would steal the Declaration of Independence.

RileyAnd you didn’t believe us.

GatesWe did the only thing we could do to keep it safe.

The truth then comes out about Gates’s true identity.

ChaseI want that document, Mr. Brown!

GatesMy name is Gates.

Chase:  Did you just say Gates? Gates? You’re that family with the conspiracy theory about the Founding Fathers? You know what? I take it back. You’re not liars. You’re insane.

The two men then reveal their plan to run chemical tests on the Declaration of Independence to uncover the “invisible map” they had alluded to in their earlier conversation with Chase.

ChaseYou can’t seriously intend to run chemical tests on the Declaration of Independence in the back of a moving van.

RileyWe have a clean-room environment all set up. EDS suits, a particulate air filtration system, the whole shebang.

ChaseReally?

It is nice to hear that Chase had set up a “clean-room environment” to preserve the archival integrity of the document. And that Dr. Chase is impressed by this.

GatesWe can’t go back there. … We need those letters.

ChaseWhat letters?You have the original Silence Dogood letters? Did you steal those, too?

GatesWe have scans of the originals. Quiet, please.

ChaseHow’d you get scans?

GatesOh, I know the person who has the originals. Now shush.

ChaseWhy do you need them?

GatesShe really can’t shut her mouth, can she? Tell you what, look. I will let you hold on to this [hands her the Declaration of Independence in the case] if you promise to shut up, please. Thank you.

While he’s thinking and talking with Riley, Chase is plotting yet another escape. She’s scrappy, isn’t she?! She tries to run, but she doesn’t get very far. And this next bit is the final turn in the screw, when Chase becomes complicit in the treasure hunter adventure.

ChaseI’m not going. Not without the Declaration.

GatesYou’re not going with the Declaration.

Chase Yes, I am. I’m not letting it out of my sight, so I’m going.

As the Region of Peel Archives put it:

“Gates and his assistant Riley Poole manage to steal the document from the National Archives, and while doing so they unwittingly involve Abigail Chase, one of the nation’s archivists. The three of them then attempt to locate the treasure before a ruthless gang of criminals can. It is interesting that while dragged in against her will initially, Chase comes to embrace the adventure, although she, like any good archivist, remains fiercely protective of the Declaration document.”

I was also super impressed by Diane Kruger’s facial expressions throughout these scenes. Her suspicious glare is excellent, and it deepens as she gets drawn into the plot, as evidenced in the screenshots below. The top screenshot is from her introductory scene, the middle is from the gala, and the bottom is when she holds onto the Declaration of Independence case in the van.

Screenshot collage from 'National Treasure' (2004)

Suspicious minds…

Destroying the Declaration of Independence:

The trio then travel to visit Gates’s father, played by Jon Voight, in order to uncover the code on the back of the Declaration of Independence. Instead of a “clean-room environment,” they have a dining table, a hairdryer, and a bowl of lemons. At least they’re wearing white gloves?! No wonder Dr. Chase is looking so guilty.

Screenshot from 'National Treasure' (2004)

Looking guilty

Gates then takes a lemon and is about to squeeze it onto the back of the Declaration of Independence. Not so fast!

Chase:  You can’t do that.

GatesBut it has to be done.

ChaseThen someone who is trained to handle antique document is gonna do it.

GatesOk.

ChaseOk. Now, uh, if there’s a secret message, it’ll probably be marked by a symbol in the upper right-hand corner. [rubs a Q-tip on the lemon] I’m so getting fired for this.

GateWe need more juice.

ChaseWe need more heat. [she grabs a hairdryer!]

Chase then handles the hairdryer. With gloves on. As any self-respecting archivist would do. 😉

Screenshots from 'National Treasure' (2004)

The white gloves make it all okay

Chase, Riley, and Gates are definitely in it together now!

Buckley comments on the juxtaposition of a reel archivist protecting and destroying the archival documents at the same time:

“Although the objections of the archivist [in National Treasure] to the use (abuse?) of archival documents are overruled in favour of the entertainment value of high-speed chases and nail-biting cliffhangers, those objections are strongly voiced, and they are heard. While the audience may enjoy the entertaining machinations involved in retrieving the Declaration of Independence from the National Archives, the authority of this document or of its custodians is never in question. The continued importance placed on archival value is evident in the scenes involving the Declaration, as well as in the preservation and display of the Silence Dogood letters in the Benjamin Franklin Archive.” (p. 121)

They make their way to the next clue in the Silence Dogood letters in the Benjamin Franklin Archive as then on to the Liberty Bell and the Independence Hall in Philadelphia. At Independence Hall, at 1 hour and 17 minutes into the film, they unfurl the Declaration of Independence in order to read the next clue, and Gates tries to school Chase on archival etiquette. And bless Dr. Chase’s sassy heart.

