Indiana Jones contradicts himself in ‘Crystal Skull’

“The real/reel Indiana Jones would never say ‘If you want to be a good archaeologist, you’ve got to get out of the library’!”

Last week, we looked at Indiana Jones and the Last Crusade (1989), in which Indiana Jones praised the library, stating, “Seventy percent of all archeology is done in the library. Research. Reading.” This week, let’s take a look at Indiana Jones and the Kingdom of the Crystal Skull (2008) and a library scene in which Indiana Jones completely contradicts himself.

First up, a trailer to set the context for this most recent film in the series:

“Indiana Jones and the Kingdom of the Crystal Skull (2008) Trailer #1 | Movieclips Classic Trailers,” uploaded by Movieclips Classic Trailers, is licensed under a Standard YouTube License

Once again, as in the previous film in the series, we get a scene of Indiana Jones teaching. Twenty years later, he’s still wearing the same three-piece suit, polka-dotted bow-tie, and round glasses:

20 years later, Indiana Jones still teaching in the same suit and bow tie
20 years later, Indiana Jones still teaching in the same suit and bow tie

The library scene:


A little over a half-hour into the film, Indiana Jones meets with “Mutt” Williams (Shia LaBeouf), a guy with a chip on his shoulder the size of his motorcycle. Indy jumps onto the back of Mutt’s motorcycle to escape from Russian agents who are after him. To finally shake off the agents, they motor into… what else? The library!

Why wouldn't you drive into a library to escape Russian agents?!
Why wouldn’t you drive into a library to escape Russian agents?!
Interior of the library scene
Interior of the library scene

Although this scene lasts just under a minute total, Spielberg makes the most of it.

This exterior of the library scene was filmed outside Yale University’s iconic Sterling Memorial Library, standing in for Indiana Jones’s fictional Marshall College library. The interior of the library scenes were actually filmed in Yale’s dining hall!

Everyone is stunned to hear a noise in the library, let alone a motorcycle!

What's that noise? A motorcycle in the library, what else?
What’s that noise? A motorcycle in the library, what else?

The two nearly run over a male student with a huge stack of books in his arms:

Slow down, save the books!
Slow down, save the books!
The books go flying, as does the motorcycle
The books go flying, as does the motorcycle

The guy’s books go flying, as does the motorcycle swerving to miss him. Indy, Mutt, and the motorcycle skid under a batch of tables, finally coming to a stop in front of one of Indy’s students. (That is a sentence I never thought I’d write.)

Fun fact:  This student in the library is played by Chet Hanks, the son of Tom Hanks and Rita Wilson.

I have a question...
I have a question…

And of course that student, unfazed by loud noises or sliding motorcycles and undeterred in his quest for knowledge (can you tell I think he’s the real hero of this scene?!), has a question for Dr. Jones:

Student in LibraryExcuse me, Dr. Jones? I just had a question on Dr. Hargrove’s normative culture model.

Indiana JonesForget Hargrove. Read Vere Gordon Childe on diffusionism. He spent most of his life in the field. If you want to be a good archeologist, you got to get out of the library!

Screenshot from the library scene in 'Indiana Jones and the Kingdom of the Crystal Skull" (2008)
… and I have a dumb answer.

BOO. Boo, I say. BOO.

And I am not the only one incensed by this scene and total about-face for Indy’s view of the library and its vital role in research and archeology.

The trivia on the Amazon Prime version of the film also pointed out this contradiction:

Trivia about the library scene in 'Indiana Jones and the Crystal Skull" (2008)
Trivia

And my overseas counterpart, Colin Higgins from Libraries at the Movies, messaged me this:

Do you like Crystal Skull? I don’t, at all. One of the reasons I feel it must be non-canonical is Indy’s dissing of libraries after his motorbike ride through Yale’s Sterling. The real/reel Indiana Jones would never say ‘If you want to be a good archaeologist, you’ve got to get out of the library’!

I love Colin’s wording here, that (1) this film in the series is non-canonical because of its treatment of libraries, and (2) “dissing of libraries” is totally not in Indy’s character. Agreed on both counts!


