The 2004 film Dear Frankie is one that I visit time and again — it’s a beautiful, touching film that never gets treacly or sentimental. The bracing Scottish backdrop helps, of course. Plus, it boasts a quietly stellar cast, including a young(er) Gerard Butler and the always intriguing Emily Mortimer.
The Frankie of the title is a deaf boy (Jack McElhone) who receives a lot of letters from his seafaring dad — but all those letters have actually come from his mom (Mortimer). His dad’s (fictional) ship is about to come into town, so his mom hires a stranger (Butler) to pose as Frankie’s father.
In one early scene, his mom composes a letter in what appears to be a library — or perhaps an archives room or historical society. No librarian in sight, but there looks to be the standard library prop of a shelving cart stacked with folders and boxes.
In another scene about fifteen minutes into the film, Frankie visits the local library — it’s called the “lending library” by the sign on the glass door — which has a light, cheerful atmosphere with its stained-glass windows.
Frankie browses the shelves and catches the attention of the librarian. The librarian (Elaine Mackenzie Ellis) is a white female, with short dark hair, and a shorter, rounder frame. She wears glasses, modest clothing (a light blue top and matching cardigan), and minimal jewelry (small earrings and silver necklace). She’s also holding a book, the most obvious prop to mark a reel librarian!
The librarian — unnamed in this film and listed only as “Librarian” in the credits — starts speaking to him, not realizing he’s deaf. “Yes? Can I help you? Hello? Hello, I’m talking to you.”
Obviously offended at the boy’s seemingly defiant inattention, she steps out around the desk. “Come back here, please. I’m talking to you. Cheeky wee devil, you!”
So she tracks the boy down and says, “I am well aware that a wee boy your age should be at school at this time of day.”
Frankie then puts in his hearing aid. When she realizes he’s deaf, the librarian’s tone and demeanor completely change. “I didn’t realize. I’m so sorry.” Her tone becomes encouraging, her facial expression quickly softens, and she starts exaggerating and over-enunciating her words.
“Pick a book. Pick any book, and if we don’t have it here, I will move mountains to get it for you.”
The next shot cuts to Frankie leaving the library, holding an armful of books (and a slight smirk on his face).
Surely he’s pulled this kind of trick before? Frankie must find it a bit amusing to see how people’s reactions change after they realize his handicap. The librarian here fulfills the role of the Information Provider — no surprise there — as she helps Frankie find books he wants. She also serves as a typical example for how a majority of the public treats Frankie and other children with physical handicaps.
- Dear Frankie. Dir. Shona Auerbach. Perf. Emily Mortimer, Jack McElhone, Gerard Butler, Sharon Small. Miramax, 2004.
2 thoughts on “Moving mountains — all in a day’s work in ‘Dear Frankie’”
What a cool subject on today’s site. I realy enjoyed your essay, especially the stills from the movie. How did you get them on?
Thanks! I try to showcase some stills, screenshots, or video clips for each film if possible. Video clips are the best (thanks, YouTube!). Usually, I link from pictures or stills found on other sites — linking the pics to those sites, so users can follow the trail — and sometimes screenshots taken from the movies themselves.