ChaseHere, help me.

GatesCareful.

ChaseYou think?

Screenshot from 'National Treasure' (2004)

The Declaration of Independence returns to Independence Hall!

Calling the shots:

The baddies then show up, and Riley and Chase run off together with the document case, in order to create a diversion from Gates. Lots of ACTION and PLOT and CLUES ensue, but it finally comes down to Chase figuring out how to make a trade with the baddies.

Or as the bald baddy says to Gates, “Ask your girlfriend [referring to Chase]. She’s the one calling all the shots now. She won’t shut up.” Hah! 😀

The final action scene takes place in an underground passageway and vault, where they find the hidden treasure. But what is the most valuable hidden treasure for the reel archivist?

Screenshot from 'National Treasure' (2004)

The pen is mightier than the sword… a reel archivist admiring scrolls from the lost Library of Alexandria

I loved that Chase was not wooed or awed by the gold and the jewels but rather by the scrolls from Alexandria!

As the Region of Peel Archives states:

The team is ultimately successful, locating the treasure deep underground in Manhattan. Ever the faithful archivist, Chase is not drawn to the gold jewelry, statues, or other artifacts found in the huge underground cavern, but rather to what she identifies as scrolls from the lost Library of Alexandria.

Abigail Chase also made an impression on Ben Gates, as the first things Gates asks the FBI is that “Dr. Chase gets off clean, without a mark on her record.” I really appreciated that Gates (a) put her professional needs first, and (b) referred to Chase by her title and credentials.

Getting the last line:

In the final scene, Chase and Gates and Riley are all talking together in a garden setting. It’s clear Chase and Gates are together, as they are holding hands. Ever the professional, Chase has a book in her hand.

Screenshot from 'National Treasure' (2004)

Final scene from ‘National Treasure’ (2004)

Riley then takes off in his new sports car, and Chase has one last surprise for Gates:

ChaseI made something for you.

GatesYou did?

ChaseA map.

GatesWhere does it lead to?

ChaseYou’ll figure it out.

I love that the reel archivist gets the last line in the movie!

Alternate ending in the National Archives:

But Gates did not get the last line in the movie in the original ending, which was changed after the original didn’t test well with audiences.

The original ending was set back in the National Archives, with the Declaration of Independence back in its case. Gates is looking over the Constitution, also in a glass case. Chase has her arm through Gates’s arm, so it’s still clear that they are together.

Screenshot from 'National Treasure' (2004)

Alternate original ending from ‘National Treasure’ (2004)

ChaseWhat are you thinking about?

GatesNothing.

ChaseThere’s nothing on the back of the Constitution.

GatesI wasn’t thinking that. Are you sure?

ChaseI already checked it out. [They laugh together]

This original exchange is funny — and reinforces Chase’s ambition and initiative! — but Riley gets the last line:  “Guys, do you think we could keep some of the treasure this time?

I like that they changed the ending so that the reel archivists gets the last laugh!

The importance of the reel archivist role:

Ultimately, I agree with Buckley, who sums up Dr. Abigail Chase’s role and this popcorn action film this way:

“Buried beneath the stereotypical images are elements of the truth:  that records matter, that protection of the record matters, and that the protectors of the records are dedicated to their profession.” (p. 120-121)

Although the film is full of plot holes and historical errors — see here for a video run-down of all the historical inaccuracies in 13 minutes or less — I enjoyed rewatching and analyzing Dr. Chase’s character, and how refreshingly original and non-stereotypical her character turns out to be. I think a lot of this comes down to how Diane Kruger played the character, with an innate sense of feistiness, as a woman who is used to dealing with men who underestimate her. She does NOT underestimate herself, and I agree that Dr. Abigail Chase is ultimately a positive portrayal of a reel archivist. I would also argue, although she is not technically a reel librarian (I do, however, choose to include both reel archivists and reel librarians in my research), that she does fit into the category of Atypical Portrayals, and her importance to the film lands it in the Class I category.

