In honor of Halloween, I’m exploring the first horror film (at least, the first one I have been able to find) that features a librarian. The Seventh Victim (1943) is a creepy thriller about a woman, Mary Gibson (Kim Hunter), who is desperate to find out more about her sister’s (Jean Brooks) disappearance and mysterious involvement with a cult. For me, the scariest thing is probably Jean Brook’s hairstyle in the film (which you can see in the image, at left, and in the trailer below).
Jason Hoag (Erford Gage) is a book clerk by day, poet by night. He wrote a bestseller 10 years ago, but now has nothing much to his name. Following a lead in an effort to impress Mary, he tries to gather clues from the circulation records of suspected cult members. (By the way, do NOT try this at home. This is highly unethical and illegal behavior. Library circulation records are private, even concerning members of a mysterious cult.)
The librarian, Miss Gottschalk (Sarah Shelby in an uncredited role), is only in this scene, which lasts just under a minute. She is white, late 30s or early 40s, with her hair rolled up in an unflattering style. She is wearing makeup and seems to be attempting a modern style in her dress — she’s even wearing nail polish! — but the end result is an ill-fitting suit that comes off as conservative when combined with her old-fashioned updo. Ultimately, she seems a bit desperate.
In mild Naughty Librarian fashion, she quickly responds to Hoag’s flirting, who shamelessly seizes the opportunity to obtain the books the cult members have checked out. He uses the pretense of giving gifts because “nothing nicer than a book for a gift” and gets on her good side by complimenting her hands as “so slim and capable” (such flattery!).
At first, she demurs, “I’ll have to get permission” to look at the closed-shelf books, but soon breaks out an attempt at a coquettish smile. But “since [Hoag] is over 21”, she gets the books he’s looking for, after first flipping through her card catalog files to find the names and titles he’s seeking. Basically, Miss Gottschalk sells her soul — in less than a minute! — for a few cheap compliments, breaking the rules to provide him restricted books taken from the private records of library patrons (aarrggghhhh — again, totally unethical and illegal behavior). As Ray & Brenda Tevis sum up this scene in The Image of Librarians in Cinema 1917-1999, “the extent to which filmgoers believe Gottschalk’s behavior is transferable to working librarians depends upon whether they believe that reel librarians accurately reflect the ethics of working librarians” (46). In this case, let’s hope they don’t!
She is a less extreme version of the Naughty Librarian — you can tell she wants to let her hair down after work and is seeking opportunities to do just that, with her (sadly inept) flirting. And she does engage in illegal behavior — for shame! — but it’s not to the extremes of violence as other Naughty Librarians (see Personals). She also serves the role of the Information Provider, providing Hoag with the clues he uses to follow the cult’s trail.
- The Seventh Victim. Dir. Mark Robson. Perf. Kim Hunter, Jean Brooks, Tom Conway, Isabel Jewell, Erford Gage. RKO, 1943.
- Tevis, Ray, and Brenda Tevis. The Image of Librarians in Cinema 1917-1999. McFarland, 2005.