I recently watched the tearjerker romance Me Before You (2016) on Amazon Prime, and I was — once again — surprised to see a library scene pop up in the middle of the film. The film stars Emilia Clarke as Lou Clark, a ditzy but warm-hearted girl who loves bright colors, striped tights, and fashion with a bedazzled “F.” Sam Claflin plays Will Traynor, a recently paralyzed man that Lou helps take care of.
Here’s a trailer for Me Before You, directed by Thea Sharrock in her directorial debut:
The film is based on the novel by Jojo Moyes, who also wrote the screenplay. I have to note that it has become a controversial film, with criticism and protests from the disability rights movement protesting the film’s central issue of disabilities and voluntary euthanasia. (I did warn you about spoilers.) But it’s not really a spoiler when the fact that Will wants to kill himself comes up halfway through the film and provides the motivation for the remaining half of the film — and the library scene. And that it’s a plot point featured in the trailer.
So. Will is depressed and convinced he is a burden to his family and cannot reconcile the ideal of his former self with his current self. (Can you understand why this film has garnered criticism?) In an attempt to stimulate Will and get him out of his depression, Lou tries to plan fun activities for him. This idea comes out of a conversation with her sister, Treena (played by Jenna Coleman).
Treena: If this is what he really wants, then use the time he’s got left. Make it special. … A bucket list. Show him how good this time can be.
Lou: But.. what if that list could do more than that? What if it could make him change his mind?
Cue library research montage!
The director then cuts immediately to a public library. This scene occurs 47 minutes into the film.
Note: I’m not sure where this scene was filmed, as its filming locations on IMDb.com don’t list a public library. If anyone reading this blog knows the real-life library used in this scene, please leave a comment and share!
Research is hard, y’all:
I laughed so hard at the next bit of the scene. The director starts out with a shot of Lou searching online from the perspective of the audience looking over her shoulder (so that we see the back of her head and the computer screen, a website about activities and support for quadriplegics)…
… then overlays a shot of Lou’s face getting more confused as she reads the computer screen…
… and THEN finishes off with Lou’s doubly confused face(s), one looking down at a stack of books she has loaded into her arms and the other still staring at the computer screen.
Also… maybe ask a librarian for help next time. That’s why we’re here!
The reel librarian:
The first time I watched this scene, I thought it would turn out to be a Class V film, a movie that may have a library scene but does not feature any reel librarians. But the second time I watched this scene, I am convinced that I spy a reel librarian — or at least the back of one leaning down to either retrieve or shelve a book. I’ve indicated the character I’m referring to in the screenshots below. The bun, cardigan, and dowdy skirt sealed the deal for me. Even though no background character from this scene is listed in the credits, I’m putting Me Before You in the Class IV category, with cameos and bit parts for reel librarians.
A real-life story:
The entire library scene only lasts thirty seconds. Near the beginning of this research montage, Lou pulls out a book from the bookcase, and the title clearly reads Walking Papers.
And it’s a real book! (Y’all knew I would look that up, right?!) Its full title is Walking Papers: The Accident that Changed My Life, and the Business that Got Me Back on My Feet by Francesco Clark, published in 2010. Here’s the write-up of this book on Amazon:
Walking Papers is the incredibly inspiring story of a young man who wouldn’t give up. Francesco Clark was a twenty-four-year-old with a bright future when he went to Long Island for the weekend–but a nocturnal dive into the pool’s shallow end changed everything, forever. Paralyzed from the neck down, Francesco was told by his doctors that he would never move from his bed or even breathe without assistance. But Francesco fought back. Within days, he was breathing on his own. His father, a doctor himself, investigated every opportunity for experimental treatment, and Francesco used every resource available to speed his recovery. To avoid having his lungs painfully suctioned, he sang, loudly, for hours–and that was just the beginning.
Seven years after the accident, Francesco continues to improve and to surprise his doctors–for instance, he can now work on a computer. Walking Papers is the inspiring story of how, with individual determination and unconditional family support, Francesco Clark overcame extreme adversity and achieved an extraordinary triumph.
“I was never asked if my book could be included in the movie, nor was I ever told that it would be included. While I understand that this movie is based on a work of fiction, my book – and my life – is not.”