Goofs


I also enjoyed this extra bit of trivia/goofs from Prime, delving into the mention of Vere Gordon Childe in Indiana Jones’s advice to the student:

Trivia about the library scene in 'Indiana Jones and the Crystal Skull" (2008)
Goofs

Hah! So Vere Gordon Childe, an Australian archeologist (1892-1957), did spend almost his entire career in the library! And OF COURSE I double-checked this. While he did oversee excavation of archaeological sites in Scotland and Northern Ireland, Childe is indeed most well-known for being a “great synthesizer” of archeological research, publishing over 240 articles and 26 books in his lifetime. And Childe was HIMSELF librarian of the Royal Anthropological Institute at one time (!), so I don’t think he would have EVER advised a student to “get out of the library.”

So. Indiana Jones not only contradicts himself — and one of the primary messages and themes from the previous film — he GETS IT WRONG.

I think it’s clear that Indiana needs to get back to the library, stat! (Without the motorcycle this time.) 😉

Extras in the library scene in Indiana Jones and the Crystal Skull (2008)
Extras in the library scene in Indiana Jones and the Crystal Skull (2008)

Indiana Jones and the Kingdom of the Crystal Skull ends up in the Class V category, as there are no reel librarians identified or distinguishable from all the other people in the library scene.


Continue with conversation:


What are your thoughts about this film in the Indiana Jones series and this library scene? Please leave a comment and share!


Sources used:


‘Regarding’ a public library

Books and silence — libraries in a nutshell. (Sigh.)

In the 1991 film Regarding Henry, directed by Mike Nichols and written by J. J. Abrams (!), a library scene takes place almost exactly halfway through the movie.


Movie plot:


But first, let’s set the context. Harrison Ford plays the title role, a hot-shot and ruthless New York lawyer who is out of sync with his 12-year-old daughter, Rachel, or his wife, Sarah (played by Annette Bening). One fateful night, Henry gets shot by a kid holding up a corner store, a shot that causes brain damage. When Henry wakes up, he has to figure out how to start all over again — including the basics of movement and speech — including getting to know his family again.

Here’s a trailer for the film:

“Regarding Henry – Trailer,” uploaded by YouTube Movies, 2012, Standard YouTube license.

The library scene — over 10 seconds of it! — makes the trailer, at 1:45 seconds into the clip above.


Library rules:


Rachel takes her father to the library, and she explains the basic rules of the library on the walk there.

Rachel: Some of them [books] you can borrow and take home, but some of them you have to read here.

HenryAnd you can’t talk loud.

RachelRight.

Books and silence — libraries in a nutshell. (Sigh.)


Library scene:


The camera then pans quickly through the library, following the polished floors and atmosphere so quiet you can hear every step of every shoe and squeak of every chair. Every table is occupied, showcasing a variety of people.

Henry's daughter hard at work in the library
Henry’s daughter hard at work in the library

Henry’s daughter is working and studying, writing in a notebooks. A stack of National Geographic magazines are on the table in-between father and daughter. (It isn’t clear if the magazines are for Henry or for his daughter.) There is also a large photography book open in front of Henry.

Henry then starts throwing wads of paper from a box of call number slips, crumpling them up, and then flicking them at his daughter. (This is the part of the scene that makes the trailer.) The sly expressions on Harrison Ford’s face make this scene a(n initially) comic one.

What? I'm not up to anything...
What? I’m not up to anything…
Nothing to see here...
Nothing to see here…

His daughter is not so amused. She keeps saying, “Stop it!” and “Dad, I’m serious.

Henry’s mocking response? “I know. VERY.

The library is VERY serious.
The library is VERY serious.

But the third time he flicks a paper wad at her, Rachel cracks a smile. But then this short scene turns serious.

Rachel: Read your book.

HenryI can’t.

Rachel:  [Realization dawning on her face] I’m sorry.

Rachel’s mother no doubt hid a lot of the details about Henry’s recovery from her daughter, including details about how he had to painstakingly learn how to speak and walk again. It never occurred to Rachel — or the audience?! — until that moment in the library that her father no longer remembered how to read.

The moment Henry's daughter realizes her father can't read
The moment Henry’s daughter realizes her father can’t read

This realization then leads to Henry’s daughter teaching him how to read again. This is significant because he had always put pressure on his daughter to be smart and self-reliant and grown-up; this friction had caused emotional distance between them. Henry being able to admit weakness to his daughter helps them bond again.

It’s a poignant scene. And that this discovery — that Henry can’t remember how to read — is made IN A LIBRARY makes this scene even more poignant and memorable.

