Teacher librarian in ‘Primary Colors’

I’m still in a political mood, it seems, when it comes to analyzing reel librarians… from researching Nixon’s Watergate scandal in 1976’s All the President’s Men last week to now hitting the campaign trail in 1998’s Primary Colors, a fictionalized version of Governor Bill Clinton’s Jack Stanton’s history-making presidential campaign. John Travolta portrays Bill Clinton Stanton, and Emma Thompson portrays his wife, Hillary Clinton Susan Stanton.

The film, based on a popular book by Joe Klein, earned two Oscar nominations, for Best Supporting Actress (Kathy Bates) and Best Adapted Screenplay (Elaine May). Rewatching the film, I had forgotten how many other actors of note there were in the film, including Billy Bob Thornton, Diane Ladd, Maura Tierney, and Larry Hagman!

I checked out a DVD of the film from my library, but the library scene is also included in this online clip:

Paul Guilfoyle in Primary Colors (Part 1 of 3),” uploaded by mppmvfemwww mppmvfemwww, Dec. 28, 2011. Standard YouTube license.

The film is primarily told from the perspective of Henry Burton (Adrian Lester), a younger African-American man who the Stanton campaign is trying to recruit to help run their campaign. He gets swept up in the action, and as an outsider, he serves as a surrogate for the audience.

The film opens outside a school in New York, where Henry meets Governor Stanton, who is about to attend an adult literacy program. Stanton introduces Marianne Walsh, a “very special librarian who is running their classes.” A reel librarian personally introduced within the film’s first two minutes! Very special, indeed!

Reel Librarians | Meeting Marianne Walsh, the school librarian, in 'Primary Colors' (1998)

Meeting Marianne Walsh, the school librarian, in ‘Primary Colors’ (1998)

In the credits, the librarian is listed as “Miss Walsh,” signifying her unmarried status. Miss Walsh, played by Allison Janney, is a white woman, tall with short brunette hair, and wearing a modestly cut print shirtdress with long sleeves. She wears no glasses, modest jewelry, and subtle makeup. Miss Walsh is obviously nervous, as she immediately calls Governor Stanton by the wrong name!

She then takes the group on a tour of the school, the walls littered with graffiti. She admits the walls are pretty bad but that the library is better.  “We’re very proud of the library. […] It’s the only reading program like it in New York, that I know of.”

Reel Librarians | The school librarian gives a tour of the school in 'Primary Colors' (1998)

The school librarian gives a tour of the school in ‘Primary Colors’ (1998)

On the walk up the stairs to the library, Miss Walsh suddenly slips under the railing — she quickly recovers, with the help of Governor Stanton, but not before we all find out that the librarian chooses not to wear a slip! Yep, a slip reveals the absence of a slip. 😉

Reel Librarians | School librarian Marianne Walsh slips up the stairs in 'Primary Colors' (1998)

School librarian Marianne Walsh slips up the stairs in ‘Primary Colors’ (1998)

She seems thoroughly embarrassed, running her hands through her hair, but the next scene in the library reveals a very different version of the school librarian, one who is calm and collected. Adult students, all older men and women of color, are seated around a table and sharing their stories.

Reel Librarians | Meeting the adult literacy learners in the school library scene in 'Primary Colors' (1998)

Meeting the adult literacy learners in the school library scene in ‘Primary Colors’ (1998)

Miss Walsh encourages one older man, Dwayne, to share his story, as seen in the screenshot below. She clearly knows the students well and has a warm, encouraging tone. She looks like she’s in her element, supportive and confident. After Dwayne shares his story, which is truly touching and emotional, Governor Stanton shares a (seemingly) personal story about his Uncle Charlie who also couldn’t read.

Reel Librarians | The school librarian and Dwayne, an adult literacy learner, in 'Primary Colors' (1998)

The school librarian and Dwayne, an adult literacy learner, in ‘Primary Colors’ (1998)

Reel Librarians | Governor Stanton shares his story in the school library scene in 'Primary Colors' (1998)

Governor Stanton shares his story in the school library scene in ‘Primary Colors’ (1998)

After Stanton finishes his story, the librarian claps and stands up along with everyone else. She and the students go to hug and congratulate Stanton — and in the middle of the crowd, Miss Walsh slips again! Stanton advises her to have her shoes checked.

These scenes in the library, which slowly circle around the room, reveal a school library that is well-stocked with books and lined with bookcases and inspirational posters. The school library is indeed a place to be proud of!

Reel Librarians | The school librarian slips for the second time, in the middle of a group hug!

The school librarian slips for the second time, in the middle of a group hug!

In the next scene, Henry arrives at the hotel’s campaign headquarters, where he encounters Jack Stanton coming out of his bedroom, buttoning his shirt and putting on a tie. The librarian, Miss Walsh, then also comes out of bedroom and slips again as she’s straightening her own collar!

She stutters through thanking him for the opportunity to discuss the, uh, program. Looking embarrassed, she hurriedly grabs her things and walks out of the hotel room filled with people talking away.

Reel Librarians | Governor Stanton and Miss Walsh 'meet and greet' in his hotel room

Governor Stanton and Miss Walsh ‘meet and greet’ in his hotel room

Stanton then explains that Marianne Walsh is on the regional board of the Teachers Union. Henry, looking a bit shell-shocked, murmurs, “A teacher AND a librarian.” So that explains why Stanton slept with the school librarian, to curry favor with the Teachers Union. I’m sure the no-slip slip didn’t hurt his mission.

Editor’s note:  Yes, we can be both teachers and librarians, as librarians are also educators. That’s also why school librarians are also sometimes referred to as “teacher librarians.”

No one but Henry and Miss Walsh seem fazed by this hotel scene. It’s obvious that both of them are newbies at this political game, while it’s “business as usual” for everyone else. Miss Walsh is obviously not Governor Stanton’s first conquest!

Later, after Jack tells Susan that the teacher was “inspirational,” Henry adds that she seemed like the “typical school board bureaucrat” to him. I suppose he could be right… if the typical school board bureaucrat also has a tendency to fall down a lot. Does Henry say this to make the reel librarian seem dull to Susan, and thus cover for Jack? After all, reel librarians are known to be naughty… 😉

The reel librarian also makes it into the film’s trailer!

Primary Colors – Trailer,” uploaded by UniversalMovies, April 18, 2011. Standard YouTube license.

In the end, Marianne Walsh fulfills the dual role of an Information Provider and as Comic Relief. As Information Provider, she introduces us to the school library and its adult literacy program, and comes across as warm and confident in the library around the adult learners. She also provides information to the audience about Stanton’s philandering ways. As Comic Relief, she makes the men around her — as well as the audience — laugh at her clumsiness and display of nerves (as well as her gullibility?).