If you just can’t get enough of the time-honored tradition of fast-forwarding plots with library research montages, then check out my posts for WarGames, He’s On My Mind, and Spotlight, just to name a few.
The 2006 film stars Salma Hayek, who plays Mexican immigrant Camilla, and Colin Farrell, who plays Arturo Bandini, the son of two Italian immigrants. Here’s the film description from Amazon Prime:
“Arturo Bandini (Colin Farrell), a young would-be writer who comes to Depression-era Los Angeles to make a name for himself. While there, he meets beautiful barmaid Camilla (Salma Hayek), a Mexican immigrant who hopes for a better life by marrying a wealthy American. Both are trying to escape the stigma of their ethnicity in blue-blood California. The passion that arises between them is palpable.”
The film is based on the book by Italian-American author John Fante and was first published in 1939 — but the book, and its author, fell into obscurity in subsequent decades. However, Robert Towne rediscovered and used the book as inspiration for the Depression-era (and Oscar-winning) dialogue he wrote for the 1974 classic Chinatown, and writer Charles Bukowski helped the book get republished and wrote a foreword for the 1980 reprint edition by Black Sparrow Press. The book is part of the “Bandini Quartet,” four novels about central character Arturo Bandini.
I had admittedly never heard of the book or the author before, but by all accounts, it’s an underrated gem of a novel — and both its style and subject matter have been extremely influential in the last few decades. For that reason alone, I’m glad I watched this film!
On paper, the film has a lot going for it: it’s based on a groundbreaking novel; stars two talented and award-winning actors; was written and directed by Robert Towne (the same one who rediscovered Fante’s work in the 1970s!); and was produced by Tom Cruise.
The final result, however, is frustratingly disappointing, all the more so considering the talent involved. Hayek and Farrell display very little chemistry onscreen — or rather, Hayek has sexual chemistry for days (and is the bright spot in this film), but Farrell cannot seem to, uh, rise to the occasion. Farrell has a natural Irish brogue, and acting with an American accent seems to have dampened his naturally charismatic personality. (Yes, an Irishman is playing an Italian-American immigrant.) There is also waaaaaaaay too much voice-over narration, an expository trick that falls as flat as Farrell’s American accent.
Reel librarian fake-out:
Within the first few seconds of the title cards, Eileen Atkins’s name came on screen against a backdrop of an open book, a fountain pen, and glasses on a chain. I immediately perked up at these often librarian-adjacent props and thought, “Oh! Perhaps Eileen Atkins is also playing a librarian!”
Alas, no. Fake-out! The first few minutes of the film reveal that Eileen Atkins plays Arturo’s no-nonsense landlady, not a librarian. She does wear glasses on a chain, but the open book in the credits turns out to be the guest registration book.
The real reel librarian:
Nine minutes into the scene, Arturo recalls a memory from when he lived in Colorado. (I didn’t get at first that this was a flashback scene, but then I recalled the librarian role was listed in the credits as “Denver librarian.”) He is in a public library, and he sets down a book on the front counter to check it out.
The librarian at the counter, played by Natasha Staples, is young, blonde, and attractive. She is also fashionably dressed in modern, stylish clothes (for the 1930s time period), and it’s obvious that she has made a considerable effort with her makeup and curled hairdo. She and her red lipstick definitely stand out amidst all the hazy earth tones of the rest of the library setting.
Here’s how their “meet cute” moment plays out, as Arturo sets down the book on the counter:
Librarian: You have nice hands.
Arturo: I do?
There is definite flirty eye contact happening between the two.
Then the librarian looks down as she stamps his card, her eyes registering his name. She looks up at Arturo.
Librarian: Bandini? You’re Italian.
Her face subtly hardens, and her voice flattens out.
Librarian: That’ll be two cents every day it’s overdue.
This is the librarian’s last line, and it is a clear dismissal. Arturo’s face falls as he realizes that the librarian is no longer interested in him, due to his name and Italian roots.
This library scene lasts only 30 seconds and includes the bare minimum of sets and props, including stacks of books and a stamper.