Although memorable, this scene lasts less than two minutes. No librarian is visibly present in the scene. Theoretically, one of the several people in the background could be a librarian, but there is nothing obvious — like, say a prop like a book cart — to make this connect visibly clear for the audience. And no librarian is needed in this scene; rather, the focus is on the relationship between father and daughter.

Therefore, Regarding Henry lands in the Class V category, films with no identifiable librarians, although they might mention librarians or have scenes set in libraries.


Library filming location:


The filming locations mentioned in its IMDb page are very general — it was filmed in New York City — but luckily, an internet search turned up the “On the Set of New York” site. This site’s page for Regarding Henry reveals that the library scene was filmed at the 5th avenue branch of the New York Public Library. This turns out to the iconic central, or main, branch of the library. Kudos to director Mike Nichols for finding a way to make the library space in this scene look more cozy and warm than the usual cinematic shots of the NYPL central branch.

Interior shot for the library scene
Interior shot for the library scene

Sources used:


Angels in the library in ‘Wings of Desire’

“Tell me, muse, of the storyteller… Those who listened to me became my readers…”

I am following up on another reader question from my call earlier this year for reader questions and ideas, a question posed by Kvennarad, who left a comment that contained several very intriguing post ideas, including this one:

‘Wings of Desire’ is an amazing film, with lots of footage set in a library… No reel/real reason why I include this, it just haunts me.

Here was my initial response to Kvennarad’s comment, in my reader Q and A follow-up post:

Yes, this film was already on my Foreign Films reel librarians list. I have also written an analysis post on City of Angels, the (inferior) U.S. remake starring Meg Ryan and Nicolas Cage. It would be interesting to do a post about Wings of Desire, and then perhaps a follow-up comparing the two films and their two reel libraries/librarians. Adding this to my ideas list… 

And here it is, at least the first part of the idea to analyze Wings of Desire (1987), which is a truly haunting film.


Plot and atmosphere:


The original title of this primarily German-language film is Der Himmel über Berlin, which translates to “The Sky over Berlin.” I actually prefer that title, rather than the more generic-sounding Wings of Desire. We see humanity through the wanderings of angels throughout Berlin, including one particular angel, Damiel (played by Bruno Ganz), who begins to fall in love with a mortal woman. Peter Falk also stars in the film, playing a version of himself. I can’t say anymore about the plot, as I want to avoid any spoilers. This is a film to savor watching the first time, if you have not already seen it. (And let’s just say, it has almost nothing in common with its American remake, City of Angels, THANK GOODNESS, except for the barest of plot lines and the angels’ penchant for long coats. I analyzed the library scene in City of Angels in this post.)

Here is a trailer for the film, set only to music:

“Wings of Desire – Official Trailer (1987)” video uploaded by Patricia Gaia is licensed under a Standard YouTube license

There are so many beautiful moments in this beautiful film, including every time a child looks up and smiles in recognition of an angel. I tear up just thinking about it. None of the adults notice the angels’ presence; only the children notice them and share knowing smiles.

I had passively resisted watching this film until now, in part because of the *awful* American version of it. I suppose I thought the film would be too “arty” and depressing (the bulk of it is in black and white), but that’s what I get for assuming! The film is ultimately uplifting, and the director, Wim Wenders, sustains an atmosphere of bittersweet wonder with the lightest touch… like that from angels’ wings? 😉

In short, this film is special. See it now — for the first or 100th time.


Library scenes:


There are three short scenes set and filmed in the Staatsbibliothek zu Berlin (Berlin State Library), where angels often go to hang out with humans. Another reason to love the angels, who obviously have such good taste — and not just in overcoats!

There is no reel librarian character that I could see, so this film does end up in the Class V category of films with no identifiable librarians (although Class V films might mention librarians or have scenes set in libraries). But that does not take away the significance of the library in this classic film, as I demonstrate in detail below.


Library scene #1:


Sixteen minutes into the film, Damiel and his friend, Cassiel (Otto Sander), visit the Staatsbibliothek. The scene lasts 7 minutes in total as the angels and the camera wind their way around the shelves and different levels of this eye-catching library.

Angels visit the Berlin State Library
Angels visit the Berlin State Library
Angels like to read over people's shoulders in the library
Angels like to read over people’s shoulders in the library

Here’s how this online review at DVD Talk describes this scene:

“There are wonderful scenes on a plane or in the public library where the sound mixers scroll through the gathered people, moving from one inner monologue to another the way we flip through channels with our TV remote. In the library, there are almost as many angels as there are mortals, all looking for something interesting to commit to memory or maybe scribble down in one of their little notebooks.”