Even though the scenes featuring the reel librarian collectively last less than 10 minutes, Allison Janney’s portrayal and slapstick antics serve to make Marianne Walsh a more memorable character. Janney is a very talented actress, and she manages to portray a myriad of emotions (including nervousness, pride, confidence, and vulnerability) in her short time on screen. She lands the film in the Class III category, films with supporting or minor characters with a few memorable or significant scenes.

Have you seen Primary Colors or rewatched it recently? (Or is it too soon to rewatch it?) If you have seen the movie, do you remember Allison Janney’s stumbling school librarian character? Please leave a comment and share. 🙂

Reel librarians in ‘Rollerball’ | Analyzing the 1975 original film and 2002 remake

I have seen Rollerball, the 1975 sci-fi cult classic starring James Caan, several times, and the film features a couple of reel librarians and corresponding library scenes. I had not yet seen the 2002 remake starring Chris Klein, due to scathing reviews, but I decided to watch the remake recently for the purposes of comparing and contrasting it to the original film — and to see if the reel librarians made the cut in the remake. I also wanted to revisit the original Rollerball film, to see how well it held up.

Ready, set, analyze!


The original film: Rollerball (1975)


In Rollerball (1975), a not-too-distant future controlled by corporations, Jonathan E. (James Caan) is the star of the ultra-violent sport Rollerball. The corporate executives want him to quit, but Jonathan defies them.

Rollerball Official Trailer #1 – James Caan Movie (1975) HD,” uploaded by Movieclips Trailer Vault, 2012, under a Standard YouTube license.

Library computer center scene

The first library scene — in this future, they are called “computer centers” — takes place 35 minutes into the 2-hour film. It is a short scene, lasting only a minute and a half. Jonathan goes with friend and teammate Moonpie to the local branch, and the location is like that of a futuristic mall, with escalators. (This location is in Germany, and as director Norman Jewison reveals on a commentary track, it’s a building that was built specifically for the Olympic Games.)

Reel Librarians | Library of the future, set in a mall-like luxury center, in 'Rollerball' (1975)

Library of the future, set in a mall-like luxury center, in ‘Rollerball’ (1975)

There are different information desks, including one labeled “Library” and another one labeled “Travel.” The message is that the “Library” is just another service and just another desk among countless others.

Reel Librarians | The library Circulation desk in a scene from 'Rollerball' (1975)

The library Circulation desk in a scene from ‘Rollerball’ (1975)

At the “Library” desk, a young, pretty, brunette Circulation Clerk — listed as “Girl in Library” in the film’s credits and played by Nancy Bleier– starts off the conversation.

Girl in Library:  Can I help you, please?

Jonathan:  Yeah. I tried to order some books. They sent me this notice that I had to appear at the center personally.

Girl in Library:  That’s right. This is our circulation unit. You can make your choice here or by catalog. There must be some mistake. The books you’ve ordered are classified and have been transcribed and summarized.

Jonathan:  Who summarized them?

Girl in Library:  I suppose the computer summarized them.

Moonpie:  What do you need books for?

Jonathan:  I just want to study up on some things.

Girl in Library:  You could go to the computer center where the real librarians transcribe the books, but we have all the edited versions in our catalog, anything I think you’d want.

Jonathan:  Well, let’s see then. This is not a library, and you’re really not a librarian.

Girl in Library:  I’m only a clerk, that’s right. I’m sorry about it, really.

Cue vacant expression:

Reel Librarians | The Circulation clerk's vacant smile and facial expression

The Circulation clerk’s vacant smile and facial expression

Jonathan:  And the books are really in computer banks being summarized. Where is that?

Girl in Library:  There’s a computer bank in Washington. The biggest is in Geneva. That’s a nice place to visit. I guess that’s where all the books are now.

Jonathan:  Thank you.

This is a pivotal scene, one that confirms Jonathan’s suspicions that “something is not right” and provides him motivation to seek out the real books — and a reel librarians — in Geneva. The “Girl in Library” fulfills the Information Provider role.

Here’s how Norman Jewison described the scene and its importance, in a commentary track on the DVD:

Here is where we bring into the story, bring into the film, that knowledge and access to knowledge is controlled. Much like it was controlled in Nazi Germany, during World War II, or indeed in the Soviet Union, where books were banned. And of course in America. It’s happened here too. Where people are prevented from finding out information that may in some way increase their opposition, perhaps to established authority.

We keep referring to “something’s going on,” there’s some sort of conspiracy, this is the build to reveal to Jonathan, the gladiator, that he is really just a cog in the wheel and is being totally manipulated.

Reel Librarians | Walking and talking outside the mall library

Walking and talking outside the mall library

Jewison and screenwriter William Harrison also emphasized this theme as Jonathan and Moonpie walk out of the library:

Moonpie:  Yeah, but why books? I mean, anything you’d want to know, you could hire yourself a corporate teacher. Call somebody up. Use your privilege card.

Jonathan:  I can’t, and that’s just it. I feel like there’s something going on. Somebody’s pushing me.

Geneva library scene

An hour and a half into the film, Jonathan travels to the central computer bank in Geneva that the Circulation Clerk had mentioned. Jonathan wants to go to computer center in Geneva and see what he can find out. The Geneva library computer center looks like a classical building from the outside, but it’s all polished doors and computer machinery and fluorescent lights inside.

The exterior of the library computer center is the League of Nations in Geneva, Switzerland. As director Norman Jewison stated in the director’s commentary, “We tried to show that there was still some respect for some older pieces of architecture, so we decided that we would make the League of Nations into the world’s library.

Reel Librarians | Contrasting the exterior and interior of the main library computer center in Geneva, in a scene from 'Rollerball' (1975)

Contrasting the exterior and interior of the main library computer center in Geneva, in a scene from ‘Rollerball’ (1975)

This is a longer scene, clocking in at six and a half minutes, and the English actor Ralph Richardson plays the librarian, who is star-struck at first by meeting Jonathan. We also get to see the librarian’s office, which looks like a computer storage area.

During this scene, the librarian happens to mention — in an offhand, casual kind of way — that he’s misplaced some data.

Reel Librarians | Librarian meets celebrity, in the Geneva library scene from 'Rollerball' (1975)

Librarian meets celebrity, in the Geneva library scene from ‘Rollerball’ (1975)

Librarian:  Hello, hello. Yes, it is. The famous Jonathan E. Hard to believe. Sorry things are in a mess. The rollerball champion. Wonderful. Not many people come to see us, you know. We’re not easy to talk to, Zero and I. We’re a little confused again here today. This is embarrassing. It’s embarrassing to misplace things.

Jonathan:  Misplaced some data?

Librarian:  Hmmm, the whole of the 13th century. [Tears up cards and throws them on the floor.]