The reel librarian’s role:
What is the reel librarian’s role in this short scene? Although the reel librarian is onscreen for only a few seconds, she stands out enough to merit a Class III category, in which librarian(s) plays a secondary role, ranging from a supporting character to a minor character with perhaps only a few lines in one memorable or significant scene.
Primarily, this reel librarian serves as an Information Provider character type. In addition to helping set the library scene, her role reflects the discrimination toward Italian immigrants at that time. This scene provides necessary backstory for Arturo’s personal frustration and experiences suffering unfair treatment and discriminatory behavior due to his name, ethnicity, and background. The plot is then set for Arturo to meet Camilla, a Mexican immigrant who has also suffered discrimination to her name, ethnicity, and background.
It’s also interesting to note that this reel librarian partially fulfills the Naughty Librarian character type. It’s clear that she’s willing to be naughty… if the man has the right name, of course.
Ask the Dust. Dir. Robert Towne. Perf. Colin Farrell, Salma Hayek, Donald Sutherland, Idina Menzel, Eileen Atkins. Paramount, 2006.
“The Dewey Decimal system? I didn’t even know they still used this.”
I was still enjoying watching episodes of the Psych TV show before our Amazon Prime free trial ran out… and color me surprised when I came across another library scene — and this time, a librarian character! — in the Season 5 episode “Dual Spires.”(See my post from a few weeks ago about a school library scene in a Season 2 episode of Psych.) This episode, which originally aired back in December 2010, brilliantly riffs off of the iconic Twin Peaks series. Below is a 20-second promo for the episode, which includes a peek at the reel librarian on the intro image and at the very end:
The basic plot of this episode? Here’s the write-up from Prime:
Shawn and Gus receive a mysterious email inviting them to the Cinnamon Festival in Dual Spires, a quirky small town nearly invisible on a map. They arrive to find themselves embroiled in the mystery of the drowning death of a teenage girl — who was declared dead under similar circumstances seven years ago in Santa Barbara. Sherilynn Fenn, Sheryl Lee, Dana Ashbrook, Robyn Lively, Lenny Von Dohlen and Catherine Coulson guest star.
The call number clue:
When Shawn and Gus arrive at the town — which has a population of 288 — they are on the spot when the girl’s body is discovered by the lake. Twelve minutes into the 50-minute episode, Shawn also finds the one spot of cell phone coverage by the lake — they’ve been told the town has no internet or phone coverage — and his phone goes off, alerting him to a new email.
There’s a close-up of the email message, which is one short line: F796.352
I immediately screamed out loud, “It’s a call number!!!“
Note: Because I am a librarian, I also knew that this call number was a Library of Congress call number, a classification system that uses a combination of letters and numbers. And y’all know I looked up the general topic area for this particular call number, right? Class F, as according to the Library of Congress site, is the section for “Local History of the United States and British, Dutch, French, and Latin America,” and the call number range for 791-805 focuses on the history of New Mexico.
Back to the episode…
First library scene:
A few minutes later, Shawn and Gus then bicycle to the local public library after a suspect, the town’s resident jock, says he was in the library during the night the teenage girl died. The first library scene occurs 20 minutes into the episode.
The exterior of the library kind of looks like a converted train station, doesn’t it?
The interior of the library reveals it to be one long room, with a fireplace on one end and rows of bookcases on the other. The librarian’s desk faces the door, and the middle of the room contains a chunky wooden table, wooden filing cabinets, and old-fashioned library card catalog drawers. The librarian’s desk has stacks of books piled up on it, along with a magnifying glass and a retro-style tabletop fan. Basically, this library is where time stopped in the 1940s.
The reel librarian in this episode also looks like she hails from the 1940s, in her retro attire and hairstyle. Sherilyn Fenn, who starred in the original Twin Peaks TV series, plays the librarian, Maudette Hornsby. Her character name provides an initial clue that her reel librarian character is going to play off of reel librarian stereotypes, particularly the Naughty Librarian character type. Demure yet sexy attire? Check! Glasses? Check! Suggestive, flirty dialogue? Check!
Let’s listen in on their conversation, which provides a lot of exposition and flirting:
Shawn: Excuse us.
Maudette: Shhhh. Keep your voice down, please.
Gus: It’s just us and you.
