Getting carried away

Reel Librarians  |  Carrie title screen

Title screen for the TV remake of Carrie

In the TV remake of Carrie (2002), a plodding by-the-numbers mediocrity filled with actors too old to play high schoolers, the school library serves as the setting for several small scenes throughout the film.

Three minutes in, a teacher calls out Carrie (Angela Bettis), saying she’s been excused as per her mother’s request (Patricia Clarkson, too little seen in this remake). “You might as well head down to the library right now.” This introductory statement sets up the library as a more social place, and indeed, we soon see the school library filled with students, hanging out throughout the library, at tables and computers and in group and individual study spaces.

In this school library scene, the camera peeks in behind Carrie, busy doodling pictures of a boy named Tommy Ross, and looks up. Her perspective reveals the real-life Tommy (Tobias Mehler), and in the background, a peek at the school librarian (played by Irene Miscisco).

Reel Librarians  |  'Carrie' library shot

Carrie’s object of affection, Tommy Ross, in the foreground, while the school librarian is visible in the top right corner

A boy — credited as “Obnoxious Student,” and billed right above (!) the school librarian — starts poking fun of Carrie and making loud sex noises and gestures. Tommy responds by throwing a book at the kid’s head, causing a string of profanity from the obnoxious student. This very loud scene garners NO response at all from the school librarian. SIGH.

Twenty minutes later and after a traumatic scene in the school gym, Carrie rounds the corner into the school library. The camera’s perspective, once again, peeks over a character’s shoulder, this time introducing us to the back of the school librarian’s head. We also see that the librarian is reading a tabloid magazine!

Reel Librarians  |  The school librarian in 'Carrie'

The stereotypical physical characteristics of this school librarian, decked out in thick glasses and lanyard, are juxtaposed with the images in the trashy magazine she’s holding.

Carrie, obviously nervous, is brave enough to ask the school librarian a question.

Carrie:  Mrs. Johnson?

Librarian:  Yes, dear? [hurriedly stashing away the magazine]

Carrie:  Can you show me how to do a search?

Besides my annoyance at yet another librarian character not being allowed a character name in the credits — even though she’s referred to by her personal name in the film! — I frowned at the significance of this scene. Why show the librarian reading a tabloid? By the guilty way she puts it away, Mrs. Johnson is obviously embarrassed to be caught reading the tabloid.

Is the reason for this shot to demonstrate the ineptitude of everyone in the school? Every authority figure in the school, however well-meaning, is shown in a not-so-flattering light in at least one scene. The gym teacher (Rena Sofer) sticks up for Carrie more than once but also shoves a student into gym lockers and verbally threatens her. The school principal (Laurie Murdoch) stands up for Carrie in front of an angry parent but can’t remember her name — even when corrected by Carrie herself. The school librarian apparently helps out Carrie in searching, but is also seen looking at a trashy tabloid on the job.

And how about that searching? The next shots reveal closeups of a woefully outdated search screen interface, as well as search results for the keyword Carrie types in, miracles. She gets a librarian to help her search, and all she can think to type in is the word miracles?! No wonder she gets wildly different search results, including:

Reel Librarians  |  Web search results in 'Carrie'

Result #6, “Jesus – Man of Miracles,” which puts the keyword in a religious context…

Reel Librarians  |  Web search results in 'Carrie'

… while result #22, “Miracle Underwear,” conjures up visions of Victoria’s Secret…

Reel Librarians  |  Web search results in 'Carrie'

… and finally, Result #26, “Miracles:  Hidden Powers of the Mind,” combines the keyword with paranormal activity.

And even though I didn’t get a good shot of it, after the 26th search result — the one Carrie clicks on about telepathy — there is a line that reads:  End of results. That made me laugh out loud! Even in 2002, there would have been more than 26 results for a generic search for miracles!

Reel Librarians  |  Library scene in 'Carrie'

Another shot of the school library

However little actual help the librarian provided, we do see Carrie in the school library one more time (42 minutes into the film), researching another web site about telekinesis. This time, she’s in a darkened room at the back of the library, writing in a (blank) notebook. When Tommy comes into the room and calls out her name, Carrie rapidly shuts her notebook — oddly mirroring the earlier gesture of the school librarian closing up the tabloid magazine! She also lies to Tommy about what she’s reading; she says she’s reading about sewing, foreshadowing her self-made prom dress.

