Shushing Meryl Streep in ‘Ironweed’

How awesome would it be to be able to say, “I got to shush Meryl Streep in a movie!” Ah, the benefits of portraying a reel librarian.

As I mentioned last week, the Paramount Vault YouTube channel features select full-length films, including Ironweed (1987), which includes a short library scene. I immediately set to watching Ironweed and taking more notes for this analysis post.

Movie poster for Ironweed
Movie poster for Ironweed in The Paramount Vault

Set in 1938, the film is based on the novel by William Kennedy (who also wrote the screenplay) and features Jack Nicholson, a homeless drifter, who returns to his home town and meets up with an ex-radio singer, played by Meryl Streep, who is ill and homeless. Both Nicholson and Streep were Oscar-nominated for their lead roles in this film. It is also interested to note that Nicholson currently holds the record for most Oscar nominations for an actor, while Streep currently holds the record for most Oscar nominations for an actress, as well as the most Oscar nominations for any actor or actress, period.

The library scene occurs almost exactly halfway through the 2-hour-and-23-minute running time of the film. The interior of the library scene, according to the IMDb.com filming locations trivia, was filmed on the second floor of the Troy Public Library in Troy, New York. (See more pics and read more about the library here in this ‘All Over Albany’ post, which also links the library setting to the Ironweed film.)

Here is the info about the librarian and library scene from reel librarian researcher Martin Raish’s site Librarians in the Movie: An Annotated Filmography. Raish characterizes the librarian’s behavior in Ironweed as welcoming and nice, as evidenced in the sentence, “A librarian… very nicely, tells her she is welcome to use the library.”

Ironweed info from Martin Raish website
Ironweed info from Martin Raish website

This makes it seem as if the librarian, played by Bethel Leslie, is quite friendly, but a little more is revealed as you watch the remainder of the two-minute library scene.

Opening shot of the library scene in Ironweed (1987)
Opening shot of the library scene in Ironweed (1987)

Meryl Streep, as Helen Archer, is sleeping in the library beside the fireplace. The librarian comes over and hands her a Life magazine. She tells her, “My dear. You may stay as long as you read. I don’t allow sleeping.

Screenshot from Ironweed (1987)
The librarian wakes up Helen and hands her a magazine to read.

The librarian is middle-aged-to-older (her lack of makeup and dowdy clues make her seem older), with greying, marcelled hair pulled back at the nape. She is dressed in earth tones and very conservatively, in a long cardigan sweater and long tweed skirt. What appears to be a watch charm or pendant hangs on a long chain from her neck.

As Helen tries to save face by saying, “I wasn’t sleeping. I was waiting for the fire, to die there,” the librarian smiles and pats her on the shoulder. One could see that as a friendly gesture, but it could also be viewed as condescending, as well. Perhaps it is both friendly and condescending? Or perhaps just pitying?

The librarian walks away in Ironweed (1987)
The librarian walks away in Ironweed (1987)

As the librarian walks away, stepping quietly in her sensible brown heels, a smartly dressed woman looks over. She recognizes Helen and comes over, introducing herself as Nora Lawlor. The woman says she hasn’t seen Helen in twenty years and that she used to hear her on the radio but lost track. Helen says she toured abroad for several years, and Nora responds by saying how much she envies her.

Nora Lawlor in Ironweed (1987)
Nora Lawlor in Ironweed (1987)

As Helen gets up to leave, Nora states she has seen Helen’s brother in church last week. This is a trigger point, as this information immediately riles up Helen, who declares her brother a hypocrite. She then begins shouting that he and her mother cheated her out her inheritance. Not five seconds go by before the librarian is back and shushing Helen.

[Side note:  How awesome would it be to be able to say, “I got to shush Meryl Streep in a movie!” Ah, the benefits of portraying a reel librarian. 😉 ]

The librarian again puts her hand on Helen’s arm — the same hand that patted Helen’s arm and shoulder not one minute beforehand — and this time, the gesture is not so kindly. She states firmly, “I’m sorry, but you have to leave. You’re making MUCH too much noise,” as she propels Helen toward the door.

