‘Meet cute’ marathon

I feel like quite a few of my posts begin by accident rather than design. I will happen to be watching a film when BAM! out of nowhere pops a library and/or librarian. Sometimes, I am elated. Sometimes, I am cranky because I wanted to watch the film instead of immediately taking notes and pics, if possible. Such is life for the Reel Librarian. ;)

While rewatching the 1976 thriller Marathon Man, starring Dustin Hoffman and Laurence Olivier, I was at first surprised when there was a scene at a college library. I did not remember that scene the first time I watched the film, although to be fair, that was several years ago. One cannot help but admire the library interior, which is, of course, the focus — but you can juuuuuust spy the reel librarian checking out books in the lefthand corner, as seen in the screenshot below.

Reel Librarians  |  Screenshot from 'Marathon Man'

I was even more surprised when I realized that the library interior — while supposed to be the Columbia University Library in New York — was actually filmed in Los Angeles! More specifically, it was filmed at Doheny Library on the USC campus, which has been the library setting for many films, including City Slickers II (click here for that film analysis post). It was ALSO the library setting for Dustin Hoffman’s 1967 classic film, The Graduate. It’s a small world, after all, for reel libraries. ;)

A little more than a half-hour into Marathon Man (1976), Dustin Hoffman has a “meet cute” moment with a French-speaking lady sitting at his table. They both have a stack of books beside them.

Reel Librarians | Screenshot from 'Marathon Man'

Reel Librarians | Screenshot from 'Marathon Man'

Dustin Hoffman, as graduate history student Babe, then hides one of her books — it happens to have her contact info printed inside on the front page — and then uses it as an excuse to meet up with her later. A little creepy, no? Here is their revealing conversation as he makes a play for her:

Elsa:  Why do you pursue people who sit at your library table?

Babe:  You’re pretty.

Elsa:  [Laughs, then starts to walk away]

Babe:  I can’t talk about how smart you are. I don’t even know you. … You won’t meet another thief like me in the library.

Charming.

You see the reel librarian in this film for a few seconds only, and it comes as no surprise that the character is left out of the film’s credits. Therefore, this anonymous reel librarian gets to “meet cute” with the other Class IV reel librarians.

If you’re interested in more Marathon Man filming locations, check out this interesting post, complete with screenshots. The film holds up well, and the director, John Schlesinger, ratchets up the tension quite effectively. It’s also a film notable for turning its MacGuffin into a catchphrase (“Is it safe?”).

So is it safe to watch this film? Yes. But it’s not so safe to have your contact info pencilled in your books and then leave those books unattended in the library. Now you know. You’re welcome. ;)

The Lindgren trilogy

I recently was able to watch the original Swedish film adaptation of The Girl with the Dragon Tattoo (2009), thus completing the cycle; I have also read the books — translated into English, of course — and watched the 2011 American film version of the first book in the trilogy by Stieg Larsson. I also blogged about the reel librarian character, Lindgren, who shows up in the book, in this post, and in the American film version, here in this post. And now, with this post, I complete the Lindgren trilogy.

Girl with the Dragon Tattoo collage

click collage for original image sources

However, Lindgren was nowhere to be found in the Swedish film adaptation, making it a Class V film. No “if looks could kill” librarian glare. No battle of wills between the reel librarian and the researcher/hacker Lisbeth. NO LINDGREN. Imagine my disappointment! :(

(By the way, I am totally going to put her name in all caps from now on. Just because.)

Reel Librarians  |  Screenshot from 'The Girl with the Dragon Tattoo' (2009)

Toward the end of the film, we do get the cinematic trick of cutting back and forth between Mikael and Lisbeth as they zero in on the killer’s identity, albeit from two different locations and pathways. Lisbeth figures it out by looking up archives at the Vanger Industry headquarters. This scene is briefly detailed in the book — again, click here for my post where I highlighted the specific book passages — and the scene, as well as Lindgren’s role, is actually expanded in the David Fincher’s American film version. In the Swedish version, however, this scene feels abbreviated, or at least simplified. There is no tension of Lisbeth racing against time and battling Lindgren for access to the locked archive files; instead, Frode provides archives access to Lisbeth up front. The tension is focused solely on Lisbeth tracking down clues from the archive files and receipts and running down the bookcase aisles with loads of books and file boxes in her arms.