The sound throughout this scene is a hushed murmuring of voices/thoughts layered on top of choir-like singing. The effect is like that of visiting a church, and indeed, this library has soaring ceilings to match the soaring vocals. The director and the angels treat this space like a sacred space. In the book The Meaning of the Library: A Cultural History, Laura Marcus argued that in Wings of the Desire, the angels’ affinity for libraries do indeed make the library a miraculous place.

This is very obviously a well-used library, filled with people — and angels! — in all corners. It also showcases that a library provides space and resources for many different kinds of needs and different kinds of users.

A well-used public library
A well-used public library

The scene comes to a close as Damiel takes notice of an old man slowly climbing the stairs, pausing every few steps to catch his breath and wipe his face. We see this man, the storyteller, throughout the rest of the film. His inner dialogue feels appropriate for such a setting:

“Tell me, muse, of the storyteller… Those who listened to me became my readers…”


Library scene #2:


This same older man is our link to the second library scene, when at 39 minutes into the film, we revisit the man sitting at a table in the library. This table is filled with a collection of globes of many sizes, and he is enthralled with a rotating solar system. The camera then cuts to the old man sitting at a different table in the library, this time thumbing slowly through a large book of photos. The angel Cassiel follows the old man through the library, just as the reader does.

An old man finds treasures to enjoy in the library
An old man finds treasures to enjoy in the library

This scene lasts only two minutes. But as Marcus points out in The Meaning of the Library: A Cultural History, Wenders highlights the library as a tool of “memory and public space.” This is especially evident in this scene.


Library scene #3:


The final scene in the library lasts only a minute, but it is a memorable minute. Cassiel remains in the library, but this time, the tables and desks are empty.

One is the loneliest number
One is the loneliest number

The library is closed, the only mortals the cleaners, yet the angels still seek solace within the library walls.

The library after hours
The library after hours

Real-life library, trivia, and significance:


The movie was filmed on location at Staatsbibliothek in Berlin, Germany. This library is also featured in two other German-language films, Agnes and His Brothers (2004) and the TV movie Götterdämmerung – Morgen stirbt Berlin (1999).

Staatsbibliothek zu Berlin, screenshot from the DVD featurette
Staatsbibliothek zu Berlin, screenshot from the DVD featurette

The DVD features include an interactive map that also highlights the library, as you can see in the screenshot below.

Interactive map on DVD of Wings of Desire (1987)
Interactive map on DVD of Wings of Desire (1987)

The library clip on the interactive map lasts less than 30 seconds, but it reveals why the public library location was chosen for the film:

“The Staatsbibliothek was built between 1967 and 1978. It is one of the largest libraries in Europe, with a collection of over 8 million books and manuscripts. The quietness of the library, due to its acoustics, makes it an ideal place for the angels to tune into our thoughts.”

Here’s a look at that acoustic ceiling in the library:

Acoustic ceiling in the public library
Acoustic ceiling in the public library

Wings of Desire was both a critical and financial success, and as per its Wikipedia entry, “academics have interpreted it as a statement of the importance of cinema, libraries, the circus, or German unity, containing New Age, religious, secular or other themes.”

I will end with this thought, that Kvennard is certainly not alone is being haunted by the library imagery in the film. Indeed, the German news publication Der Tagesspiegel recently highlighted the film’s memorable imagery, in particular the library scenes:

“A film lives on such images that get stuck in the memory of the audience.”

Have you, too, seen the film and been haunted by its imagery? Have you seen the American remake? Please leave a comment and share!


Sources used:


Analyzing the library scene in the ‘Ghostbusters’ remake

There are some interesting library-related bits of trivia to explore in this remake. Buckle up!

Last year, I noted a library scene and ghost featured in the all-female Ghostbusters remake (or is it considered a reboot? Discuss). At the time, I compared the librarian ghosts from both the 1984 original and the 2016 trailer, and mused:

If that is indeed a library scene and librarian ghost, I am intrigued by the updates. Definitely a younger, sexier version of the ghost!

I wasn’t able to see the 2016 remake last summer, but I did recently check out the DVD from my local public library.

Long story short, no, that is not a librarian ghost sighting in the remake. {Insert sad trombone sound here.} This Ghostbusters remake lands in the Class V category, films that may have library scenes but no reel librarians.