Reel Librarians | Losing the whole of the 13th century, no biggie

Losing the whole of the 13th century, no biggie

Librarian:  Misplaced the computers, several conventional computers. We can’t find them. We’re always moving things around, getting organized. My assistants and I. But this, this is Zero’s fault. Zero. He’s the world’s file cabinet. Yeah. Pity. Poor old 13th century. Well. Come along now. You want to get started, don’t you?

Jonathan:  Yes, sir.

Librarian:  This way. Now, we’ve lost those computers, with all of the 13th century in them. Not much in the century. Just Dante and a few corrupt popes. But it’s so distracting and annoying. You’ve unlimited restrictions here, of course. But you have to come so, so many times. It all takes such effort.

Yes, you read that right. The librarian just dismissed the WHOLE OF THE 13th CENTURY that just disappeared from archival existence. That “Just Dante and a few corrupt popes” amount to “not much.” So I’m pausing in the middle of their conversation to have a moment of silence for the “poor old 13th century” that just got wiped out. RIP, 13th century, RIP.

It’s also becoming obvious how emotionally numb and exhausted the librarian has become.

Reel Librarians | Reel librarian exhaustion, as seen in 'Rollerball' (1975)

Reel librarian exhaustion, as seen in ‘Rollerball’ (1975)

Jonathan:  Do the executives still come here?

Librarian:  Oh, they used to. Some of them.

Jonathan:  What about the books?

Librarian:  Books, books, oh no, they’re all changed, all transcribed. All information is here. We’ve Zero, of course. He’s the central brain, the world’s brain. Fluid mechanics, fluidics. He’s liquid, you see. His borders touch all knowledge. Everything we ask has become so complicated now. Each thing we ask. This morning we wanted to know something about the 13th century. It flows out into all our storage systems. He considers everything. He’s become so ambiguous now. As if he knows nothing at all.

Jonathan:  Could you tell me something about the corporate wars?

Librarian:  Wars? War? Oh, yes, of course. We have them all here. Punic War. Prussian War. Peloponnesian War. Crimean War. War of the Roses. We could recall them in sequence. But corporate wars… hmmm. Well, Zero will, or can, I’m sure, tell you anything.

Reel Librarians | Zero is not a hero

Zero is not a hero

Librarian:  A memory pool, you see. He’s supposed to tell us where things are and what they might possibly mean. Look, Zero, a visitor. Jonathan E., the rollerball champion. You’ve filed away a lot of data on him. Do you remember?

Jonathan:  Does it answer you?

Librarian:  Oh yes, it speaks. It finds things, and loses them, and confuses itself. [Dusts it.] Ask anything. He’ll find it for you, section and lot. Won’t you, Zero?

Jonathan:  All right. I’d like, uh, I’d like some information about corporate decisions:  how they’re made and who makes them.

Librarian:  Zero, you heard the question. Answer him.

Zero:  Negative.

Librarian:  You don’t have to give him a full political briefing. Answer.

Zero:  Negative.

Librarian:  This is Jonathan E. He has to know. Make it simple. Answer.

At first, the librarian speaks lovingly and protectively of Zero, almost like a parent reminiscing about a spoiled child’s antics. Things quickly go downhill from there, as the librarian realizes that Zero refuses to provide the information asked of it. In short, Zero lives up to its name.

Reel Librarians | Librarian dusts off Zero

Librarian dusts off Zero

Zero:  Corporate decisions are made by corporate executives. Corporate executives make corporate decisions.

Librarian:  I know we have the answers. It’s the waters of history.

Zero:  Knowledge converts to power. Energy equals genius. Power is knowledge. Genius is energy.

Librarian:  I don’t want to bully you. You have to answer!

Reel Librarians | Librarian sees red in 'Rollerball' (1975)

Librarian sees red in ‘Rollerball’ (1975)

Zero:  Corporate entities control elements of economic life, technology, capitol, labors, and markets. Corporate decisions are made by…

Librarian:  You have to, Zero! [kicks the base] Let’s show him! Answer him!

Zero:  Negative. Negative. Negative. Negative. Negative. Negative. Negative.

Reel Librarians | Librarian vs. Zero the library computer

Librarian vs. Zero the library computer

As the librarian kicks Zero, in a fruitless attempt to prize information out of it, Jonathan — along with the audience — realize how impotent we all are in this corporatized world. The librarian is educated and intellectual and still valued knowledge, but it is to no avail. The librarian in Geneva is of no more use than the Circulation Clerk back home.

Here’s how Norman Jewison summed up the scene in his director’s commentary:

We came up with the name of Zero for the name of the computer, because we felt that somehow zero was the beginning, and the end, of everything. And I guess we were trying to indicate that as you hear in this scene, that all knowledge. […] I think probably Kubrick’s film 2001, which dealt with HAL, actually was part of the inspiration for this scene. When you start to deal with information stored in one place and one computer, naturally the computer must take on a kind of an identity. You can see here… this is a wonderful scene. [Chuckles.] You can see this is a difficult question for… He’s trying to get Zero to give him some information.

And this is where Jonathan realizes that even the computer is, will not reveal the certain truths that he wants about who really is in charge. So we have a society in which nobody knows really, who’s calling the shots. And there’s only one man questioning it, and he can’t even, he can’t find the answers. And this is where the picture takes off, a little bit, emotionally.

The original 1975 version of Rollerball ends up in the Class III category of films featuring reel librarians, and Ralph Richardon’s librarian ends up being another Information Provider, however ineffectual his information turned out to be.

Although the library scenes in the movie combine for less than 10 minutes total, it’s obvious — especially from Norman Jewison’s commentary — how important those scenes are to the film’s overall message as well as its flow and plot progression.


The remake:  Rollerball (2002)


Rollerball Official Trailer #1 – Jean Reno Movie (2002) HD,” uploaded by Movieclips Trailer Vault, 2012, under a Standard YouTube license.

As I mentioned before, the 2002 remake of Rollerball was not well-received, to put it mildly. It has a 3% — !!! — freshness rating at Rotten Tomatoes. As in 97% rotten. Yikes. The remake’s director, John McTiernan, also went to federal prison due to an investigation resulting from the production of this film. Double yikes.

As for the question of whether or not the reel librarians made it to the remake, the short answer is NO.

The long answer? Also NO.

There is just no room for subtlety or subtext in this remake, which is all about quick action shots and bad special effects. This remake epically fails on all levels, including acting, storytelling, casting, accents, reel librarians, you name it. Very disappointing since the original film was, well, so original. Some movies just don’t need to be remade. The Rollerball remake ends up in the Class V category, films with no librarians.

Just one more cinematic reason why I watch some films so you don’t have to. 😉


Details:

Original:  Rollerball. Dir. Norman Jewison. Perf. James Caan, John Houseman, Maud Adams, John Beck. MGM/UA Entertainment, 1975. Based on the short story “Roller Ball Murder” by William Harrison.