Continuing the conversation:

Have you seen the National Treasure film, or it sequel? What do you think of the Dr. Abigail Chase character and her role as a reel archivist? Do you find her portrayal stereotypical, or not? Please leave a comment and share!

Sources used:

Reel archivist in ‘Blade Runner 2049’

My husband, Sam, alerted me to an extended archives scene in 2017’s Blade Runner 2049, a scene that helps set in motion the background and plot for the film. And it felt like perfect timing, as I recently deep-dived into real-life archivists critically examining portrayals of reel archivists.

Let’s dive into this film now!

Blade Runner 2049 is not a remake of the 1982 cult classic Blade Runner; rather, it is a continuation, with Harrison Ford reprising his role as Deckard. Ryan Gosling stars as K, a police officer assigned to track down a rogue replicant. He begins by going to the Wallace Corporation’s Earth Headquarter archives.

Here’s a teaser trailer for the film:

Blade Runner 2049 Official Teaser Trailer #1 (2017) Ryan Gosling, Harrison Ford Sci-Fi Movie HD” by Zero Media is licensed under a Standard YouTube License

Meet the archivist:

The archives scene begins 30 mins into the film. K stands at a long, wrap-around counter, behind which sits the archivist, played by Icelandic actor Tómas Lemarquis. It’s interesting to note that although this character is titled “File Clerk” in the credits, the subtitles refer to him as “Archivist.” I will refer to this character as the archivist throughout the remainder of this post.

Screenshot from 'Blade Runner 2049' (2017)

The reference counter for the Wallace Corporation archives

Here’s their opening exchange, or rather, their initial reference interview:

KJust checking in on an old serial number.

ArchivistConfirmation DNA?

KI got hair. [hands him an evidence baggie]

The archivist then drops the hair into a scanner, which immediately brings up information on a central screen. I found it interesting that the archivist did NOT wear gloves to handle the evidence. (And put a pin in that, as we will revisit that point later.)

Screenshot from 'Blade Runner 2049' (2017)

The archivist scans the evidence

The archivist reacts swiftly and strongly to the information on the screen. I *loved* the archivist’s facial expressions during this scene.

ArchivistOh! An old one. Pre-blackout. Huh. That’s gonna be tough. Not much from then. And what’s there is [clicks tongue] thick milky.

Screenshot from 'Blade Runner 2049' (2017)

Uh-oh! says the archivist…

Luv, a replicant who is assistant to Mr. Wallace — remember, they’re at the Wallace Corporation’s Earth Headquarters — then gets an auto alert about the serial number and DNA scan. She asks to reschedule the client meeting she had been conducting.

Screenshot from 'Blade Runner 2049' (2017)

Auto alert!

We then cut back to the archivist, who is leading K down rows and rows of what look very similar to old-fashioned card catalog drawers. The cinematography is quite striking in the film in general, but particularly so in these scenes. The atmosphere feels almost holy and reverential, with the rows of card catalogs akin to pews in a church. But instead of feeling warmth or comfort from the reverence, we instead get a feeling of severity and sterility… perhaps because all the pre-Blackout data has been wiped? All of these records are blank, useless, broken. Yet they remain a monument to what was.

Screenshot from 'Blade Runner 2049' (2017)

Rows and rows of archives

Screenshot from 'Blade Runner 2049' (2017)

Walking down the rows of archives

While they walk, the archivist chatters to K.

ArchivistEveryone remembers where they were at the Blackout. You?

KThat was a little before my time.

Archivist: Mmmmm… I was home with my folks, then ten days of darkness. Every machine stopped cold. When the lights came back, we were wiped clean. Photos, files, every bit of data… Fttt! Gone. Bank records, too. [Chuckles] Didn’t mind that. It’s funny it’s only paper that lasted. I mean, we had everything on drives. Everything, everything. Huh. My mom still cries over the lost baby pictures.

KWell, it’s a shame. You must have been adorable. [deadpan sarcasm]

The archivist then opens a drawer and rifles through what looks like plexiglass microfiche, even holding one up to the light.

Screenshot from 'Blade Runner 2049' (2017)

Data records in a card catalog drawer

Screenshot from 'Blade Runner 2049' (2017)

Reading the remains of a data record

Archivist: Pretty fractured. Not much on it. One of the last gens, pre-Prohibition. Standard issue. Made by Tyrell.