The librarian ejects Helen from the library for making too much noise, in Ironweed (1987)
The librarian ejects Helen from the library for making too much noise, in Ironweed (1987)
Helen leaves the library in Ironweed (1987)
Helen leaves the library in Ironweed (1987)

Although a very short scene, I have classified the library scene in Ironweed in the Class III category. In my opinion, the reel librarian serves as both a Spinster Librarian and as Information Provider. It is significant that in the first part of the library scene, she states, “I don’t allow sleeping.” I, not we. She personally embodies the rules of the library, and by extension, the rules of society. And in the latter part of the library scene, the arm that gently awakened Helen out of her slumbers is the same arm that forcibly ejects her out of the library one minute later. The librarian will brook no behavior that falls outside the narrow confines of her safe and secure walls. She exhibits the uptight nature and rule-mongering of the Spinster Librarian character type, along with the conservative clothing and hairstyle. The reel librarian in Ironweed also provides information about the library to both Helen and the audience.

In the next scene, Helen is drowning her sorrows in a glass of wine, still shouting, “Thieves!” at random intervals. The immediate cut from the dark-paneled walls of a library to the dark-paneled walls of a bar is a jarring juxtaposition, to be sure; both locales serve as places of safety and security, in their own, different ways.

And no one at the bar tells Helen to leave or to be quiet.


Sources used:


  • Ironweed. Dir. Hector Bobenco. Perf. Jack Nicholson, Meryl Streep, Carroll Baker, Fred Gwynne, Tom Waits. TriStar, 1987.
  • Raish, Martin. “The A Group.” Librarians in the Movies: An Annotated Filmography, 5 Aug. 2011.
  • Troy’s Main Library: An Inspiration.” All Over Albany, 27 April 2011.

‘Boston Blackie’ and the shushing librarian

A typical reel library set, complete with stereotypical “spinster librarian” in residence.

In the 1946 film Boston Blackie and the Law, reformed thief Blackie performs a magic show in a women’s prison, and one of the inmates, Dinah, escapes during the “disappearing booth” trick. Turns out Dinah was a former magician’s assistant! D’oh!

First things first… who’s “Boston Blackie”? This film was one of the last in a series of films featuring “Boston Blackie,” a reformed crook who became an amateur detective. Jack Boyle started writing short stories about “Boston Blackie” in 1914, and the stories were published as a collection in 1919. There were a series of silent films as well as a series of popular talkies in the 1940s starring Chester Morris as Blackie. There was even a TV series in the 1950s! You can read all about it — and more! — here at the Boston Blackie website.

After Dinah’s disappearance at the prison, the police interrogate Blackie back at police headquarters, who manages to escape police custody. From a public phone booth, he then calls a friend and urges him to “drop everything and meet me at the Reading Room of the uptown public library. Right away.” The police find out and tail him there.

The library scene occurs 20 minutes into the film, and it looks like a typical reel library set. Complete with stereotypical “spinster librarian” in residence. (Sigh.)

Library setting in Boston Blackie and the Law
Library setting in Boston Blackie and the Law

In just a few seconds of screen time, we witness:

  • A female patron sneezing and incurring the immediate wrath of the librarian, who shushes her and points to the “Silence please” sign behind her
  • Blackie’s friend entering and shouting, “Hey, boss!” — and also receiving and immediate glare and shushing from the librarian
  • A close-up of the “Silence please” sign
  • A name placard for “Miss Burton,” the librarian
  • The librarian silently fussing at the friend to remove his hat
  • The librarian dropping a book off the high library counter and receiving a reciprocal shush and sign-pointing from Blackie’s friend, as comically illustrated below
Shushing the librarian in Boston Blackie and the Law
Shushing the librarian in Boston Blackie and the Law
Screenshot from Boston Blackie and the Law
A patron reminds the librarian of the rules
Miss Burton, the reel librarian in Boston Blackie and the Law
Miss Burton, the reel librarian in Boston Blackie and the Law

And wow, does this librarian check off all the boxes for what a stereotypical spinster librarian looks like. It’s almost like a Halloween costume checklist:

  • bun
  • pince nez glasses on a chain
  • high-collared blouse
  • cardigan
  • sour expression

So why is Blackie at the public library? To research background about Dinah, and he finds a series of newspaper articles in a bound volume of newspapers. Blackie then proceeds to read the articles OUT LOUD to his friend — but somehow manages to escape the shushing wrath of Miss Burton, the reel librarian. Amazing, that movie magic! 😉

Screenshot from Boston Blackie and the Law
Research is hard, y’all

After reading up on Dinah — who turns out to have been involved in a robbery that netted $100,000 that was never recovered! — Blackie and his friend escape out a side door when two police detectives enter the library.