Reel Librarians  |  Screenshot from 'The Girl with the Dragon Tattoo' (2009)

It is nice to know, however, that Lisbeth is as equally dismissive of Frode in the Swedish version as she was of LINDGREN in the American version. ;)

Reel Librarians  |  Screenshot from 'The Girl with the Dragon Tattoo' (2009)

Funnily enough, there is an additional library scene in the Swedish version, when Lisbeth and Mikael research newspaper reports of earlier murders; the scene occurs a little more than halfway through the 2 1/2 hour running time. The library in that scene is obviously a public library, but alas, no librarian appears — not even in the background. It’s interesting to note that in the American version, the research of earlier murders is handled remotely, as Lisbeth gets to show off her research skills — and mastery of Boolean logic! — to track down online police and newspaper accounts of earlier murders.

Reel Librarians  |  Screenshot from 'The Girl with the Dragon Tattoo' (2009)

Although I bemoan the lost opportunity of another LINDGREN glare, I can understand why the character was dropped. The plot doesn’t lose anything major by axing the reel librarian character, although it was useful to know in the book (and American film version) that Martin Vangar was using LINDGREN as a way to keep tabs on Lisbeth’s whereabouts; this added another layer of awareness as the net tightened. However, the shorter and simpler archives scene in the Swedish version helps to amp up the pace toward the final third of the film. (By contrast, David Fincher spun out the archives scene in his version to add tension, which also worked.)

American version (2011) The Book (2005) Swedish Version (2009)
Librarian character name: Lindgren Bodil Lindgren — we get her first name! N/A
Archives access: Lindgren tries to lock up. When Lisbeth resists and requires access to locked records, she tells Lindgren to “call Frode.” Lindgren is unhappy about giving Lisbeth access, “but Herr Frode had given her instructions that could not be misinterpreted. This slip of a girl was to be free to look at anything she pleased.” Frode, Henrik Vangar’s lawyer, personally introduces Lisbeth to the archives.
Martin Vangar reference: “archives manager” “archives manager” N/A

I quite enjoyed the 2009 Swedish version of The Girl with the Dragon Tattoo, especially the fearless performance of Noomi Rapace as Lisbeth. I found it interesting to mentally compare the Swedish and American versions — even beyond their choice to include LINDGREN or not! — and I honestly cannot choose a favorite. They are both done so well, and the lead actresses both so well cast, that the two films are equally good in my mind. One can enjoy both and appreciate them for the distinct expressions of artistic creativity they are.

The Swedish version gains points by being Swedish, of course, but the American version gains that ground back by including LINDGREN and that classic librarian glare.

If looks could kill

If looks could kill

And we end with that chill-worthy parting shot of LINDGREN from the 2011 American film version. You’re welcome. ;)

LINDGREN.

In Dewey’s country

I was able to catch the 2007 TV movie, In God’s Country, recently on my cable subscription. It’s a film I saw ages ago, so I already had notes — but I hadn’t taken screenshots at the time. It’s interesting to go over notes I wrote years ago, to see what I focused on then and if the notes differ to how I view the film now.

Reel Librarians  |  Notes from 'In God's Country' (2007)

Initial notes for ‘In God’s Country’ (2007)

This Lifetime TV movie — which has been renamed The Ultimate Sin — is an earnest but ultimately mediocre effort taking aim at a big issue, the issue of young women who feel trapped in polygamous religious communities. Kelly Rowan stars as Judith Leavitt — her last name foreshadows the plot! — who “leaves it,” leaving her community, her house, and her life as she has known it. She takes her five children with her and tries to start fresh. Of course, they struggle to adjust living “on the outside.”

The children particularly struggle at public school (Judith reveals that she wasn’t allowed to go to school past grade 7). In one short scene a little over an hour into the TV movie, Judith’s 12-year-old daughter, Alice, visits the school library. Alice wants a book on astronomy in order to teach the names of the stars to her mom. She goes up to the library counter, where the librarian (Agi Gallus) is checking out books to another student.

Reel Librarians  |  Screenshot from 'In God's Country' (TV, 2007)

Librarian:  Can I help you?

Alice:  I’m looking for a book on astronomy.

Librarian:  Astronomy is in the 520’s.

Alice:  [shakes her head, clueless]

Reel Librarians  |  Screenshot from 'In God's Country' (TV, 2007)

Librarian:  520’s. Dewey Decimal system.