However, there are some interesting library-related bits of trivia still to explore in this remake. Buckle up!


Opening scene in a library:


The opening scene in the remake begins at a mansion, the “Aldridge Mansion Museum.” (Definitely not as memorable as the original film’s opening scene in the New York Public Library, which I analyzed in-depth in this post.) A tour guide is leading a group of people through the first level of the mansion, which he describes as “the only 19th century home in New York City preserved both inside and out.”

Aldridge Mansion in Ghostbusters (2016)
Aldridge Mansion in Ghostbusters (2016)

He leads the group into a center atrium, surrounded on all sides by bookcases and iron railings on the second level. He then relates the story of the resident ghost, Gertrude Aldridge, who allegedly stabbed all the house’s servants one night. (Her character was based on the real-life Lizzie Borden.)

It is an impressive private library, although the word “library” is not mentioned at all during the tour. However, there is an “Announcements” sign by the guest book that includes “library hours,” as well as a large sign beside the velvet ropes in the atrium, which reads, “Aldridge Family Library, circa 1830.”

Tour of the Aldridge Mansion library in Ghostbusters (2016)
Tour of the Aldridge Mansion library in Ghostbusters (2016)

Library locale:


The “Aldridge Mansion” filming location looks to be the Ames Mansion at Borderland State Park, especially when you compare the photo above to this interior photo of the Ames Mansion library. The idea of the “Aldridge Mansion” being the “only 19th century home in New York City preserved both inside and out” is loosely based on the Merchant’s House Museum in Manhattan, which is open to the public. The IMDB.com Trivia page for this film also suggests that “Aldridge Mansion” may be named for the original film’s costume designer, Theoni V. Aldredge.

The Aldridge Mansion’s historian, Ed Mulgrave (played by Ed Begley Jr.) seeks out help from Erin Gilbert (Kristin Wiig), because of a book she wrote years ago, Ghosts from Our Past: Both Literally and Figuratively: The Study of the Paranormal.

Ghosts from Our Past book in Ghostbusters (2016)
Ghosts from Our Past book in Ghostbusters (2016)

However, Erin is not pleased to see him and is astounded that he has a copy of her book. (She thought she burned “both copies” years ago!) She is trying to earn tenure as a physics professor at a serious academic institution and does not want to be discredited by her background in the paranormal. In an effort to get her book off of Amazon, she visits her former friend and book’s co-author, Abby Yates (Melissa McCarthy), who agrees to take the book down in exchange for an introduction to Mulgrave. This brings us back to the Aldridge Mansion… and back to the library ghost!


Library ghost:


As Erin, Abby, and Abby’s fellow scientist, Jillian Holtzmann (played with kooky relish by Kate McKinnon), walk into the center atrium and library, we get to see more of the space, which is filled with mannequins dressed in old costumes, antique furniture, red velvet ropes, old lamps, and more.

The library in the Aldridge Mansion
The library in the Aldridge Mansion
Costumes in the Aldridge Mansion library
Costumes in the Aldridge Mansion library

The three scientists realize they are about to witness a real-life apparition, er, ghost. And out of the basement floats a spooky figure, dressed in a striped Victorian dress. She looks just like the portrait hanging on the second-floor railing of the library, so this ghost is very clearly the spirit of the daughter Gertrude. She’s definitely NOT a librarian — although based on her hairstyle and clothing, she does look like a younger version of the librarian ghost from the original, doesn’t she? Gertrude the Ghost does make a return in the final battle showdown, and she is also featured in the credits.

Ghost sighting in the Aldridge Mansion library
Ghost sighting in the Aldridge Mansion library
Comparing library ghosts from the two Ghostbusters films
Comparing library ghosts from the two Ghostbusters films

As Erin tries to communicate with her, the ghost projects green goo all over Erin. The ghost then flies out of the house, with the three scientists rushing out to try and track her movements. Abby has been filming this entire scene, and the video clip of Erin screaming, “We saw a ghost!” makes it to YouTube and Reddit… ending with Erin getting fired from her teaching position.

That, of course, leads to the formation of the Ghostbusters, with Erin, Abby, and Jillian joining forces with public transportation worker Patty Tolan (Leslie Jones)!