The detectives are smoking cigars and talking loudly. And guess what happens? The librarian is LIVID at this spectacle — and even gets out of her chair to admonish the two detectives, up close and personal.

Screenshot from Boston Blackie and the Law
The reel librarian reinforces the rules

Miss Burton:  Young man, this is a library where people are trying to think.

Detective:  Lady, we ain’t here to think.

Miss Burton:  I can certainly believe that. Take off your hat and that thing in your mouth. [pointing to the cigar]

The two detectives do leave — but they also leave a trail of cigar smoke in their wake. This then makes the librarian sneeze — and she then causes a scene in the library! All of the patrons turn to stare at her, and she looks very embarrassed. She has tasted her own medicine — and it is bitter! 😉

Screenshot from Boston Blackie and the Law
The reel librarian breaks her own rules!

Maudie Prickett is uncredited as Miss Burton, the reel librarian.

It is amusing to note how the librarian and the chief detective both look each other up and down in mutual disgust. Two worlds — and two worlds with their own set of rules! — colliding, to be sure. The entire library scene is played for laughs, and the humor is quite crude.

My husband’s reaction to this scene? “Are you pained by the portrayal? This just keeps getting harder, doesn’t it?” (Yes, it does at times. Sigh.)

I’ve categorized this film in the Class III category. The scene is quite short, only lasting about three minutes, but the portrayal of the reel librarian is quite memorable (if for all the wrong reasons).

The reel librarian in Boston Blackie and the Law doesn’t actually help in any way — Blackie does that himself — and her only function seems to be stamping books and shushing people. She is most definitely a Spinster Librarian character type, a minor character who is an uptight “old maid” and rule-monger who hoards information. She is all about the rules — and woe unto anyone who breaks those rules — even if it’s herself!

And finally, as I was taking screenshots, I (accidentally) managed to capture a great shot! The picture below is transitioning from the reel librarian pointing at the “Silence Please” sign in the library into a closeup of that sign. And the result perfectly sums up this reel librarian portrayal — as well as the Spinster Librarian character type in general:

Screenshot from Boston Blackie and the Law
Silence, please!

Silence, please, as you enjoy that photo. 😉


Sources used:


  • Boston Blackie and the Law. Dir. D. Ross Lederman. Perf. Chester Morris, Trudy Marshall, Constance Dowling. Columbia Pictures, 1946.

Librarian by ‘chance’

“You beat the system.”

The movie Chances Are (1989) is a romantic comedy about reincarnation. A woman’s (Cybill Shepherd) husband is killed in the 1960s, and in a brief heaven scene — complete with fluffy clouds and angels with clear tablets shaped like the Ten Commandments — we see the husband head off to get reincarnated. The only problem is, he doesn’t get the all-important forgetfulness inoculation. Through the rest of the film, Corinne (Shepherd) believes her husband’s soul has come back in the body of her daughter’s boyfriend, Alex (Robert Downey, Jr.).

As you can imagine, the creep factor is quite high in this film. If Alex is Corinne’s reincarnated husband, then he’s dating his own daughter. If he’s not her reincarnated husband, then Corinne is stealing her daughter’s boyfriend. Oh, and she’s been cooking her dead husband dinners for over 20 years. And her husband’s best friend (Ryan O’Neal) has been in love with Corinne all this time, and has basically helped raised Corinne’s daughter. Like I said, the creep factor is high.

It’s a strange premise for a romantic comedy, and it requires a good half-hour or so of set-up and character introductions. The first time we meet Alex is about fifteen minutes into the film, as he coasts along on a book cart in the Yale University Library. This introduces his personality as boyish and fun-loving — traits at odds in a serious setting like the library.

Screenshot from Chances Are
Coming through!

He then coasts into a scene in which Miranda (Masterson) — whom is later revealed to be Corinne’s daughter — is getting schooled by a librarian called Mrs. Handy (Kathleen Freeman). The librarian is middle-aged, dressed in conservative layers and has short hair — but no glasses!

Let’s listen in as Alex does:

Mrs. Handy:  So you just assumed that nobody at Yale University or Yale Law School had any interest in checking out these 6 books in the last 3 months? You are going to make some lawyer. You owe $87.25.

Miranda:  Can I put that on a credit card?

Mrs. Handy:  This isn’t a boutique. Cash only, or we’re have to hold up your grades.

Screenshot from Chances Are
Look at that old computer!

Alex then swoops into action, coming to the rescue of the damsel in distress.