Remake:  Rollerball. Dir. John McTiernan. Perf. Chris Klein, Jean Reno, LL Cool J, Rebecca Romijn. MGM, 2002. Based on the short story “Roller Ball Murder” and 1975 screenplay, both by William Harrison.

A disappearing reel librarian

I had heard good things about the 2014 film The Disappearance of Eleanor Rigby, when it premiered two different versions, Him and Her, at the Toronto Film Festival. I was intrigued by the concept: the two versions of the film reflect different perspectives of a married couple, played by the always excellent Jessica Chastain and James McAvoy, as they struggle to cope emotionally after a traumatic experience. The writer/director, Ned Benson, then did a third version (!) combining the two perspectives, entitled Them. I had never gotten around to watching the film(s), but then I picked up a copy I spied at our local public library.

Here’s a trailer for the film:

My husband, Sam, and I were planning on just watching the combined version, Them, when surprise! Eleanor’s sister, Katy, played by Jessica Chastain’s real-life friend Jess Weixler, turns out to be working at a public library! You know what that meant… I had to watch all 3 versions! Fortunately, each film is distinctly different, albeit with a few overlapping scenes, and it is collectively an impressive artistic achievement for all involved.

Therefore, I have structured this post starting first with Them, and then I will delve into the Him and Her versions to see what else we glean about Katy’s character and backstory.

*POSSIBLE SPOILER ALERTS THROUGHOUT*

Them

This combined version is 2 hours long, and we don’t find out until 1 hour and 19 minutes into the film that Eleanor’s sister Katy works at the library!

So let’s back up to when we first see Katy in the film, which is within the first few minutes. After a suicide attempt, Eleanor (Jessica Chastain) is in the hospital, and Katy comes to pick her up. She hugs her, quickly establishing the warm, caring relationship between the two sisters.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

The two sisters, Katy and Eleanor, hug in ‘The Disappearance of Eleanor Rigby’ (2014)

Katy, who lives at home with their parents and her young son, then brings Eleanor back home. The brief scenes of Eleanor’s family welcoming her home further establish how much Eleanor is loved by her family. She also has a good relationship with her nephew, and it’s sweet to witness how Katy gently corrects her son’s grammar and language and calls him “Lovey.”

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Eleanor’s family in ‘The Disappearance of Eleanor Rigby’ (2014)

Of course, not all is sunshine and roses, as Eleanor works through her depression. Her father, played by William Hurt, is a psychology professor, and he brings the head of the department home one day, in hopes of helping his daughter. Eleanor does not respond well to this idea. Katy is right beside her sister in these scenes, coming across almost like her sister’s protector and bodyguard.

Katy also gives Lindy Booth in the TV movie The Twelve Trees of Christmas a run for the title of “most adorable reel librarian ever,” as evidenced by facial expressions like the one below when she admits to having a date with a dentist.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

An adorable facial expression from Katy, played by Jess Weixler

Fifty minutes into the film, Katy is getting ready for her date, and she admits to feeling fat. She’s trying on a sheath dress, and her sister helps her smooth out the dress over her Spanx underwear. How many other times do we see reel librarians in their underwear?! Of course, we don’t know yet watching this version of the film that she is a librarian…

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

A reel librarian in her Spanx underwear, trying on outfits for a date, in ‘The Disappearance of Eleanor Rigby’ (2014)

A few minutes later, after she returns home from the date, Katy admits that she’s drunk. She giggles after telling her sister, “I could’ve given him a normal kiss good night instead of jamming my tongue down his throat.”

That then lead to a heart-to-heart conversation between sisters, in which Katy admits to being mad at her sister (for attempting suicide):  “You are kind of a selfish bitch. I was really mad at you.”

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

A heart-to-heart conversation between sisters in ‘The Disappearance of Eleanor Rigby’ (2014)

She also reveals that Eleanor’s husband, Conor (James McAvoy), came by the house looking for her. Katy also expresses empathy for Conor and how badly Eleanor has treated him.

Finally, at one hour and 19 minutes into the film, Eleanor surprises Katy at the public library. Katy is shelving magazines — but really reading them instead! 😉 (We’ve all been there.)

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Shelving periodicals at the public library in a scene from ‘The Disappearance of Eleanor Rigby’ (2014)

Eleanor, tapping Katy on the shoulder:  Ma’am?

Katy gasps, turned around:  Yes. [Realizing it’s Eleanor.] You’re a dick.

Katy:  You look like ass. Where were you last night? You want to take a load off?

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Periodicals section at the public library in a scene from ‘The Disappearance of Eleanor Rigby’ (2014)

[Katy and Eleanor walk to a niche beside a stair’s landing]

Katy:  I come here on breaks. One of the librarians advocates a whole nap philosophy.

Eleanor:  Nap philosophy?

Katy:  Yeah, naps throughout the day, like, help with productivity and stuff. If you.. want to read this. [hands her a magazine] What?

Eleanor:  I was hoping you could read my mind.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

The two sisters take a break in the library in a scene from ‘The Disappearance of Eleanor Rigby’ (2014)

Katy:  Wouldn’t that be nice?

Eleanor:  You want to do something stupid this weekend?

Katy:  Yeah. I’m the queen of doing something stupid. What are you thinking?

Eleanor:  Get bent, take a train to the city, save the world.

Katy:  When did you become an idealist?

Eleanor:  A couple of seconds ago.

Katy:  I have a date with the dentist this weekend… I should get back to work. I’ll come wake you up in a little bit.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Periodicals closeup

Side note:  I laughed out loud at how the magazines were placed on the periodical shelves, which you can see better in the closeup above of Katy. I am very familiar with that kind of magazine holder with the red spines, but I have NEVER seen magazines placed on their side like that in a library before. At least, not when there’s enough room to place them upright so that patrons can, you know, READ THE TITLES. Did this film not employ a real librarian consultant? But at least you know they filmed in a real library, because there are call numbers on the spines of the books!

Eleanor and Katy then go to a club, along with Katy’s dentist date, and they have fun dancing together. They both admit they feel old, which is a charming bit.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

A reel librarian dances in a club scene from ‘The Disappearance of Eleanor Rigby’ (2014)

Eleanor starts kissing another guy while Katy looks on in concern, and we don’t see Katy again until almost the very end of the film, when she drives Eleanor to their airport.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Katy drives Eleanor to the airport near the end of ‘The Disappearance of Eleanor Rigby’ (2014)

Him

This version of the film is an hour and a half long. We never get to see Katy in this version, as she and Conor never have any scenes together. This version should be subtitled The Disappearance of the Reel Librarian, right?! 😉

However, we do get many more scenes with Ciarán Hinds, who plays Conor’s father. That almost makes up for the lack of Jess Weixler in this version.