Additional library sightings:


More “library” sightings in the film include:

  • One early call leads them to a hotel and rock concert. When they arrive, a man is being led out on a stretcher and mumbling in Spanish. Erin attempts to translate what the man is saying and ends up (mis)translating, “There’s a chicken frying itself in the library.” Patty has no problem correcting her, “That is NOT what he said.”
Library mistranslation in Ghostbusters (2016)
Library mistranslation in Ghostbusters (2016)
  • When the Ghostbusters are driving to the rock concert, they pass by  the New York Public Library, where the original film opens.
New York Public Library cameo in Ghostbusters (2016)
New York Public Library cameo in Ghostbusters (2016)
  • During the title sequence, there is a brief ghost of Columbia University Library. A few scenes of the original Ghostbusters (1984) were filmed at Columbia University — although Columbia made a deal back then to keep their name out of the film!
Columbia University Library cameo in Ghostbusters (2016)
Columbia University Library cameo in Ghostbusters (2016)

Additional book-related trivia:


There are also a couple more interesting trivia bits concerning books and research tied to the film:

  • A little over an hour into the film, Jillian brings out a research atlas with a map of ley lines in New York City. This is relevant to the film’s plot and the Ghostbusters trying to figure out where all the paranormal activity is originating from.
  • The book that Abby and Erin co-wrote, Ghosts from Our Past: Both Literally and Figuratively: The Study of the Paranormal, was published for real as a movie tie-in book!
Book tie-in from Ghostbusters (2016)
Book tie-in from Ghostbusters (2016)

What are your thoughts?


Have you seen the Ghostbusters original and remake? Were you also disappointed that there was no additional librarian ghost in the remake? Please leave a comment and share.


Sources used:


Revisiting ‘The Mixed-Up Files of Mrs. Basil E. Frankweiler’ for its 50th anniversary

Celebrating the 50th anniversary of E. L. Konigsburg’s classic YA novel

This year marks the 50th anniversary of E. L. Konigsburg’s classic YA novel, 1967’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler, which won the 1968 Newbery Medal. I also recently read a very informative article from the always excellent Smithsonian Magazine online, “The True Story Behind Mrs. Basil E. Frankweiler and Her Mixed-Up Files.”

Smithsonian Magazine article
Smithsonian Magazine article

The article’s author, Patrick Sauer, aptly sums up how beloved this book remains:

“If visions of Claudia and Jamie bathing—and collecting lunch money—in the Met’s Fountain of Muses bring up fond childhood memories of your own, you’re among the legions of readers who grew up loving E.L. Konigsburg’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler. The classic children’s book turns 50 in 2017, and the tale of the Kincaid siblings spending their days wandering about the paintings, sculptures and antiquities, and their nights sleeping in antique beds handcrafted for royalty, is as popular as ever. The 1968 Newbery Medal winner has never been out of print.”

The article then goes into the many inspirations behind the book and Konigsburg’s writing, including this sweet memory shared by her son Paul:

“When we were in grade school, Mom would write in the morning. When the three of us kids would come home for lunch, she would read what she wrote,” says Paul Konigsburg, 62. “If we laughed she kept it in. If not, she rewrote it.”

The article also mentions the 1973 film version of the book, also released under the title The Hideaways, which I wrote a post about almost two years ago on this blog. The film doesn’t feature a librarian, but it DOES shine a spotlight on the vital role of research, as well as libraries, both public and private.

Public library scene in From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973)
Public library scene in From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973)
Private library scene in From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973)
Private library scene in From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973)

As I wrote back in 2015 about the film’s version of the “mixed-up files” scene:

The scene in the film is different from the book, but it’s still fun to see a visual representation of all those “mixed-up files.” Although, of course, they’re not mixed-up at all. They files are quite logically organized, at least according to the logic of Mrs. Basil E. Frankweiler.

And I learned something new about the film from the Smithsonian article — that the 1973 film version was the first film ever shot inside the Metropolitan Museum of Art!

I also learned that last year, the Met produced and released a video tour called “Can We Talk About the Mixed-Up Files and the Met?”:

#MetKids—Can We Talk About the “Mixed-up Files” and The Met?” video by The Met is licensed under a Standard YouTube license

And finally, next week on July 13 and 15, in honor of the book’s 50th anniversary — and of course, the Met’s starring role in the book! — the Met will host special Art Trek family tours featuring several exhibits mentioned in the book that are still in the museum, including the mummy and the bronze cat in the Egyptian wing.

Have you ever been to the Met? Are you a fan of the book? Please leave a comment and share!


Sources used:


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