Alex:  Mrs. Handy. The rare books room. The Shakespeare folios.

Mrs. Handy:  Fooling with the folios?

Alex:  Yes and they’re fiddling, too. Go!

Screenshot collage from Chances Are
Fiddling with the folios? Horrors!

Miranda’s reaction as the librarian rushes off?

God. Is she always that awful?

Screenshot from Chances Are
Judging the librarian

Interesting to realize that the librarian replaces Miranda as the “damsel in distress.” And she is so worried about people “fiddling” with the folios — and her character name is Mrs. Handy. Such clever screenwriters. 😉

This “meet cute” scene continues as Alex jokes that the librarian is his mother — we are rewarded with a priceless reaction on Miranda’s face! — and then he magically wipes away the fines in the computer:

Uh-oh. This is bad. Worse than I thought. According to this, these books were never legally checked out. So that means I can’t charge you for them. You beat the system.

Alex then introduces himself, and we learn that he’s about to graduate. Miranda rushes off — she’s got a ride waiting, because she just had NO IDEA that it would take very long to return books that were 3 months overdue — but doublechecks that the “awful” librarian isn’t his mother.

This is definitely a scene played for laughs, and the university librarian fulfills the Comic Librarian character type. We laugh at her distress over the folios, which OF COURSE is what she gets for being mean to the pretty young girl with a credit card in one hand and overdue library books in the other. Oh, wait … am I showing my real librarian bias at this reel librarian portrayal? 😉

Another side note:  After rewinding this scene to make sure I had gotten the quotes right, my husband piped up with the information that the library fines turned out to be 15 cents a day. Doesn’t it sound like one of those word problems you had in school:

Your library fines total $87.25. You checked out 6 books, which are 3 months overdue. What then is the daily rate for library fines?

This “meet cute” introductory scene also recalls the “meet cute” scene in the 1970 film Love Story, co-starring Ali MacGraw and Ryan O’Neal, one of the four leads in Chances Are. In Love Story, Ali MacGraw plays a library assistant and is the one who schools Ryan O’Neal.

Library scenes in Chances Are and Love Story
Comparing Meet Cute moments in the library

And in yet another coincidence, Robert Downey, Jr. starred in another reincarnation comedy a few years later, in the 1993 comedy Heart and Souls. That film also included a reel librarian character, a supporting character named Harrison Winslow, played by Charles Grodin. Harrison in  Heart and Souls turns out to be a Liberated Librarian — as does Alex in Chances Are. The librarian, Mrs. Handy, definitely fulfills the Comic Relief role in this Class II film.

For more examples of Comic Relief portrayals, click here.

And for more about Liberated Librarians, click here and here.


Sources used:


  • Chances Are. Dir. Emile Ardolino. Perf. Cybill Shepherd, Robert Downey, Jr., Ryan O’Neal, Mary Stuart Masterson, Christopher McDonald. TriStar, 1989.
  • Heart and Souls. Dir. Ron Underwood. Perf. Robert Downey, Jr., Charles Grodin, Alfre Woodard, Kyra Sedgwick, Tom Sizemore, Elisabeth Shue. Universal, 1993.
  • Love Story. Dir. Arthur Hiller. Perf. Ali MacGraw, Ryan O’Neal, John Marley, Ray Milland. Paramount, 1970.

Breakin’ the rules

Sometimes, librarians on film fulfill the role of rule-breakers, and are all the more memorable for it

Reel librarians almost always seem synonymous with rules. Librarians = rule-mongers. But sometimes, librarians on film fulfill the role of rule-breakers, and are all the more memorable for it. 😉

Breakin' the rules collage

Archangel (TV, 2005):


There are two library/archives scenes in this TV film, and both scenes involve two Information Providers:  one restrictive and focused on rules (the rule-monger) and the other obliging and helpful (the rule-breaker, or rather, rule-bender). In the first scene early in the film, the rule-monger is the Older Librarian; in the second scene, the younger Clerk tries to crack that whip. And in both cases, the rule-benders prevail. Hmmm….

Both scenes are also pivotal in propelling the plot forward, as the rule-bending librarian/archivist provides a crucial bit of info. One scene is set in a massive state library in Russia, while the other takes place in a humble, small-town archives room.


Flight of the Intruder (1991):


Set during the Vietnam War, a young pilot questions bombing missions after his partner is killed. In one short scene, a young officer in the ship’s library allows the pilot to check out a non-circulating issue of National Geographic (rule-breaker!) that contains maps of North Vietnam.