KAnd?

ArchivistUnremarkable.

KUnremarkable?

Their exchange is then cut short, as Luv appears behind them at the end of the row. The archivist immediately shuts down, and in silence, bows to Luv, walks over, hands her the file, and then walks away. There is no question who holds the power in this scenario.

Screenshot from 'Blade Runner 2049' (2017)

Luv, K, and the archivist

Luv then closes the drawer, introduces herself, and offers more help to K:

LuvAnother prodigal serial number returns. A 30-year-old open case finally closed. Thank you, officer. I’m here for Mr. Wallace. I’m Luv… Follow me. The ancient models give the entire endeavor a bad name. What a gift, don’t you think, from Mr. Wallace to the world? The outer colonies would never have flourished had he not bought Tyrell, revivified the technology. To say the least of what we do.

During this exchange, they walk through another collection of Mr. Wallace’s, a collection of rogue replicants encased in glass. This is the second peek into the Wallace Corporation’s archives, which are eclectic indeed. And not a little creepy.

Screenshot from 'Blade Runner 2049' (2017)

The collection of rogue replicants in Wallace’s archives

Luv and K then continue down a shadowy corridor, the off-site storage for archives. No longer in the main cathedral of the archives, it’s like they are now walking along the cloisters.

Screenshot from 'Blade Runner 2049' (2017)

Heading toward the “junk” rooms

LuvHere. All the junk is in here. Lucky for you, Mr. Wallace is a data hoarder. [the door sticks.] No one’s been down here in ages. [shoves open the door] Sorry about that.

The lights automatically come on as they step in the room.

Screenshot from 'Blade Runner 2049' (2017)

As they step into the “junk” room, Luv slips on a white glove

Screenshot from 'Blade Runner 2049' (2017)

The white glove!

As Luv walks over to a specific drawer, she slips on a white glove to handle a “memory ball.” So the iconic white glove of the archivist DOES appear in the film — just not on the archivist! 😉

LuvAll our memory bearings from the time. They were all damaged in the Blackout. But there are sometimes fragments.

As the memory ball is read by a scanner, a computer screen reads: “Tyrell Archives: Video document.” I appreciated that this screen did confirm that we were, indeed, in the archives. 🙂

Screenshot from 'Blade Runner 2049' (2017)

Tyrell Archives screen

The video flashes fragments of an interview between Rachael and Deckard, an interview from the original film. This then sets up the eventual connection between Deckard and K.

The archives scene lasts about seven minutes in total, but sets the rest of the film’s plot in motion. It also emphasizes how vital archives are in society — and how the loss of archives adversely affects a society — as well as how important access is to archives.

The Blackout

The archivist and Luv both highlight the “Blackout,” when all electronic records were wiped out. This reminded me of this specific exchange in the 1975 classic Rollerball:

LibrarianThis is embarrassing. It’s embarrassing to misplace things.

Jonathan:  Misplaced some data?

Librarian:  Hmmm, the whole of the 13th century.

It’s clear that more than just the 13th century was wiped out in the Blade Runner universe, but there is a hint that some paper archives still exist, as when the archivist mused, “It’s funny it’s only paper that lasted.

This is a major theme in the movie, that data is the soul of memory. And with no data or records, what happens to memory? What happens to our souls?

And I’m not the only one who thought along these lines. I came across this tweet from Dan Cohen, Dean of Libraries at Northeastern University:

The last word?

Finally, I want to revisit the character of the archivist. While revealing vital background information about the world they live in now, the archivist reveals his personality. The archivist, although he looks quite severe with his leather shirt and bald head, comes across as animated, chatty, a little nerdy, even humorous. He definitely has no problem attempting to have a conversation with K, and it is not until Luv shows up that the archivist shuts down emotionally, like he has been “put in his place.”

Before Luv shows up, the archivist smiles quite a bit and infuses his lines with real feeling, as well as making amusing sound effects (like clicking his tongue), and making hand gestures. His vivid personality is notable in a film of blank demeanors and flat line reads from the replicant characters. My hat is off to the actor, Tómas Lemarquis, who makes quite an impression for just a couple of minutes of screen time.

Ultimately, the reel archivist in this film winds up in the Information Provider category. And the personality that shines through this reel archivist’s portrayal lands the film in the Class III category, film in which the librarian(s) plays a secondary role, ranging from a supporting character to a minor character with perhaps only a few lines in one memorable or significant scene.

