The Good Companions (1933), adapted from J. B. Priestley‘s novel of the same name, tells a story of three wayward souls finding their way to a variety troupe called the “Dinky Doos” (no, I do not make this stuff up, see below). Thankfully, they change the name straightaway to “The Good Companions,” hence the film’s title. This decidedly minor film, remade in 1957, takes its time setting up the characters and the plot.
The librarian (Hugh E. Wright) shows up for less than a minute, and we never see his face — only the back of his head (see below). His appearance is notable only because it appears to be the first occurrence of a reel librarian uttering, “Shush!” (as determined by Ray & Brenda Tevis in their book, The Image of Librarians in Cinema, 1917-1999). The Tevises also take note at how the low camera angle — revealing only the back of the librarian’s head — visually de-emphasizes the reel librarian.
The reel librarian is a white male, older, and quite thin. He is wearing a black coat, and his hair is short, grey, and appears to be thinning. We see a glimpse of spectacles as he turns slightly to the side at one point.
The library scene occurs one hour and 17 minutes into the film (the 113-minute UK version, NOT the 95-minute US version). Right before the library scene, the two female leads, Miss Elizabeth Trant (Mary Glynne) and Susie Dean (Jessie Matthews) enjoy a picnic; the older woman laments a long-lost love, and Susie schemes to bring the two former lovers back together. The gentleman in question is a doctor, and the Susie muses that “there’s a medical register at any public library.” Next, we see a shot of Susie looking up the medical register and finds the name she’s seeking and the town where the doctor lives, Dingley. She then asks in a loud voice, “How far’s Dingley?”
Immediately, we hear a “Shush!”, then the camera pans back to reveal the library and the back of the reel librarian, who then answers “20 miles” to her question. Susie, quite unconcerned at her mild reprimand, tosses off a quick thanks. She then brings the big book back to the Circulation desk and asks the librarian what kind of illness would bring a doctor in from 20 miles away. He seems puzzled — who wouldn’t be? — and replies, “Well, I don’t know. Heart attack?” Susie seems quite pleased with his response, thanks him, and leaves. He fulfills the basic Information Provider role, one punctuated by the inaugural and soon-to-be-infamous (and oft-repeated) “Shush!”
We see one wide shot of the library itself, with the reel librarian perched on the edge of the stool at the far right. Anybody else visualizing Ebenezer Scrooge?! The long, wooden Circulation desk spans the bottom part of the frame, and the obligatory card files flank both sides of the librarian — another visual barrier. The left side of the frame reveals a fairly populated reading room, most likely for newspapers and other periodicals, while the larger space to the right is empty except for the girl. Is it just me, or does the library backdrop almost look painted? There are tall stacks of books, and we spy a second floor with more bookshelves, tables, and library lamps; in the close-up, we see thick velvet ropes — yet another visual barrier — curtaining off the tall stacks.
The brief library scene begins 4:25 minutes into the film clip below.
- Reel Librarian Firsts (reel-librarians.com)
- Men of the Stacks (philbradley.typepad.com)
- Why I Love to Work at the Library (howtolivethefreelancelife.wordpress.com)
- The Shushers and Enforcers Part 1 (climbingthestacks.wordpress.com)
- Libraries are eccentric, changing and vital public spaces (fullcomment.nationalpost.com)