Librarian: [Hands stack of books to the other girl.] Millie, can you show her for me?

Millie: All the books are numbered. You just have to look at the spines. I know where the astronomy ones are because I like astronomy, too. Actually, I have a telescope.

Alice:  You have a telescope at home?

Millie:  You should come and see it.

The librarian here is friendly — and it’s nice to see a reel librarian in a bright color! — but as clueless about service as much as Alice is clueless about the Dewey Decimal system. She essentially passes off her reference duties to a young student, who has to explain the classification system to Alice. Peer learning can be great, but there was no good reason that the librarian couldn’t step out from behind her desk and do her job. Of course, the plot required that Alice make a friend, so I understand in terms of plot why the reference duty got passed on to Millie. But in terms of real life, this is NOT a great example of a reference interview!

Reel Librarians  |  Screenshot from 'In God's Country' (TV, 2007)

Ultimately, this reel librarian ends up in the Class IV category, in which librarians appear only briefly with little or no dialogue. The librarian in this film is onscreen less than a minute, and fulfills the basic Information Provider role. She doesn’t provide that much useful information to Alice, of course, but the librarian also provides information to the audience. She is yet another example of how the “real world” doesn’t really understand what goes on in these kinds of communities and the impact of different social and educational structures.

At least the script writers got the Dewey Decimal system right, as this system of classification is the most common for school and public libraries. They also got the 520’s section right, as this is the general call number area for astronomy.

There is also a scene involving the 520’s — one with a decidedly less favorable ending — in UHF (1989) and starring Conan the Librarian. Read all about that scene here in this post. When I relayed this tidbit to my husband, he laughed, and said that I might be the only person to have made a connection between this TV movie and Conan the Librarian.

In Dewey we trust, right? ;)

The Quotable Librarian

It’s time for another “Quotable Librarian” round-up! This time, the theme focuses on descriptions of librarians, from either reel librarian characters themselves or from others.

Reel Librarians Collage

Click collage for image sources


Enough Said (2013)


Will:  Eva was telling me that there are no men at this party that she’s attracted to.

Albert [who works at a television archives library]:  That’s OK, there’s no one here I’m attracted to either.

 

[click here for more about this film]

[click here for my analysis post about this film]


Major League (1989)


Jake Taylor: [at the library, discussing Jake's one-night stand with a flight attendant] I had no choice. She bet me fifty dollars that she had a better body than you and I had to defend your honor.

Lynn Wells [a special collections librarian]: Oh, what a bunch of bullshit! I have a much better body than she does!

[everyone in the library turns to look]

Jake Taylor: She’s right.

 

[click here for more about this film]

[click here for a round-up of librarians in sports movies]


The Music Man (1962)


Marian Paroo [a public librarian]: Do you think that I’d allow a common masher – ? Now, really, mama. I have my standards where men are concerned and I have no intention…

Mrs. Paroo: I know all about your standards and if you don’t mind my sayin’ so there’s not a man alive who could hope to measure up to that blend of Paul Bunyan, Saint Pat, and Noah Webster you’ve concocted for yourself out of your Irish imagination, your Iowa stubbornness, and your li’berry full of books!

 

[click here for more about the film]

[click here for a "Marian or Marion?" post]

[click here for a post about Shirley Jones's memoir]


Party Girl (1995)


Mary: You don’t think I’m smart enough to work in your fucking library?

 

[click here for more about this film]

[click here for more of my "Hall of Fame" of personal reel librarian faves]


Pump Up the Volume (1990)


Nora [student worker at the school library]: I’m the “Eat me, beat me” lady.

 

[click here for more about the film]

[click here for more about the "Spirited Young Girl" character type]


The Station Agent (2003)


Joe Oramas: It’s the librarian fantasy, man. Glasses off, hair down, books flying.

Finbar McBride: She doesn’t wear glasses [referring to librarian character Emily, played by Michelle Williams]

Olivia Harris: Well, buy her some, it’s worth it.

 

[click here for more about the film]


VAmL (2009)


Gina: Now that is one fucking hot librarian.

Lynn: This is a library. Shh.

Gina: What? I’m just saying?

Lynn: I know. But you are supposed to be quiet in a library.


The Gun in Betty Lou’s Handbag (1992)


Betty Lou Perkins [a children's librarian at a local public library]: Why is it so hard to believe, that I might be exciting to other men? People have affairs. People have lovers. Why not me, Alex?