In the middle of the library, Tommy asks Carrie to go to the prom with him, which attracts the attention of a gang of popular mean girls. Although the librarian is not pictured, it’s interesting how this very public scene — set in the library, already well-established as a popular place — sets in the motion the rest of the plot and the prom finale. Reel librarians often propel plots forward, but in this case, the library as place serves this function more than the librarian herself.

And by the way, even though we see other school officials at the scene of the prom, the school librarian Mrs. Johnson doesn’t appear to be one of the chaperones. But Mrs. Johnson does get to help chaperone Class IV, with other reel librarians seen only briefly in their respective films, and hang out with the other Information Providers.

In the Bloomington stacks

I have a confession to make. I often watch films set on college campuses in hopes of spying a library and/or librarian. Academia = research = libraries, right? ;) Sometimes it works out (2002′s Abandon), and sometimes it doesn’t (see 1952′s She’s Working Her Way Through College). And the gamble did indeed pay off while watching the award-winning indie film Bloomington (2010) recently through Hulu.

*SPOILER ALERT*

The film, ostensibly set at the University of Indiana in the city of Bloomington, is a coming-of-age drama about a young woman, a former child actress on a hit TV show, who attends college in order to have a normal life. In her first semester, Jackie (Sarah Stouffer) falls in love with a female psychology professor, Catherine (Allison McAtee) – but also gets a chance to return to Hollywood. What will she choose?

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The two central characters, Jackie (left) and Catherine (right), having a quiet (!) moment in the library

There are two scenes set in the college library, the first clocking in a little over a half-hour into the movie. There are several examples on my Master List of films that include sexy scenes set in libraries (see 1994′s Threesome, for example) — the same juxtaposition of sexy and serious underlies the Naughty Librarian character type, as well. And this is definitely a sexy scene,  albeit a short one rooted in the psychological “reversal of self-denial” theory. When Jackie comes across Catherine working on a scholarly article in a quiet space in the library, Catherine tries out her theory. The library as a place known for keeping quiet is the key to this scene.

Catherine:  So I figure if you’re so darn quiet when you don’t have to be [while making love in the privacy of Catherine's home], let’s see how quiet you can be when you absolutely have to. [leaning in to kiss Jackie]

Jackie:  Are you nuts? Stop.

Catherine:  Hold on to the desk. Trust me, you’re going to need it. Shhh, quiet.

They both stop short when they hear a sound (a pen dropping in surprise?), and Catherine flashes a mischievous grin.

Cured.

But things take a turn for the melodramatic when Hollywood beckons Jackie back, and Catherine’s and Jackie’s love affair is discovered. Turns out, professors aren’t supposed to sleep with their students, no matter their sexuality.

Side note:  Pay attention to those student and faculty manuals, y’all.

BloomingtonLibraryAttendantCloseup

At this point, I was thinking this would end up a Class V film — a library, but no sight of a librarian — but almost at the end of the film, there’s another library scene! As Jackie is preparing to leave Bloomington at the end of the spring semester, she brings in a huge stack of books into the library and up to the front counter.

The library attendant — most likely a student library worker — is quite young, with long blonde hair and a stylish white jacket. She is played by Megan Martz, seen at right.

Library Attendant:  Check out?

Jackie:  No, returning actually. I just want to make sure I’m not missing any.

And while this friendly library attendant is busy checking — and my heart sang at this small scene highlighting that yes, one must return one’s library books at the end of a semester! — Catherine enters the frame. She leans over the library counter to ask the clerk a question.

Catherine:  Hi, is the May edition of the journal in yet?

Library Attendant:  Give me one sec.

Catherine and Jackie catch up, as they are both leaving at the end of the term. The stack of books served as a framing device to separate the two ex-lovers, with the tall stack literally creating a barrier between the two. But as the clerk dismantles the stack, as seen below, the distance between them ceases.

What goes up must come down...

What goes up must come down…

Down come the walls of Jericho...

Down come the walls of Jericho…

Finally, the library attendant comes back with Catherine’s article. (By the way, don’t you love how this article links back to the earlier scene in the library, in which Catherine is writing said article?! :) )

Library Attendant:  Stark? One May edition of the Journal of Applied Psychology.

[Yes, that's a real journal. It's published by the American Psychological Association. I didn't even have to look that up! I work with psychology journals all the time.]

BloomingtonFrontCounter

And with a big, bright smile, the library attendant walks away, out of the frame and out of the picture, leaving behind a Class IV portrayal of a young, helpful Information Provider.