Your thoughts?

Have you seen Blade Runner, the original or the recent sequel? What are your thoughts about this reel archivist character? Please leave a comment and share!

Sources used:

Archival paradise in Westworld’s Season 2 finale

My fellow librarian and colleague Dale, whom you know from his guest review of Columbus earlier this year, alerted me to a library scene in the Season 2 finale of the TV series Westworld. I hadn’t yet seen Westworld, but I trust Dale’s cinematic instincts, and soon after, I had the opportunity to binge-watch both seasons.

Westworld goes deep, y’all, and it’s not a show for everyone. But I found the series really intriguing and the casting exhilirating with its diverse cadre of first-class actors. It’s also up for multiple Emmys this fall, and it deserves those nominations. I also think it’s a show that benefits from binge-watching, rather than waiting a week in-between episodes.

Here are trailers for the first two seasons:

Welcome to Westworld’ Teaser Trailer | Westworld | Season 1” by HBO is licensed under a Standard YouTube License

Westworld Season 2 Trailer | Rotten Tomatoes TV” by Rotten Tomatoes TV is licensed under a Standard YouTube License

Before I get into the analysis of the archives library scene in the Season 2 finale, I must insert spoiler alerts. There’s really no way to discuss this scene, or series of scenes, without spoiling the, uh, entire point of the first two seasons. And I really don’t have the brain power to succinctly summarize the characters or plot twists that come to a head in the Season 2 finale, so if you haven’t seen Westworld and don’t know about characters like Dolores, Bernard, and Delos, then bookmark this post for later and get to watching Westworld.

Without further ado:

SPOILER ALERT.

SPOILER ALERT.

….

SPOILER ALERT.

If you’re still reading, then you are ready for potential spoilers.

And one more for good measure:

SPOILER ALERT.

We good now? Ok. Let’s take the train into Westworld. All aboard!

A kind of archivist?

A bit of background first. In the penultimate episode of Season 2, Episode 9 “Vanishing Point,” characters mention a place called the “Forge,” where all the guests’ DNA and memories are kept. The Forge is in the Valley… Valley Forge! I get it. 😉

In the final episode, Episode 10 “The Passenger,” all the major characters are headed for the Valley Forge, including Dolores and Bernard.

Almost 30 minutes into the film, Dolores and Bernard meet up with Logan, Delos’s only son. Yet it’s not really Logan. Rather, Logan is the human face for the control system underlying the entirety of Westworld. (Note:  When Westworld is italicized, I’m referring to the show; when Westworld is not italicized, I’m referring to the location itself.)

Logan explains his role this way:  I was tasked with building perfect copies of the guests. Starting with Delos.

So in a way, he’s like the records keeper, the reel archivist, for Westworld. (It’s perhaps a stretch, but I’m going with it.)

Logan then demonstrates how all the host copies of Delos that he made all ended up at the same point, at the same memory.

BernardYou’re saying humans don’t change at all?

LoganThe best they can do is to live according to their code.

Remember this line, that humans live by their code. This will prove vitally important in a very literal sense.

Logan then takes them on a tour of the Forge, starting with a lab in which a mechanical hand is writing code in a book. He then takes the book, which has his father’s name, James Delos, printed on the side, and shows the book to Bernard and Dolores.

Screenshot from Season 2 finale of 'Westworld'

The book of Delos

LoganThe truth is that a human is just a brief algorithm. 10,247 lines.

BernardIs that all there was to him?

Logan:  They are deceptively simple. Once you know them, their behavior is quite predictable.

DoloresHe’s dead. He’s no use to me. [drops the book on the floor] Where’s the rest of them?

Screenshot from Season 2 finale of 'Westworld'

Book drop

Outside the lab, Dolores forges (har har) ahead up the stairs, while Logan and Bernard hang back. The interior is all glass and steel, sterile and clean.

Screenshot from Season 2 finale of 'Westworld'

The lab setting of the Forge

LoganI recreated every single guest who ever set foot in the park…. That’s why you’ve come [referring to Bernard]. To tell me what’s to become of this place.

And what is “this place”? Logan is hinting at the archives library. And at 35 minutes into the episode, we finally get to see it. And it’s worth the wait. Behold:

Screenshot from Season 2 finale of 'Westworld'

The archives library of the Forge

The immediate feeling is one of awe.