 

[click here for more about this film]

[click here for more about librarians as title characters]


You’re a Big Boy Now (1966)


Barbara Darling: You’re perfect.

Bernard Chanticleer [works at the New York Public Library and son of a rare books librarian]: Me?

Barbara Darling: Absolutely hunky dory perfect. You’re just what I need in my life.

 

[click here for more about the film]

Plans for the summer

I do not have an in-depth post today, as I have just gotten back from the American Library Association (ALA) Annual Conference, which was held in Las Vegas this year. Twenty thousand plus librarians in Vegas?! [Insert your favorite naughty librarian joke here.]

I am also finished with the academic year and will start back up again in the fall. Therefore, I thought a preview of what I hope to do this summer on the blog was in order. Here are some of my goals:

  • Gather questions for another “Reader Q&A” post — so send me questions you have about librarians in film! (reel.librarians[at]gmail.com)
  • Do another “Quotable Librarian” post
  • Make a dent in this huge pile of reel librarian movies from my personal collection, as seen below:

Reel Librarians  |  Reel librarian films

What are your plans for the summer? What would you like to see on the Reel Librarians site? Please leave a comment and let me know! :)

Three days of the researcher

I confess:  I have a soft spot for intelligent spy/action films. (One of my all-time faves is the addictively rewatchable 1968 classic Where Eagles Dare, starring Richard Burton and Clint Eastwood. I dare you to not enjoy that film! ;) )

Another film I highly enjoy is the 1975 film Three Days of the Condor, starring Robert Redford and Faye Dunaway, both in their primes, as well as the always excellent Max von Sydow. It was directed by Sydney Pollack, whose specialty was directing smart, well-acted movies, including They Shoot Horses, Don’t They? (1969), The Way We Were (1973), Absence of Malice (1981), Tootsie (1983), Out of Africa (1985), and The Firm (1993).

This film ages surprisingly well, and it’s almost scary how prevalent and relevant the central mystery still is. I won’t give it away — it’s the MacGuffin! The only aspect that doesn’t age that well is the kidnapping-turned-love-story side plot involving the two main stars. This unnecessary subplot also provided the basis of the entire ad campaign for this film, also referenced in the DVD menu. [Insert eye rolls here.]

Reel Librarians  |  DVD menu for 'Three Days of the Condor'

Also, this film does NOT include an actual reel librarian. But there are good reasons I’m including it here on this blog, even though it is technically a Class V film (which means no librarian on screen).

Reel Librarians  |  Screenshot from 'Three Days of the Condor'

Reel Librarians  |  Screenshot from 'Three Days of the Condor'

The film opens on a close-up of a book scanning machine, with rows of books behind a bank of technology. If you thought you were seeing a library — complete with librarian wearing glasses — you would be forgiven. We also get a peek at book archives a bit later:

Reel Librarians  |  Screenshot from 'Three Days of the Condor'

As Joseph Turner (Robert Redford) rides up in a bicycle, there’s also a close-up of the building’s sign that reads “American Literary Historical Society.” So one might reasonably assume now that this a story featuring archivists, right?

Reel Librarians  |  Screenshot from 'Three Days of the Condor'

Wrong.

The whole building is a front. Literally. It’s actually a base for CIA agents who analyze books and other materials for codes and terrorist activities. Robert Redford is one of those agents, a researcher, and “Condor” is his code name. As he later describes his job:

I work for the CIA. I am not a spy. I just read books. We read everything that’s published in the world, and we feed the plots — dirty tricks, codes — into a computer. And the computer checks against actual CIA plans and operations. I look for leaks, I look for new ideas. We read adventures and novels and journals. Who’d invent a job like that?

And he is SO GOOD at this job that he uncovers a terrorist organization that unwittingly hits too close to home. This begins a chain reaction that ends up leaving his co-workers dead; by accident, Joseph is “literally out to lunch” when the assassins hit his workplace. No spoilers — all of this happens in the first 15 minutes of the film! For the remaining 100 minutes, Joseph is on the run to both (a) stay alive and (b) find out why he and his co-workers were targeted. Along the way, he kidnaps Kathy (Faye Dunaway), and they eventually end up in bed together. As you do. (See also 2002’s The Bourne Identity, which is another personal spy/action favorite. But they did the whole female-sidekick-turned-lover angle MUCH better.)