Librarian at first sight

The storyline of At First Sight (1999) is pretty simple:  Blind guy meets girl. Blind guy and girl fall in love. Girl wants blind guy to have an operation to restore his sight. Blind guy has the operation. More dramatic stuff happens.

I watched this film recently because I saw that it was available for free on my OnDemand movie list, and this film has been on my Master List for awhile. I even tried to watch it a few years ago but couldn’t get past the first 20 minutes. This time, I forced myself to watch the entire film. And, of course, I also took the opportunity to Facebook my experience:

Reel Librarians

At First Sight is really bad, y’all, and badly shot. It’s like the director, Irwin Winkler, wanted to make the main actors (Val Kilmer and Mira Sorvino) look as haggard and unappealing as possible. And even worse, the end credits revealed that the film is based on a true story! SIGH. Shirl and Barbara Jennings, you deserved better. Much better.

Although that pretty much sums up my feelings about this film, I do have to address the sassy librarian who makes an appearance about 15 minutes into the film. Virgil (Kilmer) and Amy (Sorvino) are on a walk through town, and Virgil is showing off his other sensory gifts while describing the town and its inhabitants to her along the way.

Virgil then hears rumbling car noises:

Virgil:  Here comes Nancy. She’s the librarian. Gets me any book I want in Braille. Hey Nancy!

Nancy:  Hey Virgil. I got that book in for you.

Virgil:  Still haven’t got that old jalopy fixed.

Nancy:  No, if I got it fixed, how would you know that it’s me?

AtFirstSightLibrarianHug

Nancy the librarian in ‘At First Sight’

Virgil then gives Nancy and Amy a quick introduction to each other, but Nancy, with a letter in her hands, is obviously on the move and running errands.

Nancy:  Gotta go. [to Amy] Be careful, honey. He’s all hands.

Virgil:  Be nice.

Nancy:  Yeah. [walks away]

Amy [to Virgil]:  Nice town you have here. Seems you’re very popular with the ladies.

AtFirstSightMeetGreet

Virgil’s friend, Nancy the librarian, greets Amy in ‘At First Sight’

The film credits reveals the librarian’s full name, Nancy Bender, played by Margo Winkler. I enjoyed this reel librarian’s spunk and breath of fresh air, a spot of realism sorely needed in this wishy-washy film. And come to find out, Margo Winkler is the real-life wife of the director, Irwin Winkler! Thank goodness he did right by his wife and the reel librarian character.

Nancy Bender, another Information Provider in a Class IV film, also joins a list of reel librarians who are never seen in their library work environment; instead, their professions are merely referred to. See also Ragtime (1981), That Touch of Mink (1962), This Happy Breed (1944), The Golden Child (1986), The Last Supper (1995), and The Asphalt Jungle (1950), among others.

Also, I couldn’t pass up another opportunity to highlight another Friends reference. This film, At First Sight (1999), is referenced in the Season 7 episode, “The One with Rachel’s Big Kiss,” when Chandler Bing is jealous of Ross and his Batman tux, until he finds:

An invitation to the At First Sight premiere? Oh my God! Val Kilmer didn’t wear this in Batman, he wore this to a premiere of some tutti-fruity love story where he played a blind guy! 

You’re welcome. ;)

Ever after, my library

The 1998 romance Ever After, starring Drew Barrymore, Anjelica Huston, and Dougray Scott and set during the French Renaissance, is one of my personal favorites. There’s something so charming and earnest about this film (despite Drew’s shaky accent). And it highlights the intelligence of Drew Barrymore’s Cinderella role (called Danielle in the film, or Nicole when she takes her mother’s name as a disguise), as she loves reading and views books as treasures not to be taken for granted. Attagirl! :)

About halfway through the film, Prince Henry (Scott) takes Danielle/Nicole (Barrymore) on a “first date” of sorts. This is how he makes his (smart) move:

Prince Henry: The Franciscans have an astonishing library. Since you are so fond of reading, I thought you might join me?

Danielle/Nicole:  It is not fair, Sire. You have found my weakness… but I have yet to learn yours.

Reel Librarians:  Ever After monastery library

The monastery library in Ever After, as seen from above, with a quick glimpse of the monastery librarians

They walk down the stairs of the monastery library and look over a railing at the monks in the library. Although we see the monks for a few seconds only, I am categorizing them as monastery librarians. These Information Providers can carry on with their work in the Class IV section of librarian films.