The Seventh Victim (1943):


The reel librarian in this film, Miss Gottschalk (Sarah Shelby in an uncredited role), is in only one scene that lasts under a minute. But in that minute, she sells her soul for a few cheap compliments and half-hearted flirting, breaking the rules to provide a random male patron with restricted book culled from the private records of library patrons. This portrayal also has the distinction of being in the first horror film to feature a reel librarians.


And, of course, there are the reel librarians who are determined to punish rule-breakers, such as our resident serial killer, Miss Sally, the title character in the horror film Chainsaw Sally (2004).

But that’s another story … 😉


Sources used:


  • Archangel (TV movie). Dir. Jon Jones. Perf. Daniel Craig, Ekaterina Rednikova, Gabriel Macht. BBC, 2005.
  • Flight of the Intruder. Dir. John Milius. Perf. Danny Glover, Willem Dafoe, Brad Johnson, Rosanna Arquette. Paramount, 1991.
  • The Seventh Victim. Dir. Mark Robson. Perf. Kim Hunter, Jean Brooks, Tom Conway, Isabel Jewell, Erford Gage. RKO, 1943.

Smelling a rat in ‘Homicide’

Oooh, I smell research!

I have tried, I really have, but oh, David Mamet, I just am not one of your fans. But if you do happen to be a fan of Mamet’s patented staccato speech patterns and twisty-turny plots and self-important awareness, that’s cool with me. We’ll just agree to disagree and not talk about Mamet when we meet up at dinner parties, ok? 🙂

The Mamet in question is the 1991 film Homicide, starring Joe Mantegna as conflicted Jewish cop Bobby Gold, and the other usual suspects of a Mamet film. Yeah, I’m probably going to get all kinds of cranky and all-capsy with this one. Fair warning. But bear with me, because there is an interesting library scene in this one.

*SPOILER ALERTS AND SNARKINESS THROUGHOUT*

So I won’t get too much into the plot, because really, what’s the point? It’s all a mirage, anyway. It’s a David Mamet film. The puzzle-within-the-puzzle-within-the-other-puzzle-you-didn’t-see-coming IS the point. Suffice to say, Detective Gold is investigating a minor case and gets involved with a secretive Jewish group, which makes him question his faith and self-worth, yada yada yada. Along the way, Gold finds a piece of paper with the word Grofaz scrawled across it, and later, about an hour in, some random Jewish shopkeeper tells him the word was another name for Hitler. Oooh, I smell research!

Librarian in Homicide
What? I’m a librarian. Sweater vests are awesome.

The camera immediately cuts to a man, a young white male, all buttoned-up, writing out what Grofaz means on a chalkboard (see above). At first, I was thinking, “Teacher?” But it turns out he’s the head librarian at a special library for Jewish studies, listed in the credits simply as Librarian (Steven Goldstein). The librarian reveals that Grofaz is an acronym for Größter Feldherr aller Zeiten, translating roughly to “the greatest strategist of all time.” I was intrigued.

But then the camera revealed a cigarette in the librarian’s hands. A cigarette! A smoldering flame around archival posters and propaganda ephemera. Dude, I know this is a Mamet film and all that, but seriously?! A cigarette in a modern library full of priceless archives? Nuh-uh. Not buying it. SMELLING A RAT #1.

So the reel librarian continues to puff on that cigarette, telling us all about the Grofaz strategy, which apparently was “an interesting attempt” by a special division of the Propaganda Ministry that “didn’t particularly take.” This mini-lecture takes us through most of the special library, where we get vistas of dark wood paneling, rows of tall bookcases, study tables, books piled up, etc. Plus, we get a split-second glimpse of another assistant in a white coat back in the maps room, listed as Library Technician (Andrew Potok).

Looking at archival posters in Homicide
Looking at archival posters

Finally, head librarian stubs out the cigarette before reading from a “very rare” poster that highlights the Grofaz (see above).

Bobby Gold:  What do you have on the use of this word? Currently. Particularly in conjunction with anti-Semitic acts.

Librarian:  As I said, it’s an arcane usage, but we’ll look. We’ll take a look.

The librarian calls out to a colleague in the stacks. An older, grey-haired lady dressed all in grey (Charlotte Potok as Assistant Librarian) comes out of the stacks, carrying a clipboard and looking very serious (see below). The head librarian rattles off some directions, finally instructing her to “Bring it all,” and also instructs Gold to wait.