Reel Librarians  |  Screenshot from 'Three Days of the Condor'

By the way, while Turner/Condor is out at a neighborhood deli getting lunch orders, we get to listen in on his conversation with the cook and another regular customer:

Deli guy:  Hey, Shakespeare. How’s it going?

[As they converse, Joseph rattles off a few facts about Van Gogh and Mozart.]

Another guy at the counter interjects:  Where am I? The New York Public Library?

Deli guy:  Hey, that’s a very bright man.

Other guy:  It’s very educational. That’s why I come in here.

Reel Librarians  |  Screenshot from 'Three Days of the Condor'

We also “listen in” on several scenes in which CIA operatives — all men, of course, including Cliff Robertson as Higgins and John Houseman as Mr. Wabash — discuss the situation. There is suspicion that Condor himself is a double agent. Although their scenes basically serve as exposition, the background info we learn about Joseph Turner/Condor is very interesting, revealing that he is smart, motivated, resourceful, and lucky.

  • “Condor. Researcher, tide pool. Likes to read comic strips.”
  • “Two years military service. Signal corps. Telephone line and longline Switchboard maintenance, six months overseas. Worked at Bell Labs Communication Research. College on the G.I. Bill.”
  • “Don’t expect too many mistakes from his man. True, he does seem rather more interesting than just another of our reader researchers.”

In a beginning scene, Turner/Condor solves a mysterious death by referencing a Dick Tracy story. Toward the end discussing another incident, he confesses, “I read about it in a story.”

In a scene where the CIA operatives discuss Condor, there’s this revealing sideline:

CIA agent:  Where did he learn evasive moves?

Higgins:  He reads.

CIA agent:  What the hell does that mean?

Higgins:  It means, sir, that he reads everything.

Reel Librarians  |  Screenshot from 'Three Days of the Condor'

Turner/Condor also earns that Shakespeare monikor, as evidenced by this back-and-forth with Higgins:

Higgins:  I’m not armed.

Joseph:  They could be df-ing us if you have a transmitter hidden somewhere in your clothes. What’s this?

Higgins:  DF? You do read everything, don’t you?

Joseph:  This is no goddamned book. Somebody or something is rotten in the company.

That last line, of course, is a reference to the line “Something is rotten in the state of Denmark” from Shakespeare’s play Hamlet.

Three Days of the Condor also explores themes of the power of mixing both human brain power and technology, although the lines to “book some computer time” to analyze text elicit a chuckle or two. This is the central theme of several reel librarian films, including the 1957 comedic classic Desk Set. (Hint:  It’s an either/or fallacy, the conflict between humans and computers. You benefit from having BOTH.)

There are also a few similarities in tone and subject matter with the Cold War drama, The Spy Who Came in from the Cold (1965), starring Richard Burton. In that film, spy Alec Leamus (Burton) pretends to quit the Secret Service and defect to the Communists. As part of his cover as a failed spy, he starts work as a librarian at the Institute of Psychical Research. In Three Days of the Condor, Joseph Turner pretends to work as a literary society archivist, but is in actuality a CIA agent and researcher. Also, the library in the 1965 film is real — we meet other librarians — but in the 1975 spy film, the literary society is fake.

All in all, there is much to appreciate in Three Days of the Condor (1975), a highly intelligent and engaging spy thriller. Too bad there isn’t an actual reel librarian, but I think we can all agree that Joseph Turner would have been an EXCELLENT librarian if he had so chosen to be, yes?

And I will leave you with shots of Robert Redford in his prime, wearing glasses and a shirt unbuttoned to his chest.

Reel Librarians  |  Screenshot from 'Three Days of the Condor'
Reel Librarians  |  Screenshot from 'Three Days of the Condor'

You’re welcome. ;)

Reel school librarians

There are many kinds of librarians in both the real and reel world, including school librarians (also called “teacher librarians” or “library media specialists”); academic librarians (who work in college/university libraries); public librarians; archivists; and special librarians (who work in different kinds of libraries, like those in businesses or government offices), among others.

I thought it would be fun to first do a round-up of school librarians, as my own mother is a school librarian. Looking through my Reel Substance lists, most of the reel school librarians end up in Classes III and IV, meaning most of them are supporting or minor characters. Also, most of the school librarian characters fulfill the roles of Comic Relief and Information Providers — again, no surprise there. This is common of most reel librarian roles.