Her

This version of the film is an hour and 40 minutes, and we get many more details and backstory about Katy. Many scenes we see in the Them version that feature Kay are also extended in the Her version.

Extended scene in the car

Even though Katy is the younger sister, it’s obvious that she’s very protective and motherly toward Eleanor. When she picks her up at the hospital, the scene continues to them getting into Katy’s car. Katy attempts to buckle her seatbelt for her, as Eleanor’s arm is in a sling, but Eleanor isn’t having any of it.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Sisters Eleanor and Katy in an early scene from ‘The Disappearance of Eleanor Rigby’ (2014)

New scene in the bathroom

A few minutes later, at 17 minutes into the film, Katy is washing her sister’s hair in the bathtub. I think this is the first scene I’ve ever seen in which a reel librarian is washing someone’s hair! This scene also reveals that Katy works at the library. (Remember, we don’t find out that fact in the Them version until well over an hour!)

Katy is trying to convince Eleanor to come with her to Charlie’s, a mutual friend, because “it would be good” for her to get out and be social after her depression.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Katy washes Eleanor’s hair in a scene from ‘The Disappearance of Eleanor Rigby’ (2014)

Katy:  Ok, there was an article.

Eleanor:  Oh my god, you’ve been reading stupid shit online again.

Katy:  Yeah. But there was something in Psychology Today that I saw at the library, and you should take a look at it. I’m managing the periodicals. I’ll give you a copy.

New scene at a friend’s place

The next scene then takes place at Charlie’s place, where we get many more details about Katy, including the fact that she used to be an actress. We also see Katy dressed in a casual outfit of sandals and a floral romper. (!!!)

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Reel librarian Katy in a floral romper

Charlie:  What have you been up to, Katy?

Katy:  Um, what do you mean?

Charlie:  I mean, what have you been up to?

Katy:  Well… Philip, uh, is going into the second grade. And… he’s about to be eight. I’m also studying to take the LSAT. And I am a part-time librarian out in Westport, so… I have that going for me.

Charlie:  No more with the acting?

Katy:  No, I mean… life just… kind of put a damper on it.

Charlie:  Whatever happened to dreams?

Extended scene at the house

At 30 minutes into the film, we get an extended scene of when Eleanor’s father brings home the chair of his psychology department. Katy literally blocks her sister from storming out of the house, and they get into a fight. In the Them version, it comes off like Katy is protecting her sister from their dad’s interference; in the Her version, we understand that Katy is physically making sure her sister doesn’t run away again!

Eleanor:  I will bite you!

Katy:  I will bite you back!

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Sisters Katy and Eleanor get into a fight in a scene from ‘The Disappearance of Eleanor Rigby’ (2014)

Extended scene getting ready for a date

The next scene is an extension of the scene in the Them version, in which Katy gets ready for her big date. We learn more about her acting career and her life as a single mom.

Katy:  Oh fuck, I don’t understand why this asshole walked into my library. … We’re just going to pretend to be interested in each other over cheap cabernet, and he’s gonna, like, ask me all the same stupid questions that they ask about Philip, like who the dad is, and then look at me like I’m half a moron for the choices that I’ve made. You know, it was easier when I was an actress, because I could just fuck my co-stars, but this real-life, pseudo-adult crap sucks my ass.

Katy [to Eleanor]:  You were always who you were gonna be, I mean, like a woman. I always… wasn’t yet.

At this personal confession, the two sisters embrace again. Their relationship is such a special one, and it’s enjoyable to see on screen a variety of love stories, including the love between sisters.

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Two sisters embrace

Same scene in the library

Interestingly, the scene in the library featured in the Them version is the same as in the Her version. I wasn’t expecting that! I guess I was expecting the library scene to be longer in this version.

Altogether, in Her, we get 3 extended scenes featuring reel librarian Katy — 2 of which reveal more details about working in the library — as well as 2 additional scenes unique to this version.

Extra features and interviews

One of the special features on the DVD was an interview with Jessica Chastain and James McAvoy. In the interview, Chastain revealed that she and Jess Weixler were best friends and roommates while attending Julliard drama school and were in every play together. After graduation, they never got to work together again, until this film, which Chastain also helped produce.

Jess Weixler also talks more about this, and her role in the film, in a 3-part series of interviews with Multiplex, which you can watch here at https://www.youtube.com/user/MultiplexShow/search?query=jess+weixler

Reel librarian role and purpose

So after considering all three versions of this story, what was the purpose of Eleanor’s sister Katy being a reel librarian? It is interesting to note that it is only the Her version that reveals what Katy used to do, and how Katy feels like her life has led to her making different decisions. And what’s more different from an actress than a librarian?! 🙂

There is an element of bemusement that she works in a library, even as it’s obvious that her work is rubbing off on her. This is evident by how she mentions an article she read in Psychology Today, and by the fact that she’s been promoted to managing the periodicals. But even in the Them version, it never feels like Katy is dedicated to the library; rather, it feels apparent that working in a library is a temporary gig. Katy reveals this in the scene at Charlie’s, in which she says she will be going for her LSATs (the entry exam to study law).

Reel Librarians | Screenshot from 'The Disappearance of Eleanor Rigby' (2014)

Sisters Katy and Eleanor in ‘The Disappearance of Eleanor Rigby’ (2014)

Katy is a supporting character, one step removed from the leads, and is seen in several significant scenes in the Them and Her versions of the film. She gets the most screen time in the Her version, of course, and overall, The Disappearance of Eleanor Rigby winds up in the Class III category of films featuring reel librarians.

So what is Katy’s role in the collective films? There are elements of the Spirited Young Girl to her character: namely, that she is a younger woman and has no intention of working long-term in the library. She also reveals that she feels like she’s never grown up and is still figuring out what she wants to do with her life.

Ultimately, however, I feel that her character — at least in the Her version — winds up as an Atypical Portrayal, in which the reel librarian portrayals go beyond stereotypical constraints. Katy is certainly intelligent, as well as funny and fun-loving, and we see her interact with warmth and kindness with her son, sister, and parents. We also get to see the ballsy side of Katy, like when she fights with her sister. We also see her sweet, goofy side, like when she gets butterflies before her date, and how she dances and admits to feeling old at the club. We also hear Katy curse quite a bit!

In short, we get to enjoy a well-rounded character, one who is a woman first, and a librarian second.