Maudette: Just a bunch of words on paper to you guys, right? Wrong. Each is alive with a story to tell. Listen.
[Pause, as Shawn and Gus cock their ears in silence.]
Maudette: I’m just messing with you guys! Thanks for playing along. That was really sweet. I’m Maudette Hornsby. Isn’t cherry the best? [sips a cherry soda and straw suggestively, invoking the “cherry stem” scene from Twin Peaks]
Gus: The best what?
Maudette: Everything, silly. I thought you were psychic.
Shawn: I am. I am the psychic. But how did you know that?
Maudette: Mmmm, word travels. You know, we don’t get a lot of gossip around here. So, untimely death, a psychic, and a black man all in one day. Epic.
Shawn: I really thought we were being discreet.
Gus: Do you even know what discreet is? That’s a serious question.
Shawn: I know what–
Gus: [To Shawn] Shhh. [To Paula] Was Randy Jackson [the football star] with you the night Paula died?
Maudette: Why? Do you think she was m-u-r-d-e-r-e-d or something?
Maudette: Yes, Randy was here. We have a very special bond, you see. His mom passed away when he was very young. Sheriff Jackson never remarried, so I sort of stepped in and filled a role. For both of them.
Shawn then spies a row of books behind the librarian, and the camera zooms in on the call numbers. These are clearly call numbers using the Library of Congress classification system, which uses a combination of letters and numbers on the first line of call numbers. But one call number in the middle reveals it’s part of a “Parent Teacher” collection, which is odd because none of the other spine labels have that designation. (My thought at this point was that the propmaster didn’t look too closely at their book props.)
But the glimpse of call numbers are enough for Shawn to put two and two together and realize that their email clue is a call number.
Gus: Do you mind if we poke around?
Shawn: Poke. Peek. Peek around.
Maudette: Knock yourselves out.
Shawn and Gus then walk around the back of a standing bookcase, where Shawn reveals his deductions.
Shawn: Okay, remember the last email, the one with all the weird hieroglyphics?
Gus: They were letters and numbers, Shawn.
Shawn: Okay, it was one of these things. [Points to a call number on the shelf.]
Gus: The Dewey Decimal system? I didn’t even know they still used this.
Shawn: That’s ’cause people don’t want to crack war codes when the payoff is Jane Eyre.
Gus: What was the number, Shawn?
Gus: 700’s, that’s sports and recreations.
Okay, I have to press pause on this analysis — and this episode, which I literally did in real life at this point — because THERE ARE SO MANY THINGS WRONG WITH WHAT JUST HAPPENED. Let me break down it down.
I am usually #TeamGus, but WTF with the dismissal of the Dewey Decimal system?! That’s just cold, Gus. Just about every public library system worldwide uses the Dewey Decimal system.
This second closeup of the call numbers, as seen above, highlights call numbers that are clearly using the Dewey Decimal system — which uses numbers only, between the range of 000’s to 900’s, for the first line of its call numbers — instead of the Library of Congress system we just saw seconds ago on books behind the reel librarian’s desk. And NO LIBRARY EVER IN THE HISTORY OF LIBRARIES uses both Library of Congress and Dewey Decimal classification systems for organizing their collections. You choose one or the other. Most public and school libraries go with Dewey, while most academic libraries go with Library of Congress. The only reason you would have both call numbers in your library is if you are in the middle of transitioning from one system to the other (which is so tedious, y’all, and most libraries don’t bother).
Shawn clearly recalls the call number and says aloud the “F” in that call number yet fails to notice that the call numbers he just pointed to do NOT have letters at the beginning of their numbers. And Shawn is the one who is supposed to be so detail-oriented that he’s able to pass off those observational skills as being psychic. (Uh, spoiler if you’ve never seen the show.)
Gus is correct that the “796” part of the call number falls in the “Arts & recreation” range of the Dewey Decimal classification system, and the 790’s are specifically “Sports, games & entertainment” (and yes, a search for 796.352 on WorldCat pulls up books on golf, because I am thorough, y’all, unlike the consultants on this show). But that doesn’t matter, because that “F” in front of that call number completely changes that call number from a Dewey Decimal call number into a Library of Congress call number. If the call number clue had JUST been “796.352,” I would not be getting ALL CAPSY right now.