Assistant librarian in Homicide
Assistant librarian in Homicide

So while Gold is waiting (impatiently, I might add), he encounters some additional attitude from a Hasidic Jewish scholar, who basically ridicules him for not being able to read Hebrew. As he gets up, the scholar asks Gold to replace a book for him on the shelf. WTF?! Nuh-uh. (Side note:  We librarians generally prefer it if you don’t reshelve materials on your own. We are better able to make sure that items are placed back in the right locations, no offense, plus we also get to collect browsing stats. It’s a win-win for us, trust me. And don’t ask other patrons to shelve stuff for you. That’s just rude.)

And OF COURSE, while Gold is placing the book high on a shelf, he just happens to overhear a suspicious conversation between the head librarian and the grey lady assistant. SMELLING A RAT #2. 

Assistant Librarian:  The material on anti-Semitic acts.

Librarian:  Yes. I thought we had quite a file of current —

Assistant Librarian:  It was requested by 212.

Librarian:  212 wants it? [looks at envelope on clipboard]

Assistant Librarian:  Yes.

Librarian:  Loaned to 212 now? Fine. Then just pull the file.

Gold steps out as the grey lady steps away, and the librarian tells him, nope, they got nothing on the anti-Semitic acts in relation to Grofaz

Gold:  Nothing?

Librarian:  No.

Gold:  This is official police business.

Librarian:  Officer, you know I’d help you if I could, but as I said, it was rather arcane material. I’m sorry.

Gold:  Well, if there’s nothing you can do, there’s nothing you can do. Thank you.

Librarian:  Not at all. If there’s anything else I can help you with, let me know.

The librarian — after lighting up yet ANOTHER cigarette — walks down some stairs, leaving the clipboard and file out in the open. Yeah. Sure. SMELLING A RAT #3.

Librarian smokes in the library in Homicide
You know what you can do for me? You can take that cigarette out of your mouth.

So, OF COURSE, Gold leafs through the oh-so-conveniently-placed clipboard (see above), and spots an address with “212” in it. The next shot cuts to him at that location, and the plot continues to twist from there.

I’m sure you can tell by now how much this brief scene in this Class III film irritated me. The smug and dismissive attitude of this (mis)Information Provider librarian. The way he waved off his assistant. The clunky scene where the scholar tells him to shelve the book. Leaving the clipboard out. The cigarettes. The way the library is portrayed as yet another establishment — like the boys in blue? — insulated by its own rules and reasons and secrets, too easily influenced by outside pressures.

At the very end of the film, where Gold has lost everything, he gets handed a file. The final close-up reveals a newspaper advertisement for Grofazt, a type of pigeon feed. Was it all a set-up? That gotcha! moment so typical of Mamet. But what’s the point?

Looking for clues on how to answer that question, I did watch the other special features on this Criterion Collection disc, and I also rewatched the library scene with commentary by Mamet himself and co-star William H. Macy. The writer/director highlights Goldstein as the “go to Jew” in the Mamet acting company, and he calls out the “great Charlotte” who played the Assistant Librarian. Although Mamet states that the library scene is pivotal in the transition of Gold’s character (where does the hero belong? etc.), he also refers to the reel librarian as “head of the Jewish whatever-it-is.” Sigh.

And he addresses the smoking, too, in this commentary:  “That’s why I used to do a lot of writing in law libraries around the country, because they let you smoke in them. And also they didn’t ask you for any identification, because you know, who would pretend to be a lawyer?” How long ago did Mamet write in law libraries? The 1960s? The 1970s? Surely that has changed by now. And by the way, law libraries are NOT the same thing as special archives libraries. No smoking allowed!

William H. Macy’s reaction to the smoking? “It is an odd choice. Took poor Stevie about 10 years to quit smoking.” Because of this film?! Poor guy. And thank you, William H. Macy, for also thinking all that smoking in the library was weird. Also, you’re the best thing in this movie. Bless. ♥

Misspelling in the Homicide gag reel
Spelling matters, y’all

One last side note: In the gag reel in the Criterion Collection dvd, Goldstein initially misspelled Grofaz as Grozaz (see above). Woopsie. 😉


Sources used:


  • Homicide. Dir. David Mamet. Perf. Joe Mantegna, William H. Macy and Vincent Guastaferro. Triumph Releasing Corp., 1991.
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