Have you seen any version of The Disappearance of Eleanor Rigby? If not, are you interested in watching one or more — or all! — versions? Please leave a comment and share. 🙂

Pitfalls and fantasies in ‘The Pit’

A couple of months ago, Movie Vigilante, a long-time reader and supporter of Reel Librarians (thank you!), gave me a heads-up about the new release of the 1981 film, The Pit (aka Teddy). It’s a pretty obscure film, but one that has developed its own cult following. I pre-ordered a copy of the DVD, and it arrived on my doorstep this past weekend, just in time for me to watch and analyze it for the blog. As the film is a horror film — and it even begins with a Halloween party scene! — it’s perfect timing to round out our scary movie theme for October.

*PLOT SPOILERS THROUGHOUT*

The basic plot? This plot summary from IMDb.com sums up The Pit quite well:

Twelve year-old Jamie Benjamin is a misunderstood lad. His classmates pick on him, his neighbors think he’s weird and his parents ignore him. But now Jamie has a secret weapon: deep in the woods he has discovered a deep pit full of man-eating creatures he calls Trogs… and it isn’t long before he gets an idea for getting revenge and feeding the Trogs in the process!

One major detail this plot summary leaves out? That Jamie talks to Teddy, his teddy bear… and Teddy answers him back. Teddy even gets highlighted in the film’s title card sequence, as seen below.

Reel Librarians | Title card from 'The Pit' (1981)

Title card from ‘The Pit’ (1981)

The original screenplay, written by Ian A. Stuart, was a bit different from the final film. Jamie was younger, 8 or 9 years old, and the “tra-la-logs” (what Jamie calls the Trogs) were imaginary, not real. It’s kind of a shame that the director, Lew Lehman, didn’t follow that original vision. I always prefer psychological horror — are they real? are they not real? — because your imagination makes things scarier and more horrifying. And that’s the major pitfall (har har) of this film, the cheesy special effects. Plus some gaping plot holes that rival the actual pit in The Pit. ;D

The Pit is definitely an odd film in many ways, including the fact that it’s a Canadian horror movie that was filmed entirely in the United States. More specifically, it was filmed in Beaver Dam, Wisconsin, utilizing well-known locales in that city. Beaver Dam is even thanked in the film’s credits!

Reel Librarians | Special thanks in end credits of 'The Pit' (1981)

Special thanks in end credits of ‘The Pit’ (1981)

When I unwrapped the DVD, I read the back of the cover, which states:  “Jamie will teach everyone a lesson:  the kids who teased and bullied him, the mean old lady down the street, even his pretty new babysitter.”

Reel Librarians | DVD cover for 'The Pit' (1981)

DVD front and back covers for ‘The Pit’ (1981)

My senses went up at the “mean old lady” comment, wondering if this was the reel librarian? But I was mistaken! The reel librarian character, Marg Livingstone, is a much younger and attractive woman (in her 30s?) played by Laura Hollingsworth. IMDb.com lists this as Hollingsworth’s sole film credit. She gets 4th billing, and the credits also list a Library Clerk, played by Cindy Auten.

But before we get to the library scenes — there are several in this film! — let’s get to the context. Within the first five minutes of the film, Jamie (played by Sammy Snyders) is seen writing sentences on a school blackboard, punishment for bringing in a naughty book. The schoolteacher opens the book, titled Creative Nude Photography, and comes across a page with a nude silhouette that’s been cut out.

Reel Librarians | Book closeup in 'The Pit' (1981)

Book closeup in ‘The Pit’ (1981)

Even though the book clearly has NO CALL NUMBER on the spine (the tell-tale clue to differentiate between books in a bookstore vs. a library), the schoolteacher assumes it’s a library book. She also states that she’s sure “Ms. Livingstone can find some way to repair it [the book].”

We then see her walking up to a large and beautiful stone building with the words “Williams Free Library” in scrollwork atop the front windows.

Reel Librarians | Williams Free Library exterior seen in 'The Pit' (1981)

Williams Free Library exterior seen in ‘The Pit’ (1981)

Side note:  The Williams Free Library was also the first public library in the United States to have open stacks, which is quite impressive. This stone building was completed in 1891 and is one of the most well-known buildings in that region. Beaver Dam built a new library in 1984, so this building now houses the Dodge County Historical Society.

Even though a few websites erroneously list Miss Livingstone as a school librarian, it’s clear that she’s actually a public librarian. Here’s a peek into the library itself (the library interiors were actually filmed at Wayland Academy in Beaver dam), when the teacher comes in to the drop off the book. In the screenshot below, you can see a corner of the nameplate on the front counter, which reveals the librarian’s name (and marital status) as Miss M. Livingstone. You are invited to also visually contrast the more formal (and dare I say, more glamorous?) attire and hairstyle of the librarian with the more casual look and hairdo of the library aide beside her.

Reel Librarians | Public library counter in 'The Pit' (1981)

Public library counter in ‘The Pit’ (1981)

Here’s how this scene plays out:

Librarian:  Hello, Marian. What can I do for you?

Teacher:  I’m returning this. Jamie, one of my little boy borrowed it. There isn’t likely to be any record of it having gone out. Perhaps you could slip it back for me?

Librarian:  I’ll make sure it’s put back on the shelves.

Teacher:  There’s been a little clipping from one of the pages, I’m afraid. One of the figures cut out. Can you fix that?

Librarian:  We’ll just take out the whole page. Thank you.

The dialogue of this exchange seems innocuous enough, but the expressions on their faces reveal a deeper subtext. The librarian’s face visibly tightens when the teacher mentions the clipping, and the teacher notices this and looks a bit puzzled.

The next scene reveals WHY the librarian reacted this way to the news about Jamie and the clipping from the book. After the teacher leaves, Miss Livingstone immediately takes the book and her purse to a back room in the library. Unbeknownst to her, Jamie is also peeking in on this scene. (One of many convenient plot points.)

Reel Librarians | Library backroom in 'The Pit' (1981)

Library backroom in ‘The Pit’ (1981)

She then takes out an anonymous letter from her purse, which reveals that Jamie has sent her the nude clipping with a picture of her head glued on top! Definitely creepy and unsettling! And now the librarian knows who sent her the letter. But instead of alerting authorities, she just rips up the letter.

Reel Librarians | Ripping up an anonymous letter in 'The Pit' (1981)

Ripping up an anonymous letter in ‘The Pit’ (1981)

The commentary track, provided by a film critic and film historian, highlights a major problem I had with this scene. It’s clear Miss Livingstone is an object of Jamie’s fantasies, but what was his plan or motivation for sending the letter? Is he trying to flatter her? Or is he trying to creep her out? It’s unclear.

Whatever Jamie’s motives, Miss Livingstone remains suspicious of Jamie. This also rises to the surface in the next scene in the library, almost a half-hour into the film. This is when Miss Livingstone meets Jamie’s new babysitter, Sandy, who has come to the library to check out books on “problem children.”