So the show switches — mid-library scene!!! — from Library of Congress to Dewey Decimal call number systems, and seems utterly clueless about THEIR OWN CLUES.
This show should have consulted with a real-life librarian, who would have pointed out that error in a nanosecond. And yes, I totally yelled that at the screen.
But the show wasn’t done being clueless. Because as Gus backs out and peeks at the librarian — slurping her cherry soda — we get more close-ups of books on the bookcases. And these books have NO CALL NUMBERS whatsoever on their spines.
So. We have three different call number situations going on in this scene, within a span of 30 seconds:
Library of Congress call numbers on a row of books behind the librarian
Dewey Decimal call numbers on a row of books in a standing bookcase
No call numbers at all on a row of books at the end of a bookcase.
The propmaster for this episode totally messed up. I. Am. Seriously. Displeased. And thank you, reader, for allowing me to rant online about my rage over these call number shenanigans.
But time stops for no librarian, so the scene continues as Gus and Shawn move around to the next bookcase.
Gus: These books are archaic.
Shawn: And really old.
Gus: Except this one. [Pulls out a book, reads title.] Putt Your Way to a Better Life.
Shawn: By Earl Wyndam.
This is an inside joke for Twin Peaks fans, as “Windom Earle” was a character from the TV series. But y’all know I also doublechecked WorldCat for that title, right, just to be sure? Yep. No such title.
Gus: My short game could use some work. [thumbs through book]
Shawn: There’s no pictures?
Gus: This is the weirdest golf book I’ve ever seen.
Shawn then takes the book and flips off the cover, revealing the book’s true title: Reincarnation and Rebirth, by Ann Power. Clue!
Shawn: Our emailer wants us to think that Paula was reincarnated? We should get back to the lake. Juliet should have something by now.
As clues go, this one’s more than a little thin. But the object of this library scene is to get to the next clue. And set up another potential suspect, which the next shot does.
Shawn puts the book back on the shelf, replacing the cover. Immediately, we get a tried-and-tested scary-movie trick of a person’s face staring from the other side of the bookcase. This time, it’s a close-up of the librarian, who is giving her best “librarian glare.”
Maudette: You’re gonna need a library card if you want to check something out.
Shawn: I think we’re good, Maudette.
The reel librarian definitely scared them! (And the audience?)
Second library scene:
This first scene in the library lasts only three-and-a-half minutes. The second scene set in the public library comes in at 29 minutes into the episode, when Shawn and Gus need some more clues (and a new suspect). This second library scene is even shorter, only two minutes long, but it starts out memorably, with a close-up of the reel librarian’s peep-toe heels — and her legs.
Shawn: Nice shoes.
Maudette: I know.
Shawn: Gus was wondering if you would like to be his date to Betty Boop Night at the road house.
Maudette [to Gus]: Sure you can keep up with me? I like to dance ALL night long.
There is a suggestive pause, which includes multiple flirty looks from Maudette.
Gus: Well.. Shawn?
Maudette: Relax. [Rolls her eyes.] Okay, here we go. This is the most recent Dual Spires yearbook.
Shawn: Thank you, Maudette. Feels a little thin.
Maudette: Small book for a small school.
M[We learn that there were only 6 people in the graduating class, and Maudette’s class only had 3 graduates! Exposition much?]
Shawn: Paula sure is in a lot of photos.
Maudette: Oh, that’s not surprising. She loved the attention.
Shawn thumbs through the yearbook and then notices a clue. He does NOT have a poker face.
Then as the guys leave, Maudette thumbs through the yearbook herself, seeming determined to figure out the clue for herself.
There is another library scene in the episode’s final 10 minutes, a scene that sets up the final action, but I don’t want to give away any major spoilers. Let’s just say… Maudette is keeping a few more secrets that play a vital and personal role in figuring out the mystery and the murder(s).
Significance of reel librarian role:
So what is the significance of Maudette’s role as a reel librarian? She is a supporting but memorable character, one who plays off both the Naughty Librarian and Information Provider character types, winking suggestively at Shawn and Gus, as well as the audience. Maudette also provides a lot of exposition and clues to the audience.