As they lean over the railing and drink in the sight of all those books, Henry challenges Danielle/Nicole on her love of reading.

Prince Henry:  Pick one. [a book]

Danielle/Nicole:  I could no sooner choose a favourite star in the heavens.

Prince Henry:  What is it that touches you so?

Danielle/Nicole:  I guess it’s because… when I was young, my father would stay up late and read to me. He was addicted to the written word. I would fall asleep listening to the sound of his voice.

Prince Henry:  What sort of books?

Danielle/Nicole:  Science, philosophy. I suppose they remind me of him. He died when I was eight. Utopia was the last book he brought home.

Prince Henry:  Which explains why you quote it.

Danielle/Nicole:  I would rather hear his voice again than any sound in the world.

Henry turns away and walks down the stairs, as seen below.

Reel Librarians:  Ever After monastery library

An open book — a Bible, perchance? — in the monastery library in Ever After

Danielle/Nicole:  Is something wrong?

Prince Henry:  In all my years of study, not one tutor ever demonstrated the passion you have shown me in the last two days. You have more conviction in one memory… than I have in my entire being.

And in the film, she inspires him to found a university! ♥ Later, he reveals his master plan to his parents, King Francis and Queen Marie (in real life, King Francis I and Claude, Queen Consort of France):

I want to build a university, with the largest library in Europe, where people of any station can study, no matter their station.

Reel Librarians:  Ever After monastery library

I was able to capture this cool transition shot of the library juxtaposed with Dougray Scott’s face. Two handsome shots in one!

And did he? Hmmm… not so much. In real life, it was Henry’s father, Francis I (who ruled France from 1515-1547) who was well-known as dedicated patron of the arts and libraries. He greatly improved the royal library by expanding its collection and opening up the library to scholars around the world (meaning Europe, I’m sure). In 1537, Francis I also signed the Ordonnance de Montpellier into law, decreeing that a copy of every book to be sold in France also had to have a copy deposited into the royal library. Although apparently this decree was not widely followed (and abolished during the French Revolution in the late 1700s), it does provide a precedent, hundreds of years later, for the Library of Congress!

What was Henry II known for in real life? Although apparently not a great supporter of libraries — or perhaps overshadowed by his father’s love of libraries? — Henry II did introduce the concept of patents to document personal inventions.

For libraries and archives, this father-and-son duo had it covered! :)

Criminal law librarian

In the 1988 legal thriller Criminal Law, Gary Oldman is almost unrecognizably bland as lawyer Ben Chase. After successfully defending a wealthy client, Martin (Kevin Bacon), against a murder charge, Ben finds out that Martin is, indeed, guilty. Oops. What’s a hotshot lawyer to do? Get drunk and pass out in your living room? Check! Reveal top-secret details of the crime by shouting on the street at a victim’s roommate? Check! Violate ethical codes by working with a police officer against his client? Check!

No doubt troubled by all his ethical violations, Ben goes his alma mater’s law library to talk to an old professor. Occurring a little over a half hour into the film, the camera pans around the double-decker library, lingering over statues and rows and rows of volumes. The light streaming in all the windows is quite atmospheric, doing its best to add some drama to this drama.

CriminalLawLibrary

Rounding a corner, Ben finds his old professor, Clemens (Michael Sinelnikoff), sitting on a library ladder and decked out in a long, grey cardigan. An older lady (Irene Kessler) is handing him thick volumes and helping him shelve books. At first glance, it’s hard to tell which is the librarian! :)

Note: That’s when credits really help out, as Irene Kessler’s role is listed as “Librarian Peggy” (ding ding ding, we have a winner!).

CriminalLawLibrarian2

Professor Clemens calls out from atop the ladder:

Ben, here, give me a hand? And we’ll let Peggy get back to work.

Peggy:  He’s a hard master.

Ben: You’re telling me.

Peggy, also decked out in a long cardigan, then disappears down a back staircase. Onscreen for only a few seconds, she joins the Class IV category of librarians. Although we hardly see Librarian Peggy, it’s obvious she has a warm rapport with both the professor and former student.

CriminalLawLibrary2

And based on the subsequent conversation (Ben to the professor, “You’re giving these away? Your collection of quotations?”), the professor has donated his collection to the law library. Later, we find out why, when Ben visits Professor Clemens in the hospital, who is quote-worthy and optimistic even on his deathbed.