Sandy:  I’m working for Mr. and Mrs. Benjamin, looking after…

Miss Livingstone:  Jamie. Yes, well, I can certainly understand why you’d want a book on problem children. […] Look, I’d like to tell you something about that little boy that you might not know. As another woman, I’m sure you’ll understand.

Reel Librarians | Library scene in 'The Pit' (1981)

Library scene in ‘The Pit’ (1981)

Although Miss Livingstone takes the opportunity to warn Sandy about Jamie, it’s clear that, once again, she chooses NOT to go to the police or other authorities to warn them about Jamie’s escalating behavior.

The next, and final, scene that takes place in the library clocks in at 37 minutes, when Miss Livingstone observes Jamie browsing the shelves at the library. The camera angles on this scene are fantastic, revealing the librarian’s suspicions nature about Jamie. It also visually posits the librarian as the “peeping tom” in this scene. Role reversal!

Reel Librarians | Librarian observes Jamie in 'The Pit' (1981)

Librarian observes Jamie in ‘The Pit’ (1981)

Reel Librarians | Librarian observes Jamie in 'The Pit' (1981)

Librarian observes Jamie in ‘The Pit’ (1981)

The librarian then questions the library aide, seen shelving behind Jamie, about what he checked out.

Miss Livingstone:  What kind of books was that little boy taking out?

Library Aide:  Art.

Miss Livingstone:  What kind of art?

Library Aide:  Some drawing and painting. How-to-do-it stuff. And some on animal husbandry.  Maybe wants to be some kind of veterinarian.

Reel Librarians | Library steps from 'The Pit' (1981)

Library steps from ‘The Pit’ (1981)

We then see Jamie opening up one of the animal husbandry books on the library steps, where he learns about carnivores. Uh oh! This is a pivotal scene, as the library book provides Jamie with knowledge about what to feed carnivores. He starts out buying meat from the butcher’s shop to feed the tra-la-logs… and then when his money funds out, he starts feeding them humans! Convenient that he only feeds them people who have been mean to him…

Jamie’s next prank is quite complex, as he successfully blackmails the librarian. He waits until her niece, Abigail (which he keeps mispronouncing as Abrigail, very annoying), is out of the house and Miss Livingstone is doing yoga in her leotard. He then plays a tape recording over a public pay phone with a pre-recorded message stating that he has kidnapped Abigail and won’t release the child unless Miss Livingstone takes off her clothes. Jamie then sneaks under her window and takes pictures of her on his Polaroid as she undresses.

Reel Librarians | Peeping Tom and polaroids from 'The Pit' (1981)

Peeping Tom and polaroids from ‘The Pit’ (1981)

Major plot holes with this scene? First, Jamie makes NO ATTEMPT to disguise his voice on the recording, and Miss Livingstone has had several disturbing encounters with Jamie already. Why doesn’t she recognize his voice? (The commentary track also brings up this issue.) Second, he says on the recording that he’s watching her yet she DOESN’T BOTHER to look out the window, where she could easily spot Jamie with his camera. Third, a 12-year-old boy has pre-recorded the blackmail message, therefore having to anticipate the reactions of a 30-ish woman. Like I said before, another very convenient plot point.

When Jamie takes the Polaroids home, he shows them to Teddy, who says, “I’m going to look at these a lot.” Creepy! And then I realized that these Polaroids of the librarian are actually included on the film’s poster. Double creepy!

Reel Librarians | Polaroids in a scene from and poster for 'The Pit' (1981)

Polaroids in a scene from and poster for ‘The Pit’ (1981)

We never see the library or librarian again in the film. It’s interesting to note that Miss Livingstone does survive in the end, and there doesn’t seem to be any attempt on Jamie’s part to include her with the “bad people” he lures into the pit. (By the way, the aforementioned niece, Abigail, is not so lucky. She was mean to Jamie and played a trick on him with her bicycle. She got scolded by her librarian aunt for this trick, but that was not punishment enough for Jamie… )

In general, Miss Livingstone comes across as a pleasant, stylish, competent, and intelligent woman (except for when she didn’t recognize Jamie’s voice over the phone). She is seen both inside and outside the library, including at home with her hair down) as well as around town. The reel librarian is a supporting character, earning The Pit a spot in the Class III category.

Reel Librarians | Closeups of the librarian in 'The Pit' (1981)

Closeups of the librarian in ‘The Pit’ (1981)

As for what purpose or role she fulfills in the film? Primarily, she’s an Information Provider:  she, or the library she represents, provides pivotal information to Jamie — unwittingly helping escalate his behavior. Miss Livingstone also provides a reference point, a touchstone, for the audience as she mirrors our growing dread and suspicion of Jamie.

Although she doesn’t actually portray a Naughty Librarian in the film, it’s almost as if the filmmakers are pitting her character against that fantasy in others, namely Jamie. This is also echoed in the commentary track for the first library scene, as the film critic and film historian (both males) talk about how Miss Livingstone is an object of Jamie’s affection.

1st commentator:  You can tell because the glasses are so enticing. [sarcastic tone]

2nd commentator:  At some point … the hair’s going to go down and the glasses are going to come off, and she is going to be a hottie.

Here’s how the reel librarian character is described on the Canuxploitation site:

“Miss Livingston is the world’s most uptight librarian and appears to hold some deep, dark secret which is never revealed.”

I don’t agree with this characterization, that she is “the world’s most uptight librarian.” I interpreted her reactions to Jamie’s behavior as quite understandable, as a woman who is trying to do her job and go about her daily life. Instead, she has to deal with unwanted and inappropriate — not to mention unsolicited! — sexual attention and fantasies from a young boy.

Can you tell who I sympathize with in this movie? It sure isn’t Teddy…

One final note:  Although the creatures are listed as “Trogs” in the film’s credit, Jamie refers to them as “tra-la-logs” throughout the entire film. Every single time, this made me think of the “Mr. Trololo” singer and YouTube video clip that made the rounds on the Internet a couple of years ago. More creepiness!

So that wraps up this year’s scary movie posts, an annual tradition each October on the Reel Librarians blog. Here are the scary movies and reel librarians we looked at this past month:

After collating this list, I also realized that during this past month we have looked at movies from four different decades:  the ’50s, the ’70s, the ’80s, and the ’90s. 🙂

Which scary movie post was your favorite? Please leave a comment and share.

Nymphomaniac librarian in ‘The Wicker Man’

That post title should get some visits for sure! 😉

The 1973 British cult classic, The Wicker Man, is a slow-burning (hah!) mystery, a film that slowly builds tension and horror as the central character, Sergeant Howie, along with the audience, slowly put all the pieces together behind the mysterious disappearance of a young girl. The screenwriter, Anthony Shaffer, wanted to craft a more literate kind of horror film, and he definitely succeeded! 