We also learn more about Maudette’s personal life, through details she and other characters reveal, like how she was close to the football star student and his dad. However, we never see her physically outside the library. She is physically — and, uh, literally — tied to her library until the very end.
Have you seen this episode of Psych? Did you remember this reel librarian character? Please leave a comment and share! And feel free to browse more TV reel librarian characters on my TV Shows page.
Last week, I was browsing PBS shows online, and I came across the “Ask The…” public television series, including one recent episode from January 2018 entitled “Ask the Librarian.” Reader, I was intrigued.
“This informative program features a variety of topics, from medicine to sports, from animals to entertainment. Each week, host Shelley Irwin invites a group of experts into the studio to discuss new developments in their fields and to answer your questions. Viewers are encouraged to call in and ask questions on air, or questions and comments can be e-mailed to the show’s producer before the show.”
“Ask the Librarian” episode:
And here’s the “Ask the Librarian” episode in question (click the image to view the video in a new window):
The group of experts for this episode consisted of three librarians from public library systems in Michigan, including an older female librarian who works with books for the blind and physically handicapped; a younger male librarian who works in a “library lab” and STEM programming; and an female library director.
So the episode is not so much about “Ask the librarian” as it is about “Ask the public librarian.”
I jotted down the questions that the host asked during the program, including:
How do you spend your day at the library?
Do you [librarians] have specialties?
So how does the e-system work? [the host is referring to e-books here]
It’s not difficult to get a library card, is it?
Do you still charge fines?
Do libraries use volunteers?
What’s the job market these days [for a librarian]?
What are you reading now? As every librarian should be reading a book… or two.
Probably the most interesting question of the lot, asked of the younger librarian who works at the “library lab,” was:
“You do, like beer-making opportunities on campus… what’s up with that?”
Judging just from some of these questions, one can tell that librarian stereotypes are still alive and well. For example, the following question was one of the first ones asked:
“Is today’s library system the same as it was when Grandma went through the front door?”
And the host summed up the program by stating:
“Grandma just wouldn’t have had any idea.”
Yeahhhh… this is the kind of stuff librarians hear when people don’t know anything about what librarians actually do. I’m kind of shocked the host DIDN’T ask, “Isn’t it nice to have a job where you just read all day?”
NYPL reference questions:
If you’re interested in some actually interesting and challenging questions asked of public librarians, check out this recent “Ask a Librarian” article, all about past reference questions asked at the New York Public Library:
“When librarians were asked something novel or difficult, they’d often write the question down on a piece of card and file it away for future reference. A box of these cards from the ’40s was recently unearthed at the New York Public Library, and they’re every bit as hilarious as you’d expect somebody’s Google queries from 50 years ago to be.”
The New York Public Library has also been posting these reference question cards on their NYPL Instagram account, if you just can’t get enough. 😉
Suspension of disbelief at your local library, aisle 4!
The final plot point of the indie film He’s On My Mind (2009) reads like a female counterpart to 2000’s What Women Want:
“Elementary school teacher Kayla King thought she had the perfect relationship, and after an impromptu wedding, Kayla discovers that not only is she the other woman, she’s the other wife. She is spontaneously imbued with the magic ability to intercept men’s thoughts.”
This film stars Sherial Mckinney as Kayla, who is the best thing about this film. The movie overall is admittedly rough in that “indie film” way, with lots of uncomfortable and prolonged closeups, out-of-focus transitions, and inconsistent sound levels and effects. Unfortunately, this movie falls into the “I watched this movie so you don’t have to” category. (FYI, I watched this movie through Hoopla, a free streaming service available through my local public library system.)
The last bit of the plot write-up, about being “spontaneously imbued with the magic ability to intercept men’s thoughts” is key to my own write-up — because it happens when she visits her local public library!
Just after a half-hour into this 2-hour film, Kayla visits the library. The entire library scene lasts a total of 3 minutes.
Kayla is at a round library table, which is piled high with books, and she calls out to the librarian when he rolls past with a book cart. Read MacGuirtose plays the role of the reel librarian. You can read about this actor’s bio here and his personal website here. I have to admit, I kind of love that an actor whose name is “Read” got to play a reel librarian!