 Class II


Pump Up the VolumeThis category includes reel librarians who are major characters, but their profession does not directly affect the plot. It’s interesting to note that all three in this category are actually student library workers at their school libraries.

My Science Project (1985)

  • Raphael Sbarge plays Sherman, the school nerd and know-it-all who works in the school library. He ends up being a Liberated Librarian.

Pump Up the Volume (1992)

  • Student library assistant, Nora (played by Samantha Mathis), investigates the new high school student’s identity through the books he checks out. Nora is a cool character and fulfills the role of a Spirited Young Girl.

Scent of a Woman (1992)

  • This coming-of-age story features a young prep school boy (Chris O’Donnell) and an alcoholic blind man (Al Pacino). O’Donnell is a student library assistant at a private prep school and is another Liberated Librarian.

Class III


NewGuyLibrarian1This category includes supporting, minor characters, and includes a mix of Comic Relief, Spinsters, and Information Providers.

Big Bully (1996)

  • In this comedy, a writer (Rick Moranis) returns to his Minnesota hometown to teach a creative writing course to middle schoolers. On his first day, he revisits the school library and encounters Mrs. Rumpert, who remembers the book he never returned to the school library. This crude, stereotypical portrayal serves as Comic Relief.

Christine (1983)

  • In this horror film, a teenager tries to talk to a pretty girl in the school library — and incurs the wrath of the middle-aged school librarian, a Spinster Librarian.

The Last American Virgin (1982)

The Neverending Story III: Escape from Fantasia (1994)

  • School bullies steal a book that functions as the portal between worlds, and a young boy must find the book. In the opening scene, the boy hides from the bullies in the school library. Freddie Jones plays Mr. Koreander, the school librarian and typical Information Provider.

The New Guy (2002)

Primary Colors (1998)

  • In this fictionalized account of Bill Clinton’s presidential candidacy, the film begins with a visit to an urban school and an introduction to a “very special librarian,” Miss Walsh, a klutzy but dedicated teacher and school librarian.
  • Allison Janney plays the school librarian and fulfills the role of both Comic Relief and Information Provider.

The Prime of Miss Jean BrodieThe Prime of Miss Jean Brodie (1969)

  • This classic, award-winning film features a scene in the school library, in which a stern school librarian kicks two girls out of the library for making too much noise.
  • Memorable quote:  “This is a library, not a fun fair!”

The Substitute (1996)

  • Ex-marine John Shale (Tom Berenger) goes undercover as a high school substitute teacher in order to investigate a gang. The middle-aged librarian has her own “Liberated Librarian” moment and stands up to the hoodlums, who start a shoot-out with John in the school library.

Up the Down Staircase (1967)

  • The school librarian in this film, the aptly named “Miss Wolf,” appears in several short scenes as the school librarian at a tough, inner-city high school. Not a flattering portrayal of a Spinster Librarian/Comic Relief reel librarian.

Class IV


Killer Movie Librarian wide shot The Amazing Spider-Man (2012)

Carrie (TV, 2002)

Dangerous Minds (1995)

  • An ex-Marine (Michelle Pfeiffer) struggles to connect with her students in an inner city high school. There is one scene set in the school library, and you can glimpse two school librarians in the background. More Information Providers who help set the school library scene.

High School High (1996)

  • In this parody of films like Dangerous Minds (see above), a naïve teacher (Jon Lovitz) gets a job at a high school in the ‘hood — and gets heckled by a mean-girl school librarian.

Killer Movie (2008)

  • Another parody, this one of school slasher flicks, this film features one scene in a school library — and a memorable shot of a scary-looking school librarian. If looks could kill.
  • Click here to read my analysis post of Killer Movie.

Mad Love (1995)

  • High-schoolers Matt (Chris O’Donnell) and Casey (Drew Barrymore) fall in love and flee on a road trip. The nosy school librarian, an Information Provider, rats out Casey’s bad-girl behavior.

My Bodyguard (1980)

  • A new kid hires the school outcast to protect him against a school bully. There’s a brief scene in the school library, and the school librarian provides background to the setting.

You may be wondering about a big hole on this list, as it does not feature Giles — the famous Giles — on the TV series Buffy, the Vampire Slayer (1997-2003). You can read more about my post on the first episode of the long-running TV series by clicking here.