Sgt. Howie is played by Edward Woodward, a stick-up-his-ass policeman who travels from the mainland by boat to a remote island to investigate the girl’s disappearance, and is frustrated by the villagers’ attempts to mislead or thwart his efforts. Something’s rotten in the state of Denmark… er, I mean, Summerisle.

Reel Librarians | Screenshot of title screen from 'The Wicker Man' (1973)

Title screen from ‘The Wicker Man’ (1973)

When first released, the film did receive an “X” rating from the British Board of Film Censors, now the British Board of Film Classification. The BBFC site explains why the film received that rating; the film is now classified as “15.”

Reel Librarians | Screenshot of X rating card for 'The Wicker Man' (1973)

X rating card for ‘The Wicker Man’ (1973)

*SPOILER ALERTS*

Ingrid Pitt, a well-known star of the Hammer horror films of the early 1970s, is listed 5th in the credits as simply “Librarian.” But Pitt herself, in a documentary about the film, stated, “My part isn’t very much, actually. What can a nymphomaniac librarian do? Not very much. But I thought it would be interesting to be involved in this type of film.”

In another video interview, she states (with a wink), “It was a nymphomaniac librarian I was playing, and I always liked the librarian bit, because I’m really into books.

The Wicker Man : Ingrid Pitt Interview (1998),” uploaded by Blackdog TV – Cinema, Standard YouTube license.

When I first watched the film, back in college, I thought this film was incorrectly listed as having a librarian, despite the “Librarian” credit for Pitt. Why? Because in one scene, Howie visits an office with a sign on the door that reads, “Registrar of Births, Deaths, and Marriages. Authorised Registrar for Civil Marriages,” and he researches the Index of Deaths. I had written back then that “The credits list Ingrid Pitt’s role as “The Librarian,” even though she works in a office clearly marked as Registrar.

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

Registrar sign in ‘The Wicker Man’ (1973)

But there’s more to it than that! It is confusing, as there are two separate scenes, and two separate sets or locations:  one scene in the Registrar’s office and another scene in the public library, when Sgt. Howie researches May Day rituals. It adds to the confusion that Ingrid Pitt does appear in the Registar’s office scene but not appear in the actual library scene. The film’s Wikipedia entry splits the difference, stating, “Ingrid Pitt, another British horror film veteran, was cast as the town librarian and registrar.”

So let’s dig a little deeper. It’s “nymphomaniac librarian” time! 😉

A little over a half-hour into the 90-odd-minute film, Sgt. Howie goes to an office with a sign on the door, “Registrar of Births, Deaths and Marriages. Authorized Registrar for Civil Marriages,” as seen in the above screenshot. He walks into a shabby, disorganized office, with cubbies full of leaning books and folders, and paperwork littering a desk, where a blonde woman sits, eating lunch. 

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

Registar’s office in ‘The Wicker Man’ (1973)

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

Registrar’s tight-lipped smile in ‘The Wicker Man’ (1973)

He asks to see the Index of Death, and she immediately responds, “Do you have authority?” He has to get permission from Lord Summerisle, played by Christopher Lee. Sgt. Howie threatens her with jail on the mainland, and she reluctantly opens a drawer and hands him a thin ledger, accompanied by a curt, thin-lipped smile. This scene showcases the “Information Provider” part of her role.

She answers his questions with civility — but no more — and there are a few closeups of her face, buttoned-up clothing, and braided bun hairstyle. This scene serves a purpose, to provide a contrast with how we later see the librarian/registrar. (The Registrar’s messy, cluttered office, also provides a contrast with the clean and tidy library we see later.)

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

Closeup of Registrar/Librarian character in ‘The Wicker Man’ (1973)

So let’s get to when Sgt. Howie visits the public library, an hour into the film, where he researches May Day rituals. There’s a closeup of the stone sign, “Public Library,” and a well-lit, tidy room full of bookcases and tables. We hear an overlay of narration as he reads about the May Day rituals of sacrifice.

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

Public Library sign in ‘The Wicker Man’ (1973)

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

Research scene in the public library in ‘The Wicker Man’ (1973)

What’s confusing about this scene, as I mentioned before, is that Ingrid Pitt is NOT in this scene very clearly set in the public library, even though her character is listed as the librarian. But there IS another woman in the scene, an older woman with grey hair, who is clearly annoyed at Sgt. Howie when he reads aloud a few lines. When I first watched the film, I thought this woman must be the librarian, but that’s what I get for assuming! 😉

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

A patron’s frown in the library scene

When do we next get to see the librarian? Sgt. Howie goes searching for the missing girl, vowing to search every house in the village. Upon entering one house and bathroom, we get a glimpse of the “nymphomaniac” side of this reel librarian. Ingrid Pitt lounges in a half-tub of water, clearly naked, with her hair loosely pinned up. One hand covers her breasts while the other hand rests in-between her legs. She reaches up to bite her thumb in a coquettish way — much different from her earlier, tight-lipped smile in the Registrar’s office! This visual contrast definitely emphasizes the part of her role that is the “Naughty Librarian“!

Reel Librarians | Collage of contrasts for librarian character in 'The Wicker Man' (1973)

Collage of contrasts for librarian character in ‘The Wicker Man’ (1973)

Sgt. Howie is clearly embarrassed and stammers, “I’m sorry.” As he closes the door, we can see a lacy negligee hanging on the hook.

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

Librarian’s negligee in ‘The Wicker Man’ (1973)

And we get yet another clothing change for our erstwhile librarian. No lacy negligee but this time a peasant blouse and flowing yellow skirt, as well as flowing, loose hair, for her part in the May Day ritual.

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

Another look for the librarian in ‘The Wicker Man’ (1973)

Reel Librarians | Screenshot from 'The Wicker Man' (1973)

The librarian’s May Day costume in ‘The Wicker Man’ (1973)

The librarian gets one more scene, toward the end, blocking Sgt. Howie atop the cliffs. In again fulfilling the “Information Provider” part of her role, she helps explains why he’s “the right kind of adult” they’ve needed and researched for their May Day ritual of sacrifice. 

Even though this is a reel librarian role that is never actually seen in the library — isn’t it confusing that she is only seen, in a professional capacity, in the Registrar’s office, and not in the library?! — Ingrid Pitt does appear in scenes throughout the film. It is obvious, therefore, that she is an important person in the community, part of Lord Summerisle’s inner circle.

The story was inspired by David Pinner’s 1967 novel Ritual, but the novel was uncredited in the film. I haven’t read the novel, so I don’t know if there’s a librarian character or not in the book. I also haven’t seen the 2006 American remake of the film starring Nicolas Cage and how closely it aligns (or not) to the book or the 1973 original film.

Has anyone else read the book or seen the 2006 remake? If you have, please leave a comment and let me know if a librarian character is in either one.