Read’s character is listed in the credits as “Cranky Librarian,” and he wastes no time living up to that description.
Kayla: Oh, excuse me. Can you bring me some more books on male psychology? Just bring them here.
Cranky Librarian: Ma’am, does this look like the Cheesecake Factory, and do I look like a waiter? Get your own books. Psychology section is aisle 4.
Kayla [under her breath as he walks away]: I said please, jackass.
I’m with Kayla here. This reel librarian IS a jackass. Another example of what NOT to do as a librarian!
Kayla then does do research on her own, as she gathers armload after armload of books and brings them back to her table. This research montage uses overhead shots to capture the passage of time — and books — as you can see in the two sceenshots below. (Also, who knew a small public library would have this many books on male psychology?!)
Kayla falls asleep on her pile of books. It’s closing time, and the librarian comes back and jostles her shoulder to wake her up.
Cranky Librarian: Ma’am, it is closing time.
Cranky Librarian: Time to go. We’re closing. [Inner monologue: You ain’t gotta go home, but you got to get the hell outta here.]
This is the first time Kayla can read men’s thoughts, and she is understandably confused at first.
Kayla: What’d you say?
Cranky Librarian: I said it’s time to go. We’re closing. [Inner monologue: Jeez, lady, hurry it up already. I want to get home and rub one out before I get too tired.]
Kayla: Oh, how did you do that? [referring to the the inner monologue]
Cranky Librarian: Do what? [Inner monologue: Oh, great. Another nut case.]
Kayla: That. How did you do that?
Cranky Librarian: Ma’am, I’m not doing anything. I’m just trying to get you to leave. [Inner monologue: Man, I don’t get paid enough to deal with this.]
Kayla: What are you doing? Throwing your voice?
Cranky Librarian: No, but in two seconds, I’m going to be throwing you out. [Inner monologue: Jeez, crazy lady, get out already!]
Kayla: All right, I’m leaving! You don’t have to yell at me! Golly!
Kayla starts to gather up all the books on the table.
Cranky Librarian: [Inner monologue: Great. Now I’ve gotta put away all her damn books.]
Kayla: Look, I’m a teacher, I know the Dewey Decimal system.
Gotta admit, I kind of cheered at this! But the Cranky Librarian is not impressed at a patron knowing about the Dewey Decimal system. Instead, he just orders her to leave.
Cranky Librarian: Don’t worry about it. Just go. [Inner monologue: I’m going to do your decimal if you don’t get the hell outta here! Damn, she’s got a fat ass.]
Kayla grabs her behind in embarrassment as she hurries out of the library. Double shame on that librarian for making a woman feel bad about her body!
Significance of this scene and reel librarian role:
Why can Kayla suddenly read men’s thoughts after she falls asleep in the library? Are we supposed to think she soaked up all the knowledge in the world on men’s psychology so much that she can now read men’s inner thoughts? Is her city library that good? Suspension of disbelief at your local library, aisle 4!
So what role does this reel librarian play? It’s a memorable enough scene to merit a Class III category, films in which the librarian(s) plays a secondary role, ranging from a supporting character to a minor character with perhaps only a few lines in one memorable or significant scene.
I would venture to say that this reel librarian role primarily fulfills the “Anti-Social Librarian” role for male librarians. This character type:
hoards knowledge (he won’t help her find what she’s looking for);
dresses conservatively (light green polo shirt and atrociously unflattering pleated trousers);
made up to look generally unattractive (those closeups are not kind to this actor);
exhibits poor social skills (definitely);
very unfriendly (yep);
seems to dislike people (yep again); and
an elitist who rates the library and its rules above the public (I would say yes).
There is that inner monologue line, “I want to get home and rub one out before I get too tired” — which made me review the characteristics of the “Naughty Librarian” character type — but this line about masturbation reveals more about his unsociable lifestyle than it does about sex or sexual attraction. Indeed, this librarian is not attracted to Kayla at all, judging by his final, derogatory comment about her bottom.
Bottom line? Not the finest three minutes of reel librarianship onscreen!
He’s On My Mind. Dir. Kazeem Molake. Perf. Sherial Mckinney, Ayo Sorrells, Dylan Mooney. Vanguard Cinema, 2009.