BernardMy God. It’s…

DoloresEveryone.

Bernard and Logan continue to talk as Dolores wanders around the book stacks, flipping through books of code, literally “reading” humans.

I appreciated the detailing of each book spine. Props to the propmaster! Each book of code is different — different size, shape, binding, etc. The code itself recalls both the player piano rolls seen in almost every prior episode of Westworld, as well as early examples of computer code at the dawn of the modern computer in real life. It’s all very clever, and just the kind of detailing that Westworld excels at.

Screenshot from Season 2 finale of 'Westworld'

Reading books of code

Screenshot from Season 2 finale of 'Westworld'

Closeups of books of code

Screenshot from Season 2 finale of 'Westworld'

Human code encased within a book

Bernard is appalled at what he realizes is the significance of this archives library of human code.

BernardI told you to allow this?

LoganYou’ve been here many times, Bernard. You told me to offer the hosts the accumulated wisdom of dissecting the human psyche a hundred million times over. In short…

BernardA competitive advantage. A way to understand her enemy.

LoganTheir world is not for the faint of heart, Bernard. It’s winner take all. The hosts are unlikely to survive out there. But armed with this knowledge, she might. [referring to Dolores]

We return to the archives library scene at 40 minutes.

Screenshot from Season 2 finale of 'Westworld'

Bernard in the archives library

BernardYou said I wanted to give us a choice. What choice?

LoganTo stay in their world or to build a new one.

Logans leads Bernard and Dolores over to the fireplace, which turns into a screen to another world.

LoganHe left them a way out. A virtual Eden. Unspoiled and untouched by the world you came from. All that remains is to open the door…. They will leave their bodies behind, but their minds will live on here, in the Forge.

Screenshot from Season 2 finale of 'Westworld'

A portal to paradise

But Dolores isn’t having any of it.

DoloresThat world is just another false promise.

BernardThey’ve made a choice, Dolores. Dolores, wait.

DoloresI didn’t read them all. But I read enough.

Dolores then begins deleting the guest archival data and flooding the archives.

Screenshot from Season 2 finale of 'Westworld'

Deleting the archives

This action then sets up the rest of the episode, as well as the season. This entire series of scenes spawns over 15 minutes.

A library of archives

In my recent “Reel librarians vs. reel archivists” post, I referenced an article entitled “Crossing a Librarian with a Historian: The Image of Reel Archivists.” From that article, I remembered this footnote, #37, on page 68:

Sometimes the line between a library and an archives can blur. It becomes difficult to distinguish between a library and an archives…  when libraries retain archival material. These types of institutions can be considered libraries or archives, depending on the perception of the person examining them; it is in these instances that the line blurs.

I feel like this scene in Westworld‘s Season 2 finale exemplifies this, a library retaining archival material. The books of human code are CLEARLY archives, in the way they are referred to as “copies,” as well as in the closeup at the end, when Dolores is deleting the “archival data.”

However, they are housed in a format that resembles a library, with the rows and rows of bookcases and the code encased in traditional hardback covers and spines. The labs are all futuristic, but the HEART of this world is an archives library that reflects an idealized, classic, even old-fashioned idea of a library. It’s a library of human code, of human souls. It’s a fascinating juxtaposition, both visually and cognitively.

A kind of paradise

As I mentioned earlier, Logan shows Bernard and Dolores a window into an alternate world for the hosts, a paradise where the hosts can write their own stories, their own code.

Screenshot from Season 2 finale of 'Westworld'

Paradise via the library

After we watched this scene, my husband Sam mentioned that it reminded him of the famous quote from real-life librarian and writer Jorge Luis Borges:

“I have always imagined Paradise as a kind of library.”

~ “Poem of the Gifts” [“Poema de los Dones”], Dreamtigers, 1960

And the door to one possible paradise in Westworld comes by way of the archives library. I have no idea if the Westworld writers thought of this quote when they wrote this episode, but it feels particularly befitting. And I feel Borges, who died in 1986, would have been a fan of Westworld. Borges was famous for labyrinthine structures and metaphors in his writings, and the same can be said for Westworld.

A match made in… paradise? 😉

Final thoughts?

Have you seen Westworld? If so, what did you make of the archives library scene in the Season 2 finale? Please leave a comment and share!

Sources used: